Rinse FM Podcast

C to the Power of X with Doo - 26 June 2023

The in-demand US DJ unfurls dubby, dance floor poetry.

Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. 

This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. 

A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. 

"How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder.

@livwutang

Read more and find the tracklist ra.co/podcast/975

RA.975 livwutang

@2shy2dj

For cheeky Q&A with DJ Fart in the club... 

https://pipipi.life/mix/djfartintheclub

DJ Fart in the Club - 12.7˚

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https://www.instagram.com/deep_creep

pi pi pi with deep creep @ The Lot Radio 03-10-2025

Australian producer Cousin warms up for his performance at Horst Festival's Moon Ra stage.

Cousin @ Kiosk Radio 29.04.2025

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/secondcousin_

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

Cousin | Kiosk Radio x The Lot Radio at Horst Festival 2025

Thrilled to be welcoming NAP aka Daniel Rincón to series, the CDMX based DJ and producer with a unique gift for capturing the wonky, hedonistic feels of the after-hours in his signature extended mix styles. Packed with sleazy twists and turns, there's never a dull moment with NAP at the wheel! Electro-fied highway rollers masterfully sliced and diced for that maximum long haul recharge! @napmusick

Q. What sounds/feelings did you draw upon when gathering inspiration for this mix, and what environments could you imagine it being best enjoyed in?

A. I wanted to make a driving mix that featured a lot of vocals but in mutated and affected ways. Either as a centerpiece of the tune or via chops and sampling, the vocals carry a lot of the tension and thread of the mix which I wanted to balance across a mix of sleazy and dubby sounds. Perfect for a night drive or an afters with some bffs.

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Blacklight Sleaze (Dyed Soundorom Remix) by Peace Division’. I put it earlier in the mix as it's a bit of a fire starter in getting the mix boiling. This track is also an example of the use of the human voice in a classic but psychedelic/ experimental approach; many voices swirling around atop a sexy driving groove. 

Loose Control by Dino Lenny. Been playing this one a lot and I’d like to make mention to it because it hits a lot of the things that I like when playing a peacetime burner; driving arpeggiated Italo style baselines without being too garish, some dramatic silence drops that make you think the track stopped and then the use of the human voice as a melodic element displaced from language. 

Heart Misses - Heart Misses. This one is definitely in the pocket of  sassy/ minimal sleaze tune which encompasses the vibe of many of the other tracks in the mix as per the concept I had. Perhaps this one is also an evolution of my digging from having been really into electroclash growing up and playing a lot of that stuff across my DJ experience. This hits the reference points of that sound I grew up up with but perhaps actualized? More reduced, minimal but still sexy, driving, irreverent and trippy. 

Q. Tell us about the projects you’ve been most immersed in since moving to Mexico City, I know there’s a few!

A. Oh man, lots of collabs since I've been here! All a by product of new friendships and amazing connections I’ve made while being here. Stuff is still percolating and getting finished but Im very excited to put out new collab projects with Primordial Oh, Reedbriefcase and Tristan Arp; whenever the time is right. On the other hand I’ve also put the finishing touches on a collab project with my friend Pablo Arangoiz who I started jams with when he visited Mexico 4 years ago. Since then we’ve been working on a thesis on a specific type of experimental cumbia forward pieces which we’ve spent a lot of time and care on. 

As far as ACA, Phran and I have a lot of things on the pipeline which will hopefully get some releases this year. It's tough to get a lot of the projects we want to do out when we live in different places but we’re damn excited about all of them and aligning on getting a digi release out from Venezuelan Miniteca legend ‘El Mago. We also got some homie comps cooking up and some sassy merch coming up.

On the Ambien Baby tip, Soph and I have been jamming a lot every time we have the chance to but again, not living in the same place makes it a bit hard to wrap stuff up. Still the past year has yielded a lot of sick fire starter jams that hopefully we can zinch up before the end of the year. We also have a collaborative sound piece we made with our friend Florence Scott-Anderton some years ago for a show she had at the ICA some years ago. This one is a very dear collab for all 3 of us and I hope we can get it out before the end of year as well. Lots of stuff coming up and cooking up!