4 - ghost-town prod by Miiracle

Album art by enzeru/eksever

all plats

koroshiyas talkin listen up

might do a bit mo idk

always something different

time flies + OkHi

i dont get it freestyle

GLO (interlude)

Unpitched(prod.Spurrmob)

"It's better to remain silent and be thought a fool than to speak and remove all doubt" - Abraham Lincoln






[Verse 1]  
Jump out your body, get crazy, I’m on some new shit, find my way, yuh  
I think they don’t like the kid, I’m way too t’d, turn my libs up  
No, I can’t stop right now, I’m way too hot, I pull my bib up  
Yuh, I gotta pull my bib up  
Yuh, I gotta pull my bib up  

Annotation: "Pull my bib up" likely refers to getting ready for action, akin to pulling up one’s pants or gear before a challenge, a metaphor for preparing to dominate. "T’d" suggests being hyped or energized, possibly a nod to being "turnt up" in slang.

[Verse 2]  
Trap house jump like 23, you’ll think Jordan back, ain’t did enough  
I’m in this bitch t’d up, double C, I’m C’d up  
Niggas hate, can’t be like me, I’m just way too t’d up  
I was born a rockstar, was born to be a rockstar  
Dreads swinging, young rasta fari, known ta rock hard  
Fuck that, we flip cop cars, smoke weed and blow torch  
Ally way at 12, bitch, meet me on your skateboard  

Annotation: The reference to "23" and "Jordan" invokes Michael Jordan’s iconic jersey number, implying the artist’s trap house (a slang term for a drug house or hustle spot) is as lively as a comeback performance. "Double C" could reference Chanel or a personal flex, while "rasta fari" connects to Rastafarian culture, emphasizing the artist’s bold, rebellious identity.

[Bridge]  
We finna takeover (Yuh)  
We finna takeover  
We finna takeover (Yuh)  
We finna takeover  
We finna takeover (Yuh)  
We finna takeover  
We finna takeover (Yuh)  
We finna takeover  

Annotation: The repetition of "We finna takeover" serves as a chant-like declaration of dominance, a common motif in hip-hop to signal ambition and inevitable success. The "Yuh" ad-libs add energy and swagger, hyping the listener.

[Chorus]  
You always got something to say, hoe, STFU, move out the way  
You always got something to say, hoe, STFU, move out the way  
You always got something to say, hoe, STFU, move out the way  
You always got something to say, hoe, STFU, move out the way  

[Verse 3]  
How you feel? I feel great, I feel good  
I’m popping like a hood and my diamonds filled with boogs  
These niggas they gon hate what they can’t understand  
Just know I be the man, bitch, know I be the man (Heyyy)  

Annotation: "Diamonds filled with boogs" is a playful way of saying the artist’s jewelry is sparkling, with "boogs" possibly referring to the shine or clarity of the diamonds. The line "I be the man" reinforces the artist’s confidence and status, a staple in trap and hip-hop lyricism.

[Chorus]  
You always got something to say, hoe, STFU, move out the way  
Jump out your body, get crazy, I’m on some new shit, find my way, yuh  
I think they don’t like the kid, I’m way too t’d, turn my libs up  
No, I can’t stop right now, I’m way too hot, I pull my bib up  

---

GLO (interlude)

rill3t