Part of the Naviar Records Haiku Challenge:
https://www.naviarrecords.com/naviarhaiku588-the-past-immutable/

an icicle stabs-naviarhaiku588

Nur Atmen

More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/

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This track was produced using four Csound instruments that provided a variety of timbres. The structural framework was built using a chaotic algorithm written in Python which generated the notes for the score.

nos unideal - disquiet0718

ABSURD PROCESS

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " D 3V - NAM -Neuroplastic Aleatoric Music "
credit : digitakt 1

date : 20-10-2025
Video links :
https://www.youtube.com/shorts/xMy0lTEsP8Q
https://trampelfad.bandcamp.com/track/institute-benjamenta-live-recording

Fragments 7

Verde

24 7 30

gobb

First there was a common funky beat for 2 minutes or so. Then there was a bass played during those 2 minutes in a complete improv mood. Then a nylon guitar came breaking time. Then a steel guitar came bending time. Then some djembes, shakers and seeds came defying the beat and eliminating it.

In the spirit of mixing traditional instruments with free jazz approach, a simple though "we are lost in time" emerges.



Lost in time

Surfing Home

I LOVE creaky floorboards. ❤️ Always have. They’re the little confessions the world doesn’t know it’s making. How could it?

This particular set — oh, these sonic beauties — were discovered in a small museum in Lille, France. A place so very quiet you could almost hear the air move somehow. The curator said the building used to be a tailor’s shop. But the neighbours reckoned it had been an intelligence post during the war; the kind of place where secrets secreted themselves into the grain of the wood.

So I waited until closing time. Set up my recorder. And walked. Slowly.

Every step had its own personality — one a whisper, one a sigh, one a shriek like a door … perhaps remembering something it shouldn’t. Somewhere between the third and fourth creak, though, the air changed and tilted weirdly. You know that cold, coiled feeling — when you’re not sure if you’ve just been noticed by someone? But I was alone ... I WAS alone.

I kept recording.

Later, when I played the sounds back, there it was: a super faint shuffle beneath and between the creaks. A pause. Then two extra footsteps … that weren’t mine. Perfect rhythm. Perfect distance. Like a partner in a dance waiting years for the next cue, which had now arrived, years later.

So I built the track around that. A haunted duet between spy and spectre, each trying to decode the other’s silence.

Enjoy … if you dare. 🎃😈

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

more halF unusuaL

halF spooK [disquiet0722]

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - piano (and keyboards) sketch

LOUNGE NOISE - SYPHILITIC EXOTICA - RAW AMBIENT - SADBIENT

 ### Makes the show "Nya Ljud" on Camp Radio: http://arkivfeber.se/nyaljud.html

https://linktr.ee/rikardfvs

Twitter and Bluesky: @rikardfvs

Youtube: https://www.youtube.com/@sadbient

TikTok: @rikard157

Mixcloud: https://www.mixcloud.com/rikardfvs/

Bandcamp: https://rikardfvs.bandcamp.com

Spotify: https://spotify.link/EyeMydE7Oyb

Earlier project / Colloboration:
https://hetdonkseoog.bandcamp.com/album/dp016-hamnskiftet
https://soundcloud.com/great-learning-orchestra
https://soundcloud.com/twooegg
https://myspace.com/rikardd/