Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.


Naviar Records store: www.naviarrecords.bandcamp.com

All submissions

haiku #548:The sound of silence / is all the instruction / you’ll get

Enjoy the accompanying visuals at https://youtu.be/Bh-qlCM85Es

The sound of silence
is all the instruction
you’ll get

Like other “Beat Poets”, Jack Kerouac was attracted to Eastern philosophy, perception, and poetry. Together with Ginsberg and Whalen, he helped “Americanise” the haiku form and introduce it to a wider audience outside of Japan.

“The American Haiku is not exactly the Japanese Haiku. The Japanese Haiku is strictly disciplined to seventeen syllables but since the language structure is different I don’t think American Haikus (short three-line poems intended to be completely packed with Void of Whole) should worry about syllables because American speech is something again…bursting to pop.

Above all, a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.”

(Kerouac)

Haiku by Jack Kerouac: https://livinghaikuanthology.com/index-of-poets/livinglegacies/2650-jack-kerouac.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF instructioN [naviarhaiku548]

Recorded, mixed & mastered 30 Nov 2023, 01 Dec 2023 & 03 Jul 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

Process notes

This started life in Nov 2023 along with Disquiet Junto 0622, which is to say a recording of acoustic guitar I made in 1988. (https://ift.tt/MwTqgeO)

Tools used - Ableton Live, a handful of Max for Live devices, K-Devices Shaper, AudioDamage Fluid, AudioDamage Ratshack Reverb, AudioDamage AdVerb, Monolake PitchLoop89 & Ableton native devices, along with iZotope Ozone 9 for mastering.

This original version of "The Distorted People That I Know" was submitted as part of Naviar Haiku 548, The Sound Of Silence

The sound of silence
is all the instruction
you’ll get

by: Jack Kerouac

Like other “Beat Poets”, Jack Kerouac was attracted to Eastern philosophy, perception, and poetry. Together with Ginsberg and Whalen, he helped “Americanise” the haiku form and introduce it to a wider audience outside of Japan.

“The American Haiku is not exactly the Japanese Haiku. The Japanese Haiku is strictly disciplined to seventeen syllables but since the language structure is different I don’t think American Haikus (short three-line poems intended to be completely packed with Void of Whole) should worry about syllables because American speech is something again…bursting to pop.
Above all, a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.”
(Kerouac)

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

The Distorted People That I Know (naviarhaiku548)

Guitar improvisation without touching the strings, only the volume poti. The prerequisite is high volume, Marshall JCM 800 and 4x12 Cabinet, line six delay, Overlord overdrive and Ibanez tube screamer, and the willingness to destroy one's ears. And,of course, a Fender Contemporary Strat, white.

Silent Breakers Naviarhaiku 548

This track was created for the Naviar Haiku group.
548
https://www.naviarrecords.com/naviarhaiku548-the-sound-of-silence/

2024-07-04

The Sound Of Silence ¨(Naviarhaiku 548  )

Part of the Naviar Records Haiku Challenge:

https://www.naviarrecords.com/naviarhaiku548-the-sound-of-silence/

YT: https://youtu.be/EF7JzK_bayM

YT Shorts: https://youtube.com/shorts/6WsDKy1r0XY?si=7zT4Kw9hqCWw5kgd

all the instruction-naviarhaiku548

Electronic piano tracks with a little reverb.

The Silence of Sound (naviarhaiku548)

2025-08-07

cold night

https://www.youtube.com/watch?v=KnGzufhe4i8

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

( LCEEM ® ) founded by Max Elzholz
Test No 3 - ios app
credit : free
https://apps.apple.com/us/app/dot-syn...
date :24-08-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

Daily video :
https://youtu.be/2QP6Ovv918g

Granular Sampler Test  No 3

Marco Lucchi : synthesizer and tape

*

playing with 
https://soundcloud.com/paul-beaudoin/sound-practice-disquiet0707

*

"My sound practice investigates the spiritual dimensions of listening through sustained tones, silence, and subtle transformation, inviting inward attention and expanded awareness."

Paul Beaudoin

practicing, matching and sharing - w Paul Beaudoin

PEST

The chamber of lost time

If you scratch the surface, nothing is revealed

Inspired by this haiku

dropped glass -
its ring
outlasts the fall

A duo jam (electric bass and tenor saxophone) I've been tweaking for a couple of months, ading textures and more subtle rhythmic elements.
Performed by Miguel Yanover (tenor sax)
and Daniel Diaz (bass guitar, synths, drum beats)
Summer 2025.

Poem by Darren Bourne
Photo by DD

@naviar-records
@half-unusual

@miguel-yanover

It Outlasts the Fall - naviarhaiku610

Little song for Natsume Seibi Haiku:

"Half-asleep eyes
open to a dreamlike world
of blossoms"


Half-asleep blossoms (naviarhaiku611)

Made for the haiku challenge 611 of Naviar records.

half-asleep eyes open to a dreamlike world of blossoms

by: Natsume Seibi

Natsume Seibi (1749-1816) was the son of a wealthy Edo rice broker and was acquainted with a number of other famous poets, including Oshima Ryota and Kobayashi Issa. In addition to his poetry, Seibi left behind a number of fine examples of haikai prose. 

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Blossoms (naviarhaiku611)

An electronic composition with dense and muted sounds created using Pure Data with additional reverb, delay, etc.

More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/.





Fog Muffles (disquiet0716)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

LOUNGE NOISE - SYPHILITIC EXOTICA - RAW AMBIENT - SADBIENT

 ### Makes the show "Nya Ljud" on Camp Radio: http://arkivfeber.se/nyaljud.html

https://linktr.ee/rikardfvs

Twitter and Bluesky: @rikardfvs

Youtube: https://www.youtube.com/@sadbient

TikTok: @rikard157

Mixcloud: https://www.mixcloud.com/rikardfvs/

Bandcamp: https://rikardfvs.bandcamp.com

Spotify: https://spotify.link/EyeMydE7Oyb

Earlier project / Colloboration:
https://hetdonkseoog.bandcamp.com/album/dp016-hamnskiftet
https://soundcloud.com/great-learning-orchestra
https://soundcloud.com/twooegg
https://myspace.com/rikardd/

all the instruction-naviarhaiku548

rikardfvs

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