Artist, producer, label owner and DJ Lee Gamble bringing an oneiric bi-monthly show of current sound and music from his hallucinated musical continuum. Expect anything from Drill to Dream pop, Conceptual Sound and Jazz to bleached out rave memories..  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/lee-gamble/episodes/lee-gamble-22nd-december-2025

Lee Gamble 221225

Recorded live at Why So Serious? 2025, this hour is pulled straight from a b2b that had the room moving the whole time.

Rama brings warmth and depth through hypnotic house grooves and subtle swing, keeping things emotional, rolling, and heavy in the right places. Mink pushes the energy forward with confident movement and a strong sense of control, threading house and techno together in a way that keeps the floor moving.

This was a bumping, no-nonsense session that stayed locked from start to finish, the kind of set you keep coming back to. 

Recorded live from the booth at PÁN/H0L0.

Mink b2b Rama DJ Set @ ReSolute: Why So Serious 2025

When we talk about it, it makes you want to smile, but at the same time your eyes can fill with tears. And, speaking about saudade, I have a lot. Sunday is a saudade called Minas Gerais. Of the dreams I dreamed, of others that I didn't even allow myself to dream. In any corner of the world, saudade follows me, but especially in autumn. This sensation of things lost, past and future, grips me in the present. Sometimes it flows through my fingers, run over by the rush of everyday life. Saudade is what proves to us that we love, that we lived moments that were worthwhile, and that we have stories that deserve to be remembered. It's what connects us with what we were and who we were. Sunday is a day to remember everything you had, have and could have had. It's a time to be grateful, despite anything else.
To me, this mix conveys a feeling not only of nostalgia but also the alchemy of saudade into a deep moment of rest and introspection. Watch the sun's rays come in through the window and smell the lush birth of a new day. I hope this selection brings warmth and spurs energy for your day.

Words by @albindj

Tracklist:

U.e. - Froggy Explorer (28912, 2025)
Ross Alexander - Fresh Ice Cream (Sucata Tapes, 2017)
Stone - Achey (3 X L, 2025)
Black Sabbath - Planet Caravan (Vertigo Records, 1970)
Lars Barkuhn - Massai (Utopia Records, 2017)
Ezra Feinberg - Soft Power ft. David Lackner (Tonal Union, 2024)
Deux Filles - The Letter (Humbug, 1993)
Joanne Robertson and Oliver Coates - Gown (AD 93, 2025)
Unchained - Largo (A Colourful Storm, 2024)
Purelink - First Iota ft. Angelina Nonaj (Peak Oil, 2025)
Ark Noir - Anthocyanin (Molten Moods, 2023)
Milton Nascimento e Jobim Trio - Dias Azuis (Blue Note, 2008)
Skeleten - E Tusk (Self Release, 2025)
Robert Rich - Whispers Of Eden (Hearts Of Space, 1994)
Ludvig Cimbrelius - A Summer Yet To Come (Stereoscenic Records, 2024)
LAVURN - Kill +1 (Self Release, 2025)
Officer John - Handle (Wah Wah Wino, 2025)
Skeleten - World Facing (Self Release, 2025)
Sir Was - In The Midst (City Slang, 2017)
conforter2 - How To Arrive (Nous'klaer Audio, 2023)
Qur'an Shaheed - Dreams (Leaving Records, 2025)
Herbert & Momoko - Need To Run (Accidental Records, 2025)
Tom Skinner - The Maxim feat. Meshell Ndegeocello (International Anthem, 2025)

Follow us on social media:
@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Sundays are for... Albin

One of the finest minds in the hypnotic techno realm, we’re thrilled to welcome the return of long-time collaborator Deepbass for our 500th episode celebrations.

The Scottish maestro once again channels his deep-rooted passion for atmospheric soundscapes, delivering a measured, beautifully crafted session that seamlessly unfolds into a truly immersive experience.

Tracklist :

Bohdan - Tungsten (Deepbass Remix)
Claudio PRC - Focal Zone
Deepbass - Umbra
CUT - Affanno
Gentian - Cubic Zirconias
Adjust (BE) - Long Farewell
Bob Semp - Mangroves
Feral & Tozzi - Trip No Trip 4
Saebius - Kelpie
En.ka - Cygnus
FC Kahuna - Hayling (Kosmas Epsilon Remix)
Berkel - Kintsugi (Alexskyspirit Rework)
Deepbass - Sleepwalker
Deepbass - Odori
Feral - Vertigo
CHPTR - Forgotten Altar
Fernie - M Cave
CONCEPTUAL - Suspicious Move
Gentian - Reprisals
Deepbass - Suspended
Takaaki Itoh - Chaos (Deepbass Edit)
Basis Change - Palms
Deepbass - Aethfield
Cobblestone Jazz - Northern Lights (Deepbass Edit)
Deepbass-Skia
Ruben Ganev - Djarin
Deepbass - MM624
Fernie - Mind Meld

Follow :

https://soundcloud.com/deepbass

MNMT 500 : Deepbass

Happy 2026! Be lovely, be nice, be REAL! Love you!
Fellow of Neringa: Adomas Neringa FM  @adomas

Neringa FM LIVE: https://tunein.com/radio/Neringa-FM-898-s132729/

Adomas Neringa FM - Holistinis softpower failas

Side A of my cassette for re:lax
Browse the rest of the series and label releases: https://re-lax-sounds.bandcamp.com/

RLXTAPE001 - PRECIOUS ARTEFACTS - SIDE A

This is a recording of Sassmouth and Tony G playing records at Schubas Tavern on September 5th, 2025, from approximately 9PM-1AM CST at Gramaphone Records' 'Clark St Jams' residency night.

Sassmouth & Tony G @ Clark St Jams, Upstairs at Schubas Tavern 9.5.25

recorded in brooklyn @ the bakery

- subscribe  https://soundcloud.com/bake_some_bread
- youtube  https://youtube.com/@bake_some_bread
- instagram  https://www.instagram.com/bake_some_bread
- follow Miles Mercer https://www.instagram.com/miles_mercer

Miles Mercer - the bakery sessions

www.thetrilogytapes.com

Richard Youngs – Hidden II
Bhairavi Raman & Nanthesh Sivarajah – Kindling
"Kalaimamani" Kadri Gopalnath – Kangalidyatako
"Kalaimamani" Kadri Gopalnath – Ragam - Tanam - Pallavi
Mull – Cadaveric Dissolution
Épicerie De Garde – Survie Épicerie (cigarette à l’unité)
Vichy Pirate – Cette Balle Qui M'a Raté
Slutet – O Ziemia! (A Vision In Two Parts)
Vanessa Wagner – (Philip Glass) Etude No. 7
"Blue" Gene Tyranny – She Wore Red Shoes
Lugubrum – Isirhe
Skogar – City Morgue
Bembeya Jazz National – Guantanamera-Seyni

TTT NTS 05.01.26

An instrumental riddim is an integral part of a reggae song. It’s in other words a groove or a beat. Riddims can generally be categorized into three types: traditional reggae riddims, digital riddims from the 80s era and the dancehall riddims of the 90s. 
Although all of them are the fruit of the same tree, the riddims of the three types can in fact be completely different in sound and in rhythmic structures. In the period of 1990–2000, most riddims were minimalist and spare, often consisting only or predominantly of percussion and featured a basic 3-3-2 pulse, at a tempo of around 90–110 bpm. Having those properties even the smallest details like weird unmusical sounds or the silence in between those sounds with unique cracks and pops on B-sides of 7 inch records become amplified and play their own role. 
As riddims are usually used in dozens of different songs by different artists, they are often overseen. That’s where The Riddim Museum steps in. 
The Museum puts dancehall riddims under the magnifying glass leaving everything else out. It is a digital exhibition of music, concentrating into the smallest details. Let us present you the 45 seven inch records that spin at 45 rates per minute, excavated from all kinds of dusty record bins and different corners of internet shops.

More at http://riddimmuseum.com

Riddim Museum

An instrumental riddim is an integral part of a reggae song. It’s in other words a groove or a beat. Riddims can generally be categorized into three types: traditional reggae riddims, digital riddims from the 80s era and the dancehall riddims of the 90s. 
Although all of them are the fruit of the same tree, the riddims of the three types can in fact be completely different in sound and in rhythmic structures. In the period of 1990–2000, most riddims were minimalist and spare, often consisting only or predominantly of percussion and featured a basic 3-3-2 pulse, at a tempo of around 90–110 bpm. Having those properties even the smallest details like weird unmusical sounds or the silence in between those sounds with unique cracks and pops on B-sides of 7 inch records become amplified and play their own role. 
As riddims are usually used in dozens of different songs by different artists, they are often overseen. That’s where The Riddim Museum steps in. 
The Museum puts dancehall riddims under the magnifying glass leaving everything else out. It is a digital exhibition of music, concentrating into the smallest details. Let us present you the 45 seven inch records that spin at 45 rates per minute, excavated from all kinds of dusty record bins and different corners of internet shops.

Riddim Museum

Riddim Museum

Related tracks