“We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub.”
― William Gibson, Neuromancer 

''Be extremely subtle, even to the point of formlessness. Be extremely mysterious, even to the point of soundlessness. Thereby, you can be be the director of your opponents fate''.

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Dilettante : an admirer or lover of the arts
It was unparalleled, undreamed-of, that I, Humphrey Van Weyden, a scholar and a dilettante, if you please, in things artistic and literary, should be lying here on a Bering Sea seal-hunting schooner.—Jack London

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Dub Dilettante:
Combining these two, a dub dilettante is someone who enjoys listening to or even experimenting with dub music but doesn't necessarily have the technical skills or deep knowledge of a professional dub producer or musician. They might be someone who enjoys the sound of dub music, perhaps making their own mixes or edits, but without the same level of dedication or expertise as a professional.

Everyday Robots: The new solo album from English singer, songwriter, producer and composer Damon Albarn is out now: http://smarturl.it/itERalbumdeluxe

Montreal producer. Runs Archipel Musique: www.archipel.cc
Don't send me messages or demos through Soundcloud's messages - because it sucks! 
Email me instead.

Bookings (worldwide)
+ Remix, production, podcast, artist representation, mentoring requests (same email)

: info@pheek.com




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Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

I'm a electronic musician from Montréal, mainly remixing songs I like, as well as (slowly) making my own tracks. You can find here various remixes I did over the years.

Remix request / contact :
Ridumusic@hotmail.com

ETIQUETTE. NO|R

R|$E @flowaudio

SUBMIT || kevin@effortless-mgmt.com

Marc Leclair - Akufen - Horror Inc - The Stowaway - Hackufen
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Photographies:  Pétronille Gontaud-Leclair 2019


"Without music, life would be a mistake."
                 
                                   -Friedrich Nietzsche

A vinyl record label rooted in Berlin, committed to delving into the deeper dimensions of House and Techno. Established and led by Yossi Amoyal.

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