Deadline: 28th February 2024

All submissions to Haiku 529:

https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #529: A distant mountain / Seen in the sunlight: / A desolate field

Llorina secuencial porosa

CAN I FIND IT AGAIN

VIDEO - https://youtu.be/9J3ZFhL9tBE?si=4KHYyWI9YeT8c-UD

Thank you to those that have continued to follow this profile despite the dormant activity for over a year. 
I have deleted some old tracks and now have room for some new material to be posted here. (Which will all be downloadable)
For my complete music output please follow Mood Exhibit -
@r-salchaks-mood-exhibit

Blink Twice -  /dəˈvou(ə)r/

An electronic composition, sounds created in Pure Data.

Frisson  (naviarhaiku528)

Marco's wistful haiku inspired this solo improvisation on my Ibanez semi-hollow 5-string fretless bass (SRH 505F).
Recorded and mixed in Reaper, using effects from Guitar Rig 6.
Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

A Month For The Sea (naviarhaiku528)

Created in Cubase 12 with Native Instruments Kontakt VSTs and Dawesome Love, mastered with Ozone 10.

Inspired by Naviar Haiku 528:
https://www.naviarrecords.com/naviarhaiku528-whats-a-month-for-the-sea/

Photo by zenbytes (Costa Vicentina, Portugal 2013)

waves touch my feet - Naviarhaiku 528

Another exploration of Neutone_Gen, with the source material being created from the text of the haiku itself ...

A distant mountain
Seen in the sunlight:
A desolate field

Haiku by Takahama Kyoshi: https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202210/202210_12_en.html

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF seeN [naviarhaiku529]

This track was created for the Naviar Haiku group.
529
https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/

2024-02-22

A Distant Mountain ( Naviarhaiku 529 )

22Feb24

My naviarhaiku529 submission;
https://naviarlab.tumblr.com/post/742935142180487168/naviarhaiku529-a-distant-mountain
:D

A distant mountain [naviarhaiku529]

A track produced for the Naviar Records Haiku Challenge; 7 days in which to write and record a track in response to the haiku posted.

Seen In The Sunlight (naviarhaiku529) - Adrian Lane

Electronic composition, sounds created in Pure Data.

Desolate (naviarhaiku529)

Naviar Haiku Challenge 529
https://www.naviarrecords.com/haiku-music-challenge/

A distant mountain
Seen in the sunlight:
A desolate field

A desolate field-naviarhaiku529

During the late 90s to early 00s, I had taken piano lessons. One of the pieces I played were the Three Fantastic Dances by Dimity Shostakovich. This is a recording of the Waltz – Andantino, C major (it took me months to learn and some MIDI note editing to get there).

I used a bluetooth speaker, wrapped it in a muff, put a big cushion over it as if I were to choke it and recorded that. This instantly removed all higher frequencies. Everything below 1200 Hz is from the muffled recording with some Unfiltered Audio SpecOps treatment. The higher frequencies are from the original recording, with al little help from Unfiltered Audio Silo. In the mastering chain, there's a speaker simulation, which bandpasses the frequencies again to give it a nice, cheap feeling. 
_______________________________________________________________

Disquiet Junto Project 0634: Bust a Move
The Assignment: Record a piece of music on top of a muffled recording of a piece of classical music.

Step 1: Locate a public domain recording of a piece of classical music, perhaps at archive.org.

Step 2: In some manner, muffle the original until it sounds like it is being heard from underground or through a thick wall. Perhaps run it through a low-pass filter. Or actually record it through a thick wall.

Step 3: Listen closely to what remains of the recording after Step 2.

Step 4: Record a piece of music on top of the audio that resulted from Step 2, leaving that foundation audible to some degree.

Tasks Upon Completion:

Label: Include “disquiet0634” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0634-bust-a-move/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you. Optimally, it will be exactly the same length as the source audio.

Deadline: Monday, February 26, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 634th weekly Disquiet Junto project, Bust a Move — The Assignment: Record a piece of music on top of a muffled recording of a piece of classical music — at https://disquiet.com/0634/

Mufftakovich [disquiet0634]

폭염 (Burnin' The city)

Ari Karma - Grainy Days

MUSIC

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

LOUNGE NOISE - SYPHILITIC EXOTICA - RAW AMBIENT - SADBIENT

 ### Makes the show "Nya Ljud" on Camp Radio: http://arkivfeber.se/nyaljud.html

https://linktr.ee/rikardfvs

Twitter and Bluesky: @rikardfvs

Youtube: https://www.youtube.com/@sadbient

TikTok: @rikard157

Mixcloud: https://www.mixcloud.com/rikardfvs/

Bandcamp: https://rikardfvs.bandcamp.com

Spotify: https://spotify.link/EyeMydE7Oyb

Earlier project / Colloboration:
https://hetdonkseoog.bandcamp.com/album/dp016-hamnskiftet
https://soundcloud.com/great-learning-orchestra
https://soundcloud.com/twooegg
https://myspace.com/rikardd/

A desolate field-naviarhaiku529

rikardfvs

Recent comments

pedro duarte

PetriLahtinen

rikardfvs

Related tracks