Any chance to get tjis id ? 🙏🙏🙏 what a killer mix

😍😍😍 any chance to get this id !?

Hiiii someone has the ID?? amazing track <3

Adelaide-based British DJ, producer, and Isle of Jura and Temples Of Jura label head Kevin Griffiths aka Jura Soundsystem joins us for the 21st edition of the Off The Record Mix Series. Coming in at 1 hour and 30 minutes long, Kevin's eclectic mix is a true reflection of everything that Isle Of Jura stands for - including tracks from Art Wilson, Telephones, Hotline, Andrew Weatherall, I Level, William Aura and more. Head on over to Off The Record to check out the full feature, interview and tracklist. Enjoy! 🙌 bit.ly/OTRMIX21

Interview & Tracklist

Off The Record Mix Series 21: Jura Soundsystem

"A mellow collection of melodic tunes, including many personal favourites from my original, Toronto-based Good Timin' night and radio show (RIP). It's an all-vinyl session, and I had a lot of fun going through a bunch of my records that I just got out of storage. I was a little rusty on the Technics, so the blends are loose and carefree; a bit like how I might mix after a few glasses of vino! " - @jexopolis

B.P.T. Radio 020: Jex Opolis

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

A previous guest of honor at H.A.N.D. as we debuted the series with a recording of his first class workings at Have A Nice Day a few years back - Piers Harrison presents us with yet another generous offering to our new mix series. One of the minds at Test pressing and 1/4 of team Soft Rocks, Piers' insightful relationship with music and dance floor culture has clearly led to a discerning understanding in a wide range of genres - kindly displayed in this pleasant excursion - listen carefully :)
@soft-rocks

Sound Metaphors Mix Series 04 : Piers Harrison

After compiling the latest compilation for Soundway Records, DJ and producer Trujillo dives deeper into the deep and diverse well of Spanish Balearic, from synth-pop and boogie to house in its many forms.

Interview: https://www.stampthewax.com/2021/11/30/a-brief-history-of-spanish-balearic/

A Brief History of Spanish Balearic Mixed By Trujillo

Miami Local and Open Space Record label co-founder DJ Ray is this month’s guest on Invisible City. DJ Ray is one of the label's favorite DJ's a tastemaker and voracious digging machine. His mix features some dollar bin boogie to freestyle fave finds from his DJ bag.

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 10 am or 10 pm CET
🔗 kioskradio.com

Outsiders: Invisible City w/ DJ Ray @ Kiosk Radio 16.05.2022

The final 162 mins of a session in which it’s fair to say both the DJs - and perhaps the crowd - had been afflicted by Saturday Night Fever. Recorded live at Brilliant Corners on 02/04/22 (which was a Saturday).

What's Good? w/ Customs (Disco Special)

This man does not really need an introduction... All the way from Sidney Australia, it's Planet Trip label boss: Mike Who! I'm very happy with his all styles all smiles contribution for the podcast. The first hour you'll hear me, after that Michael will take controle. 
This is btw the last podcast, thanks to everyone who has/or still listens to Four Waves!
This is Mike Who: https://soundcloud.com/mike-who

Four Waves W/ Mike Who

——> Yoooooo we baaaack <——

 Compensating for the absence, we couldn’t be happier to present this 2,5 hour jaunt by the Australian/Greek Queen - Adriana.  You know the drip, get yourself some good refreshment because global warming isn’t the only thing making this late summer hooooot 🍹🧊🥵

ID Requests -> @goodlucktoyourdad

To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖
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TASCAM DR-05X

Adriana

Limited cassette version of the 1800 triiip series via @maybe-tonight - Zero ego or flex just smooth as butter blends moving through known, unknown & invisible jams from MT crates. 

Tape Design by Paul Conley

Physical copies available via our bandcamp

Buy - Limited Cassette

1800 triiip - Maybe Tonight - Hors Serie 2020

Who would have thought that such a fun, high energy mix could come from such a shit, low energy year, but our mates Customs gave us our favourite social dis-dance of 2020 – recorded live and direct from Costa Del Tottenham back in September!

ID requests to @customs_ldn

010: Customs at Rimbombo's Social Dis-Dance

Rimbombo

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