wers nicht fühlt, 
zählt halt seine Arme. 


I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Bio: 

Hailing from Germany, Mike Maass started his career back in 2009. His signature sound is a well-crafted blend of driving, energetic, heavy hitting techno.

With his hard work and consistent releases on top labels like Trapez, Brood Audio, 1605, TK Records, 069 Techno and his very own "Black Circus", Mike has cemented his position as one of the most exciting new talents to keep an eye out for.

Mike has been showcased at clubs like Tresor, Butan, U60311, Villa Rouge (FR), Bootshaus, Borderline(CH), Toika (CA) and LVC (NL). He has had the honor of dropping his throbbing techno sets at countless festivals like Nature One, Ruhr in Love, Heaven & Hill, Feier Rhein and Open Beatz.

With several collaborations and remixes under his belt, Mike has worked with many other artists like Hans Bouffmyhre, Adam Jay, Yan Cook, Subfractal, Niereich, Torsten Kanzler and Spark Taberner.

Mike Maass is setting his goals high and is already reaching the uppermost echelons of the genre so watch out for his exceptional shows all around the world.

In the end of 2018, he decided to quit his career after eight years going on tour every weekend. New plans were already made. It's time to say goodbye. Thank you all and all the best for everyone.

PAPPENHEIMER:
https://linktr.ee/pappenheimerofficial

FOR BOOKING MAIL TO:
booking@dancefield.com

BOOKING REQUESTS
World: heike@familyaffairs.de

https://linktr.ee/torstenkanzler

Torsten Kanzler stands for impulsive and powerful techno. Like a chief engineer he operates his set and takes the crowd into a universe of mind-blowing drum-arrangements, creaking synths and warm growling basslines, using „Maschine“ of Native Instrument, two Allen & Heath Xone K2, and an iPad. His direct interaction combined with a spontaneous set with up to four decks spinning make his sets a true happening.
His gigs in all the high places around the globe stand for powerful and profound techno as well as his numerous productions, which make their way into well-known international acts' record bags. Numerous releases on in-demand labels or his own with passion run imprint TKR stand on their own and reflect his obsession and love for techno. Whether as a DJ, producer, or remixer Torsten Kanzler lives techno.

A musical vision attempting to encapsulate the power & beauty of the Cosmos within the confines of techno music. This is Cosmic Techno. This is Pleasurekraft.

For bookings: 
Lars@telosartists.com
North/Central/South America : Contact@kraftekmusic.com
Australia: Mike@thickasthieves.com.au

OFFICIAL WEBSITE: 
http://www.pleasurekraft.com

Facebook
http://www.facebook.com/pkmusic

Instagram: 
http://www.instagram.com/pleasurekraftofficial

YouTube: 
http://www.youtube.com/user/pleasurekraftreal

Spotify: 
https://open.spotify.com/artist/4ipS3ZbqP46bs124yqp9N4?si=gijSFaABQ1u0AaDr_UBuxw



Resident Advisor Page
http://www.residentadvisor.net/dj/pleasurekraft

Der Umstand, als waschechtes Münchner Kindl am Fuße der Bavaria geboren, mit drei Monaten Augustiner-Biergarten- und mit sechs Monaten Augustiner-Wies'n-Besucher zu sein bescherte ihm zwar zum 1. Geburtstag noch eine Lederhosn mit Wadlstrümpf, aber auch das Outfit zum Wies'n-Jung-Dirigenten der Augustiner Boxe 8 und somit erste Publikumserfahrung im Alter von nur 3 Jahren. Dennoch bekam er zum 7. Geburtstag seine erste Techno-CD geschenkt und Dank seines früh ausgeprägten Technik-Faibles schloß er schon bald Bekanntschaft mit dem Internet und blieb somit fortan dem Trend des Techno-Stils auf der Spur. 

Ab 2008 sammelte er praktische Erfahrungen in der Münchner Clubszene und durch Besuche der einschlägigen Locations infizierte er sich sehr schnell mit dem DJ-Virus, der ihn seitdem nicht mehr loslässt. Allein die Tatsache, nur durch das Kratzen einer Nadel über eine Schallplatte ganze Menschenmassen zum Tanzen animieren zu können, faszinierte ihn so sehr, dass er bereits einige Monate später durch Freunde den Kontakt zu Mischpult, CD-Player und Plattenspieler fand. Selbstverständlich mußte dann im Sommer 2009 sein eigenes DJ-Equipment bestehend aus zwei CD-Playern und Mixer her und schon einige Monate später suchten zwei "1210"er den Weg in sein Zimmer.

Im Mai 2010 hatte er in münchens "Mondscheinbar" seinen ersten öffentlichen Auftritt und etablierte sich dort schon nach kurzer Zeit zum Resident. Um sein Talent ständig unter Beweis zu stellen, verpasste er natürlich keine Chance auch auf privaten Afterhours zu spielen. Münchner Clubs wie "Vier-Eck" (altes Strobe), "Grinsekatze", "Palais" "StadtKlub", "Ampere", "Backstage", "Babalu", "8 Below", Bullitt Club", „Rote Sonne“, „Harry Klein“, "Pathos", "Tante Erna", "Skar", "Praterinsel" sowie diverse „Offlokations“ folgten, aber auch außerhalb der Stadtgrenze legte er bereits in der "Mahagoni-Bar", "Ideal Club" und "Ballon Fabrik" in Augsburg, "Boiler" in Regensburg, "Buddha Club" in Steinebach, "Aden Soundclub" in Ebersberg sowie im landshuter "Club Bauhaus" auf.

Die äußerst markanten Fadereinsätze und die spezielle Auswahl der Tracks sind die Stärken, die ihn auszeichnen. Beides ließ ihn schnell in der münchner Techno-Szene Fuß fassen, in der er sich mittlerweile als "Mein Anwalt" einen guten Namen gemacht hat.


seit Oktober 2011 Resident Grenzfrequenz MUC

seit Mai 2011 Resident Global Convention MUC

seit Juli 2011 Resident Gute Laune Hoch 10 MUC

Mai - Dez 2010 Resident Afterhour Mondscheinbar MUC

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