Be it for a never-ending string of his chart-topping productions and remixes, his electrifying DJ-sets or his warm personality, Mike Vale does indeed stand out from the myriad of generic-sounding peers. Mike’s story started in the vibrant music scenes of the early 2000s, where he dove into the raw energy of underground house and techno. Drawing inspiration from British and American house culture, he began to craft a distinctive sound that blends high-energy  beats, catchy melodies, and a little bit of nostalgia. His breakout track, "Pretty Woman", quickly became a tech-house classic and launched him into the global spotlight, solidifying his place among the top artists in the genre.
Over the years, Mike’s sound has evolved, but his music always carries that signature energy that gets people moving on dancefloors everywhere. He’s released on some of the biggest labels in the game like Ultra, Armada, Toolroom, Strictly Rhythm, Relief, Nervous Records, and has built a reputation for creating timeless tracks that stay in DJ sets year after year.
His rework of Danny Tenaglia ft. Celeda’s “Music Is The Answer” for Glasgow Underground shot straight to #1 on the Beatport House chart, becoming a festival anthem supported by big names like Fisher, Chris Lake, Claptone, Fatboy Slim, and BBC Radio 1. From Ibiza to Coachella, EDC Las Vegas, and beyond, Mike’s music keeps crowds moving and solidifies his place on the global stage.
Always pushing creative boundaries, Mike continues to experiment in the studio and collaborate with legends like Roger Sanchez. His DJ sets are an experience in themselves, blending his own tracks with fresh sounds and creating a dynamic, electric atmosphere wherever he plays. Mike’s connection to the dancefloor is undeniable, and his performances are a testament to his ability to read the crowd and create unforgettable moments.
Whether in the studio, behind the decks, or working with like-minded artists, Mike Vale continues to shape the future of electronic music with his innovative sound and global impact.

Facebook: https://www.facebook.com/pages/RINI-Shkembi/161541837203261
Beatport: http://www.beatport.com/artist/rini-shkembi/174990
Youtube: https://www.youtube.com/channel/UCGFeaLgmzn_vTanNm_OOSIg

Bio: Between love and music, there is this difference:
love can not give you an idea of the music, the music can give an idea of love.
Rini Shkembi was born in Elbasan , a beautiful and peaceful city that is considered the navel of Albania and grew up in Italy. From an early age was introduced to the world of music by his father , cultivated and influences from different genres of music especially hip hop, 90's, jazz, funk and electronics without losing the traditional Balkan music (where the sounds of flute and mandolin clarinet dragged a certain magic in various sounds).
Also attended and graduated in a music school in canto.
Rini associate the music to his  traveling to the moments and memories left by them. Then starts the passion for the disco music and traveling attends several major international and local clubs. Rini thinks that music is not a question of numbers but of emotions experienced, sounds that convey the purity of the soul, music can name the unnameable and communicate the unknowable .He starts playing as a disc jockey at 13 years old.
At  17 years old he becomes the resident dj of Helpiscoming  and he had the opportunity to play his music side by side with the greatest artists of these  years.
Always tried to assemble various kinds to reach a sound very experimental.
Creative, curious, engaging, unique style, transmits passion and adrenaline.
In his sets manipulates, transforms sounds in search of the infinite possible combinations challenging fees and prejudices.
He does not like to put limits to his  sound  in a single genre and is  easily perceive its roots house, heavily influenced by techno and deep more 'contemporary.
Always looking for new challenges and objectives,
Always experimenting with new ways, reinventing new languages.
The first of January 2012 was born AdMaiora records where Rini is one of the founders with his partner Gezim Vrioni. Admaiora is a label that knows no musical boundaries, mainly composed of young artists and international talent where there is the interweaving of cultures, art and tradition.
Rini thinks that nothing is impossible and like everything you love , if you will  done it with love at first ,  care and great effort you will do it very well.

Trippy Journey proudly presents Trippy Cat, a music label created in memory of Dollar, the beloved cat. For the past 20 years, Trippy Journey has explored various projects, constantly searching for his unique sound. This journey has culminated in the birth of Trippy Cat, a label that brings together friends and like-minded souls with a shared passion for authentic taste and vision. Through the label's art, Dollar the cat embarks on a cosmic adventure, traveling alongside Trippy Journey and other artists to explore new planets and worlds in the eternal quest for sound.

Originally from England, Stephen Day has been DJing for close to 18 yrs and has held residencies in the UK at clubs such as Gatecrasher (Leeds) and ‘The Empire’ (Middlesbrough); as well as many clubs / festivals all over Asia including Ministry of Sound, Stereolab, SupperClub, Kudeta, Ce La Vi, Avalon, Kilo, Kyo, W Hotel, ULTRA Music Festival, Neon Lights Festival, Gatecrasher (Indonesia) Potato Head (Jakarta, SG) Zoukout and more. He has worked alongside reputable DJs such as Frankie Knuckles, Roger Sanchez, Pete Tong, Boy George, David Morales, Dennis Ferrer, Norman Doray, Quintino, Danny Rampling, Supernova, Bottin, Late Nite Tuff Guy and Faze Action —just to name a few. As a producer, he has released tracks on labels all around the world, namely ‘Large Records’ (Chicago) and ‘Seven Music’ (Ireland) Chronovision (Ibiza);  Today, Stephen continues to spread his love of underground music all over the world!

Two guys from Aarhus Denmark, with a passion for house music.

For bookings and promos (please don't send demos):
actsafebesafe [at] gmail [dot] com


OWOW is broadcasting from unconventional locations allowing them to express their less obvious potential. 

OWOW is a platform for new and established artists to meet and inspire each other. 

OWOW is a time for the creative and cultural community to come together and bond by forming empowering experiences.

OWOW is a mix of communication utilities for artists, venues, institutions and a wide range of partners.

OWOW is an opportunity for partners and sponsors to invest in dynamic marketing and cheerful PR, as well as branding and awareness.

Want in? > https://bit.ly/GETOWOW

"Driven by Energy, Fueled with Synergy"

All of our @Resynance releases on Bandcamp:
http://resynance.bandcamp.com

After serving as bass player in several funk and rock orientated bands, Fyrone
began developing his interest in electronic music when he came in close contact with local producers. Sharing their deep interests in the aspect of sound, the group consisting of Den Haas and Close to Custom taught themselves the basics of music production and pushed each other to a bigger and better understanding of their sound.

In 2014, Fyrone and his companions initiated ‘Reset’, which served as a platform to bring back the culture of house music to their hometown. Inviting guests as Malin Genie, Lazare Hoche & John Dimas to their events, the Reset trio performed together on numerous club nights, festivals, boat- and afterparties.

To gain more insight in the theory behind sound, Fyrone invested the year 2016 to enroll in an audio engineering study titled ‘Sound Education’ in Utrecht, where he learned from several audio professionals in the field. Enriched with new knowledge he finished the course with a ‘cum laude’ grade in audio engineering, which gave Fyrone the confidence to continue his path on the road of music.

Things started to really light up for him in 2018, where his release ‘Fakin The Jax’ on Lemon-aid Music found its way in the record bags of Music On head-honcho Marco Carola. Getting played in the legendary Amnesia Ibiza and being charted as the favorite track of Marco’s Music On chart, confirmed Fyrone’s deep belief in his philosophy that we are able to achieve anything as long as there is a solid determination and consistent work process to your goals.

Shifting his sound towards the deeper realm of house resulted in a new chapter in the career of Fyrone. After having releases on Monocord Records, LaDeep and Conspiracy in 2019, his tracks got picked up and played by Chris Stussy of PIV Records, which eventually led to Fyrone’s first vinyl release on the ADE Sampler of PIV Records with his track ‘Sunshowers’.

After more than 10 years since Den Haas and Fyrone met, enriched with their experience in the field of music production and with their tracks getting noticed by the bigger players in the game, they fulfilled a life-long dream to start their own label together. Based upon the urge to resonate, connect, and synergize with(in) music, Resynance was founded in the summer of 2019 as a natural consequence to their many combined studio sessions of the past.

With the start of 2020 a new decade of music opened up for Fyrone. Full of confidence, experience and determination, he continues to build upon his signature sound, incorporating his beloved bass guitar with mesmerizing echoes and energetic breakbeats in the process.

With passion serving as his infinite supply of fuel, Fyrone’s eternal flame has more than enough energy to keep the music burning for decades.

IM HACKED on INSTAGRAM @djjodylynne is gone. PLEASE FOLLOW me @djjodylynne_offical and help me to share this !!!!!!!!!

for all booking inquiries:
restorationbookings@gmail.com

Vinyl purists, gear scientists, lo-fi tech-freaks and general purveyors of all forms of hardware, Lucretio and Marieu aka The Analogue Cops are the founders of Restoration Records. As the name so boldly suggests, their imprint has been heavily involved in the deconstruction and reshaping of the house and techno sound since the duo moved to Berlin from the outskirts of Padova – Italy’s unofficial underground music mecca – almost a decade ago.
After the digitalisation of music which evolved thanks to the ‘minimal’ sound of the early 2000′s, The Analogue Cops made it their objective to bring back the freedom and diversity which characterised house and techno throughout the 90′s. No more over-compression, no more sync buttons, no more reliance on sub-genres, but a return to the source of it all and to the basics of the art form: hands-on and heartfelt beat-making centred around a much more wide-eyed vision of dance music, one that still very much looks to the future and consistently makes reference to the utopian vision of the industrial dream.
Taking the sound from Detroit, Chicago, Berlin and from the United Kingdom as a point of inspiration, the duo have progressively nurtured their own style – gritty, loose, improvisational arrangements boasting a singular sampling touch – one which is both instantly recognisable as their own and also partly responsible for the current state of affairs in the game.
Never compromising their approach or deviating from their militant vision of what underground dance music represents, the Cops have collaborated with a number of trusted affiliates such as Blawan (as Parassela) and Steffi (as Third Side), among others. Since 2010, they have nurtured the Appointment project alongside Relative founders John Swing and EMG – a bi-monthly production jam of similarly minded artists – and have also appeared on a string of different side-projects and other labels including the UK’s Hypercolour stable. Their own imprints – Lucretio’s Machines State Polymers and Marieu’s Enlightened Wax – have further developed their respective sounds into the funky yet dark and tape-saturated grooves that they are today.
Performing either as a DJ duo or as a live act, Lucretio and Marieu’s sets contain the same levels of energy and a distinctly personal touch. The former can include everything from the productions of their tight-knit crews to forgotten 90′s house and techno gems and even shades of gritty broken beats, while the latter showcases the Cops’ own productions. This, of course, is performed strictly without laptops or software processors, but with a bunch of drum machines, a couple of sequencers, the latest outboard synths they’ve laid their hands on, a few boutique pedals and a whole load of analogue gear and circuitry.
Restoring and remodelling since 2006. The mission lives on.

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