Awesome work. Cool groove. Fit very well to Cecilias song!

can always feeling emotions in all your songs 🎤🎧🔊🔊🔊🌏🌎🌍Global sounds 

Geez how did I miss this Special track 🙄🙄. AWESOME work Cecilia & Dean - Partners in Vibes

ISN'T IT ALL STRANGE?

Taken from "The Goddess Pages" by Laurie Sue Brockway

For Those Who Want To Move On

Ce que l'Homme a cru voir

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitar

This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honoured than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.

(Original lyrics by The Perfect Dark)
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain (The Beautiful Dark with Eclectic Collective)

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a late-night improvisation over a poem by German writer Christian Morgenstern (1871-1914). 
Cover: Ink drawing by Gunther Benedict

Der Wasseresel

Digital Age

Ice Cave

Computer Data Discharge

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

The Joker

Drive time (Mix 2, October 28, 2019)
Mix 2 changed pan and compression on acoustic guitar to bring it forward in the mix. 
Mix 3: April 7, 2020 reprinted to a 1/4 inch 2-Track Tape MCI JH-110
Written, performed, and mixed by Tim Griffis at Princeton Studio. Thanks to Rene, Kevin, and Andrew for comments on an early mix. Always appreciate the feedback. 

Hope you like the sound ;-)

Technical Details
Recorded at Princeton Studio
Guitars: Guild Acoustic, Fender Strat; Les Paul Standard; Fender Squire Bass

Mics: Neumann TLM 67 and AKG C414xls
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 16 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)

Lyrics

Verse 1
The demons inside your head, they're on fire
It's making it hard to fake your smile
you're cool on love, it's breaking you down
it's a simple life, in this heartbreak town 

Chorus
You fake a smile at me - I don't mind
Come see the world with me - it's our time
We'll find a cure for you - it's drive time

Verse 2
You're stronger than steel, you gotta heart of gold
The cells in your blood won't leave you alone
It's a rare disease, one step at a time
It's making it hard to fake your smile

Chorus
You fake a smile at me - I don't mind
Come see the world with me - it's our time
We'll find a cure for you - it's drive time

Bridge/Verse 3 
no lyrics
Enter Heavier Guitar Sound (Gibson Les Paul Standard)

Chorus
You fake a smile at me - I don't mind
Come see the world with me - it's our time
We'll find a cure for you - it's drive time

Drive time

Hey, here is a new collab with @specialececilia my special partner in vibes!!   
Here is our album https://soundcloud.com/ricochet8888/sets/special-cecilia-rico-collabs
Enjoy 
Dx

Forward **Cecilia and Ricø ** House Dub

Music & Mix by Rizzlic https://soundcloud.com/rizlix
Lyrics & Vocals : Special Cecilia    https://soundcloud.com/spacialcecilia
Dan aka Rizzlic made this Super New Version with my Vocals from "Same Planet" 
& ask me to put it in here on line :)

Original Track ;   https://soundcloud.com/spacialcecilia/meme-same-planete
Other Version :  https://soundcloud.com/ricochet8888/same-planet-2-step-demo

CHILDREN Of The UNIVERSE *** Rizzlix feat Special Cecilia

Hans Albers:  All instruments, arrangement, production and final mix
Terry Reeves:  Lead Vocal

Like many relationships, mine and Jo’s started at work and I think the fact that we were always holding hands soon made our feelings pretty clear to everyone.  Holding hands has always felt special to us and through every life event, good or bad, our relationship has been strengthened by having this powerful physical connection.

So how else would you celebrate 30 years of marriage other than having a full size bronze statue of yourselves holding hands?  Sounds relatively straightforward but, sadly,  this eventually proved to be a little optimistic, given that it involved not only ourselves but one artist (who was as mad as a hatter), an assistant (who had never done the procedure before), three buckets, one stick, a wooden stool, something called alginate (the stuff dentists use to cast teeth), bronze (naturally), one foundry (which burned down, necessitating finding another – this actually did happen) foundry workers (number unspecified) and someone to organise the whole creation (that would be me).  Piece of cake.

Anyway, as you can see from the cover pic, it was finally completed in time for our anniversary and now sits a couple of feet away from my chair, a constant reminder of the wonderful life Jo and I have had together.  This love song tells that story – the two of us holding hands as we always have done and always will.

Hans’ interpretation, arrangement and recording of such a personal song is simply brilliant, capturing as it does every nuance with each simply perfect note.  Working alongside him is always such a complete pleasure.  If you want to get full value from his astounding work, I’d recommend using headphones.

Thanks so much for listening.   (Terry Reeves) 

Thirty years of holding hands
Palms Face to Face
A single hold linking two
No more dismal dark to trace
Connecting skin with strength 
Stop thinking of the past
Future brings no worries 
This simple join is here to last 

Pressing with the lightest touch 
Making sure we don’t offend
Working both together 
Showing strength is hard to bend
Feeling joined as one
To make a single change 
Holding hands is more important 
Than the world tries to explain 
(Repeat)

BREAK 

Love with fingers clenched 
But a softness touch to heart
Making special art of love
Using hands showing just how much
In this sequence of just thirty years
Giant secrets find a way to shout
As we hold our hands together 
Squeezing all the sadness out
Squeezing it out

Fearless love in bond of hands 
So tight and never letting go
A feel of chain reaction 
There’s many will never know
Can’t challenge this connection 
No matter what whispers say
Showing those who care to look
At our skin to skin performance 

Every day, every day, every day, every day .....................

Palms Face To Face: Cripple Club & Hans Albers

An old open collab from the ever brilliant Paul, with his irresistible burbling bass lines. I added rhythm,  lead and some feadóg (Irish whistle). Thanks for the inspiration Paul, once again.

https://soundcloud.com/paploviante-and-friends/phoenix-paploviante-open-coll

Hope you're all behaving nicely to one another 
Be good

Image: Deviant Art

Nick

Phoenix - Paploviante and ♤

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

Music, the spice of life

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Dean

(Don't follow me here, best on my main page ;)

Forward Cecilia and Ricø House Dub

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