Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

all submissions

haiku #554: In the light of the lamp / I can see the wind - / snowy night

In the light of the lamp
I can see the wind -
snowy night

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.
 
Haiku by Ōshima Ryōta (tr. by Grzegorz Sionkowski): https://www.thepoetryhour.com/poets/oshima-ryota

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF liT [naviarhaiku554]

HAIKU MUSIC CHALLENGE

Naviarhaiku 554

In the light of the lamp
I can see the wind -
snowy night

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.
 

Haiku by Ōshima Ryōta (tr. by Grzegorz Sionkowski)

Picture by Ilias Gainutdinov

Submission deadline: 21st August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Snowy Night

Snowy Night (naviarhaiku554)

SenSen - Tenderness Abroad

This track was created for the Naviar Haiku group.
554
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

2024-08-16

In The Light Of The Lamp(Naviarhaiku 554)

See the Wind (naviarhaiku554)

Part of the Naviar Records Haiku Challenge:
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

in the light of the lamp-naviarhaiku554

My submission for Naviar Haiku Challenge #554.
Messing about with GForce OB-1 and Aparillo.

Night Light

Night Light - Naviarhaiku554

his was my contribution for Disquiet Junto Project 0659: Reading the Body. 

Here’s a copy of my post on the Disquiet Junto 0659 discussion thread on Lines:

Was going to interpret the markings on the cello as originally described in the prompt, but ended up taking a different approach. I used an online tool called Image2MIDI. It generated five tracks of 15 bar MIDI notes from the cello back image based on musical parameters I entered on a form. The tool appeared to use the overall light and dark shades of the image for note generation. I then took the MIDI file and imported it into Ableton Live. Instruments were assigned to each track – a mix of built-in and Fors.fm plugins. I made adjustments to the notes and looped them out to about three minutes. A little reverb was the only additional effect used. 

I could see investigating Image2MIDI some more, and maybe using it again as a staring off point for future experiments. I initially wasn't going to take part this week but am glad I did. The assignment turned out to be enjoyable, as well as a good learning experience, so I'm glad I participated. Pattern image by Andrew Ridley via Unsplash.

More on the 659th weekly Disquiet Junto project, Reading the Body — The Assignment: Interpret the markings on the back of a cello as a graphic score — at Disquiet Junto Project 0659: Reading the Body – Disquiet

Reluctant Motifs [disquiet0659]

Music made with Music Mouse by Laurie Spiegel.

More on the 659th weekly Disquiet Junto project, Reading the Body — The Assignment: Interpret the markings on the back of a cello as a graphic score — at Disquiet Junto Project 0659: Reading the Body – Disquiet

Piano Mouse & Patterns (disquiet0659)

just a quick sketch „on the road“ with my iPad.

Inspired by Naviar Haiku 554
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

Sample:
2008-08-19-normandie.mp3 by klankschap -- https://freesound.org/s/59216/ -- License: Attribution NonCommercial 4.0

in the light of a lamp - naviarhaiku554

Recorded, mixed & mastered 31 Mar 2018, 12 Jul 2008, 10 Oct 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

©2024 Jim Lemanowicz

Process notes -
I started in Reason, using a xylophone sound and two arpeggiated synths. I did two different versions. I brought the entirety of the second longer version plus some of the first into Ableton Live 12.1. Here, I added some alto sax from 2018 and a bit of a manipulated guitar recording from 2008.

Tools used - 
Reason, NN-XT, Europa, Ableton Live, Granulator III, alto sax, Cort Zenox, native Live & Reason effects, iZotope Nectar & Ozone. 

Artwork/Photography -
Manhattan, NYC, NY 21 Oct 2020

---

This original version of “Mister, Have You Seen My Dog?” was submitted as part of Disquiet Junto Project 0667: Neighbor of the Beast. The Assignment: What’s it sound like when the devil lives across the street?

More on the Disquiet Junto at: disquiet.com/junto/

More on the 667th weekly Disquiet Junto project, Neighbor of the Beast — The Assignment: What’s it sound like when the devil lives across the street? — at https://disquiet.com/0667/

Mister, Have You Seen My Dog?  (disquiet0667)

Remote Adherence

In parapsychology and Spiritualism, a psychomanteum is a small, enclosed area set up with a comfortable chair, dim lighting, and a mirror angled so as not to reflect anything but darkness, intended to communicate with spirits of the dead.

Created entirely with apps on IPad. No keyboards were harmed during the making of this track.

Psychomanteum

i gotta say
i been attending to the bank
like everyday
im making a play
just in the way
i be getting paid 
ian never like a bitch know that they ain’t on shit
i would never like a nigga playing all that he say she say
nigga im saying
you couldn’t be me
& then this fit
came straight from my hand
stay out the way 
i gotta say
you don’t get paid to be talking on me & that’s far as i seee
you niggas been sleep
better not beef
grudges i keep
i gotta do what niggas don’t do
i gotta woo who nobody can woo & i mean what i say
i do not play
i just get cakee 
don’t play with my cakee
im passing the phone to a nigga that’s wrong
for ever thinking i wasn’t go pop
like fuck out me face 
i gotta say
i got romaine it’s all in my chase
i hop on the beat dissociating
hop on the scene off a lil xan
got smoke in my throaat 
so how do i know
if i should quit
if i should tote
leave me alone 
if you not talm 
about a bag you can render me gone
keeping my attitude on
drinking on Rena to sippin on Rum
planning to fight a garcon 
i couldn’t wait til i could put niggas on
Merica falling like Rome
the plan is get rich get money alone
i be alone on the road
cus trusting is something im not
yes i make money a lot
do nothing but still be on top

(im hard.)

TRAPPING OUT THE BAG (Prod. Kayonothuman)

FAVOURITE FLAVOUR

blissful

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

LOUNGE NOISE - SYPHILITIC EXOTICA - RAW AMBIENT - SADBIENT

 ### Makes the show "Nya Ljud" on Camp Radio: http://arkivfeber.se/nyaljud.html

https://linktr.ee/rikardfvs

Twitter and Bluesky: @rikardfvs

Youtube: https://www.youtube.com/@sadbient

TikTok: @rikard157

Mixcloud: https://www.mixcloud.com/rikardfvs/

Bandcamp: https://rikardfvs.bandcamp.com

Spotify: https://spotify.link/EyeMydE7Oyb

Earlier project / Colloboration:
https://hetdonkseoog.bandcamp.com/album/dp016-hamnskiftet
https://soundcloud.com/great-learning-orchestra
https://soundcloud.com/twooegg
https://myspace.com/rikardd/

in the light of the lamp-naviarhaiku554

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