Underground Traffic Session #006 // Aaron Naman

The On Target Podcast.
One full hour of the best Mod music all on 45rpm vinyl every week!

On Target #513

The work week is long, and Friday Is For The Working Class.  DetourDan brings you a loud and fast soundtrack for your commute into the Weekend.  

Friday Is For The Working Class Ep 62

Show # 90 / March 2025 
Listen ANY TIME. As many times as you wish !
www.soundcloud.com/sls-radio (Latest Show)

NOTICE: My website is no longer available....
This may or may not be the last show until I decide how to proceed.

Playlist:

 Jive A Tones	     The Wild Bird
 BQE 	             Countdown To Love 
 Jarmels 	     Gee Oh Gosh 
 Jive Five 	     Never, Never Lie 
 Royal Teens 	     Cool! 
 Billy Abbott 	     It Isn't Fair 
 Billy & Essentials  Maybe You'll Be There 
 Fiestas 	     Come On And Love Me 
 Mello Harps 	     Gumma Gumma 
 Videls 	     She's Not Coming Home 
 Soul Brothers Six   Some Kind Of Wonderful 
 Emerald Dreams      (Oh Gee) What A Girl 
 Turbans 	     Valley Of Love 
 Dappers 	     Baby You Know You're Wrong 
 Chantels 	     Take Me As I Am 
 Velvelettes 	     Since You've Been Loving Me 
 Avons 	             You Are So Close To Me 
 Duke Harmony 	     Acappella Rock And Roll 
 Danetta & Starlets  Impression 
 Roy Tyson 	     I Want To Be Your Boyfriend 
 Sweethearts 	     What Did I Do (What Did I Say)

SLS # 90

An excerpt from ANTHNY GBRIEL'S all-vinyl soul set live from Kali Uchis' 'Sunshine & Rain...' music video premiere.

live from sincerely, Kali Uchis

Late night juggling on the Pretty Please Riddim at my crib - I love this rare cut! Something you never hear out in the clubs

Pretty Please Riddim

Earthsurfaceopen - Version City - Dancehall Instrumental Mix

Sourced and remastered from the original vinyl recordings, this 60 minute mixtape shines a spotlight on rare hypnotic instrumental dancehall beats by the likes of Ward 21, Danny Browne, Bulby, Sly & Robbie, Fattis Burrell & Lenky, who are known for their seminal productions for top dancehall reggae artists Vybz Kartel, Sean Paul, Beenie Man, Bounty Killer, Buju Banton, Lady Saw etc.

- TRACKLIST -
1. Fatis Burrell - Homeless Version
2. Fatis Burrell, Sly Dunbar, Robbie Shakespeare - Revolution Version
3. Danny Browne - On Top Of The World Version
4. Ward 21 - Trilogy Version
5. Natural Bridge Crew - Bun Bun Version
6. Clevie Browne & Richie Stephenson - Street Life Version
7. Richard Browne - Intercourse Version
8. Alden Tyrell - Superstar Version
9. Ward 21 - Bada Bada Version
10. Ward 21 - Spring Water Version
11. Reggae Vibes Crew - Get Away Flex Version
12. Bulby, Collin Fatta & Karl Toppin - Coochie Version
13. Danny Browne - Punky Brewster Version
14. Sheldon Stewart - Fire Ball (2)
15. Jeremy Harding - Liquid Version
16. Classical People - Fig Leaf Version
17. Ward 21 - 18 Geez Version
18. Hot Ice Crew - 1999 Version
19. Lenky - Masterpiece 2.5 Version
20. Dave Kelly & Andre Tyrell - Big Squa Version

Earthsurfaceopen - Version City - Dancehall Instrumental Mix

Esta grabación es un verdadero tesoro rescatado de un viejo disco de 45 RPM, un viaje directo a mi niñez, cuando tenía entre 9 y 12 años, allá por principios de los años 70. El himno se titula "Nunca pierdas la esperanza de salvarte" y fue compuesto por Ángel Rafael Méndez, un gran amigo de mi padre y una figura musical entrañable en mi vida.

Rafael, fallecido hace ya muchos años, era un incansable entusiasta de la música sacra, con un talento natural para componer himnos en un estilo muy particular de aquella época. Aunque autodidacta en muchos aspectos y siempre humilde, era un multi-talento: compositor, cantante (llegó a estudiar con el maestro Sánchez Cestero), guitarrista y pianista. En aquel entonces, era un joven emprendedor que frecuentemente buscaba el consejo musical de mi padre, flautista consumado, quien siempre estaba dispuesto a ayudarle con sus arreglos.

Para este proyecto, Rafael reunió a un cuarteto de jóvenes cantantes muy principiantes de una humilde iglesia cercana a nuestro hogar (y no lejos de la tristemente famosa Calle 42 de Santo Domingo). En esta grabación, se puede escuchar la voz de Rafael como solista principal, con el cuarteto brindando un acompañamiento más de fondo. Los ensayos, llenos de esfuerzo y entusiasmo, se realizaron en nuestra casa.

Con el apoyo de mi padre, Rafael escribió una sencilla parte de violín para mí. Yo había estudiado violín brevemente a los 7 años, pero en ese momento estaba más volcado en aprender piano por mi cuenta y tenía el violín bastante olvidado. Mi padre vio en esta grabación una oportunidad para incentivarme a retomarlo. Así que, tímidamente, me uní al proyecto, junto a otro amigo, Ernesto Sánchez, al piano.

La grabación se realizó en los históricos Estudios Fabiola de Santo Domingo, en su antigua ubicación (cuyo lugar exacto ya no recuerdo). Lo que sí es imborrable es el sonido de la flauta de mi padre, también fallecido hace unos años. En esta pieza, él estaba en la cumbre de su habilidad, aportando un brillo y un ropaje armónico excepcionales con esas figurillas virtuosísticas tan suyas que enriquecen enormemente el arreglo.

Es importante señalar que comparto esta grabación principalmente por su valor histórico y sentimental. La calidad del sonido, lamentablemente, no hace plena justicia al talento musical que un buen oyente puede percibir. Se ve afectada por el paso de décadas, posibles limitaciones técnicas de la época y una preservación no ideal, presentando distorsiones y otras imperfecciones. Sin embargo, más allá de estos factores, la grabación captura la esencia de una época llena de música, colaboración familiar y entusiasmo juvenil.

Es un recuerdo vívido de mi padre, de Rafael Méndez (con quien colaboraría mucho más en el futuro en el ámbito musical de las iglesias), y de ese ambiente familiar donde la música era el lenguaje cotidiano. Una pequeña cápsula del tiempo de un momento muy especial.

Nunca Pierdas la Esperanza de Salvarte (Grabación de Infancia, c. Principios de los 70)

45 Sunday: All 7" Mix

Show # 91 / May 2025 - (Both Sides of the Record)
Listen ANY TIME. As many times as you wish !
www.njdoowop.com/slsradio
www.soundcloud.com/sls-radio 

NOTICE: My Web Site Is Back On-line with a new web provider

Playlist:

Willie Mitchell - Soul Serenade
Persuasions - Still Ain't Got No Band - (a cappella)
Corvells - Baby Sitting
Corvells - He's So Fine
Four Dots - Don't Wake Up The Kids
Four Dots - Pleading For Your Love
Jacks - Sugar Baby
Jacks - Why Did I Fall In Love
Rialtos - It Hurts
Rialtos - Let Me In
Selections - Guardian Angel
Selections - Soft And Sweet
Supremes - I Want A Guy
Supremes - Never Again
Swinging Hearts - Say It Isn't So
Swinging Hearts - Something Made Me Stop  (Stop Shopping Around)
Tune Weavers - My Congratulations Baby
Tune Weavers - This Can't Be Love
Velours - Crazy Love - (1958 Cub 9014)
Velours - I'll Never Smile Again
Persuasions - Papa Oom Mow Mow - (a cappella)

For release dates, labels and catalog numbers, please check out the playlist on my web site...

SLS # 91 - May 2025 (Both Sides of the Record)

Los Angeles native and based DJ.

anthony@anthnygbriel.com

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

☠ https://jockclub.bandcamp.com ☠
☠ https://manicusa.bandcamp.com ☠
☠ https://legionofdread.bandcamp.com ☠

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Street Light Serenade Radio hosted by Peter Moscatiello bringing you the best of R&B, Doo Wop and a cappella Vocal Group Harmony!  Main web site: www.njdoowop.com/slsradio

New tracks tagged #45rpm