ripperton

This Is Ripperton

Electronic Love Collective - part 7

Electronic Love Collective 9

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels.

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

Pre-order

Ripperton - Contrails - ESP Institute 084

<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: normal; font-weight: normal; ">Ripperton – Niwa – Green (GR102CD)&nbsp;
Release date: February 01, 2010

<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: normal; font-weight: normal; "><a href="http://www.ripperton.com">www.ripperton.com</a>&nbsp;
<a href="http://www.myspace.com/raphaelripperton">www.myspace.com/raphaelripperton</a>&nbsp;
<a href="http://www.myspace.com/greenassociation">www.myspace.com/greenassociation</a>&nbsp;
<a href="http://www.rejected.nl">www.rejected.nl</a>

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11 - Leonor's Lanugo

Ripperton – Niwa – Green (GR102CD)

Release date: February 01, 2010



www.ripperton.com

www.myspace.com/raphaelripperton

www.myspace.com/greenassociation

www.rejected.nl



For more information please contact:

Hugh Bryder

PR &amp; Promotion

Tel: +44(0)7883 364 201

Email: hugo@ukf.net



Ripperton - Random Violence

Ripperton - Echocity - (Agnès unreleased MPC Jam mix)

Spiceworld

The Lady Is A Vamp

Marc Romboy's Systematic Recordings look to inspire once again with the release of an exclusive 'Mini-Album" from the Swiss producer, Ripperton. 

Following the huge success of "Niwa", his album for Joris Voorn's Green imprint and riding the constant wave of support for his productions on Music Man, Freerange, CLR, Versatile and of course his very own Perspectiv imprint, Ripperton looks to continue and further his reign as one of the most respected producers in the business with the release of "Lost In Colours." 

The Mini-Album opens with four new original Ripperton productions. "Lost In Colors (Tobias Welcome Song)" with its tear-like droplets and orchestral melody is the perfect opening act. The smooth vocal and warm acid line of "I Haven't Seen Much" follows, backed by the epic techno outing that is "Farraway." The originals are rounded off with the dramatic percussive cut, "Flume."

Feedbacks:


Luke Solomon - "LOVING I Haven't Seen Much. Will play for sure!"

Nick Warren - "Always a huge fan of his wor

Ripperton feat. Hemlock Smith - I haven't seen much

Ripperton - Farraway (Petar Dundov Remix)

Ripperton - Lost in colors (Robert Babicz Remix)

Ripperton - Flume

Ripperton - A Skilift Upstairs The Sleeping City - Max Cooper Remix


Ripperton's 'Niwa' album has without doubt been one of the highlight releases of 2010, and continues to impress and surprise with each and every remix EP. Having already been treated to the wonderful revisions of 'Random Violence' (Joris Voorn) and 'Leonor's Lanugo' (Radio Slave), the Swiss 
producer continues to enthrall with his latest remix invitations... 

Being presented with the tools to create, does indeed give you a head start. However it is the vision, and skill to be able to realize it, that sets great producers apart. To say we have been presented with two outstanding revisions falls short of doing them justice, for French House legend I:Cube ('At Peace') and Berlin based producer Mark August ('The Sandbox'), have created two, quite outrageously brilliant masterpieces. 

DJ FEEDBACK…. 

DJ Yellow - "What a remixes pack!!!! I:Cube does it for me as always... deep and cubism ...!!! Unique."
 
Charles Webster - "I:Cube mix is epic august mix is cool also..!"
 
Craig - (Silicone Soul) - "SUPERB!"
 
Greg - (Catz n Dogz) - "AMAZING!!! Full support charted and in my mixes."
 
Dosem - "Fantastic vibe in both mixes."
 
Michael Mayer - "Sheer beauty from I:Cube &amp; Mark August... count me in!"
 
Karotte - "I:Cube rmx is great. Love it. The remix from Mark is nice for the late morning hours ☺"
 
DJ Remy - "Super stuff, At Peace is my fav."
 
Dixon - "I:Cube Tape Mix for me!!"
 
Nuno dos Santos - "Wow!! Finally a promo in between all rubish thats actually really beautiful! Love both remixes in their own way! Go Green!"
 
Brent Roozendaal - "Killer release! Both tracks are briljant. I Cube mix is my fave.. Realy dope stuff!"
 
John Digweed - "I:Cube Tape Mix is great."
 
Deetron - "What a release! Love both remixes a lot but I:Cube is killing it with this remix, great!"
 
Terry Francis - (Fabric London) - "Mark August Mix is very nice."
 
Ellen Allien - "I:Cube Tape Mix is very nice."
 
Guy J - "I:Cube remix is just beautiful."
  
John Selway - "Always a big fan of I:Cube, no exception here."
 
Ame – (Frank) - "LOVE the I-Cube mix (and playing it already)! Mark’s remix seams to be good as well ... will check it."
 
Nick Warren - "Bloody amazing mixes, this is what it should be like!!!"
 
Franck Roger - "I:Cube always on top.. good good for me!"
 
Eva Maria - "It's always difficult to remix something already so beautifull without embarrassing it, but I:Cube &amp; Augut showed their respect to these Niwa-tracks and I like it, my respect boys!"
 
Anton Pieete - "Wow!!"

Ame – (Kristian) - "Great release."
 
Gorge - "I'll go for Mark August on this release."
 
Heidi - "Lushness!!"
 
Joe - (Hot Chip) - "Mark August mix sounds nice."
 
Hernan Cattaneo - "Excellent release!!!"
 
Steve Bug - "The I:Cube mix is da absolut bomb!!! Mark August mix is also really nice!" 

Club Madnezz Holland - "Nice progressive."

Philip Sherburne – (Beatportal / RA) - "Love that I:Cube remix! The Mark August is also pretty awesome, lovely sounds..."
 
Steve Parry - (Juice FM) - "I:Cube mix is really cool."
 
Scan Mode - (ClubbingSpain/DJMag Spain) - "I:Cube mix for me! Absolutely nice!"
 
Sven - (De:Bug Magazine Germany) - "Sweet. Both mixes in their own way."
 
Tsugi Magazine France - "Cube's mix is just huge."



Ripperton - The sandbox (Mark August Remix) Green 009.2 - Promocut

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

A1 - First Snow - SNIPPET

A2 - Pendant Qu'ils Dorment - SNIPPET

A3 - Ghetto Berlino - SNIPPET

B1 - Lonely Walk - SNIPPET

B2 - Vespa - SNIPPET

C3 - Where The Wind Blows - SNIPPET

Zendama (Part one)

A1 - Matt Karmil - Just for me (Snippets)

A2 - Lord of the Isles - Luminous Black & Emerald (Snippets)

Zendama (Part two)

A2 - Mary Yalex - How U really feel (Snippets)

Tangerine

Natura

@ex-terrestrial's Track „Current Location" will be released on November 15th as part of his album „Gamma Infolded" through @naffrecordings.
More Info:

Gamma Infolded

Current Location

Ex-Terrestrial - Current Location

There is a phrase often told that goes something to the effect of, the whole is greater than the sum of its parts. That a single thing made up of many others can eclipse them all. Puzzles, or paintings seem to spring to mind immediately. Credit for this phrase goes to the philosopher Aristotle for first uttering that thought a few thousand years ago, among his other accomplishments but I digress. Our ‘whole’, our ‘thing’ for today and for a very long while, is Zendama.

Presented in two parts, Zendama is an eight track compilation compiled by Swiss producer and dj, Ripperton. Zendama, for the curious, means ‘Good person’ in Japanese and is remarkably apt for this body of work. To quote Ripperton when talking about the release, “The common point between all these pieces is that the people who made them are all wonderful humans involved in making good music and keeping a positive spirit.” That spirit is what I believe binds the pieces and elevates this compilation beyond the sum of its ‘parts’. Each track within could very well be a standalone A side. There is no filler, there is no obscure for the sake of. What you do have is 8 tracks balanced incredibly well, in vibe, in detail, that make sense as a whole.

Part 1
  A1. Matt Karmil - Just for me
  A2. Lord Of The Isles - Luminous Black & Emerald
  B1. Jackmate, Nik Reiff - Rerun (Jackmates Special Interest Dub)
  B2. Ripperton - Indian tree
Part 2
  A1. DJ Nature - Signs Of the Sun
  A2. Mary Yalex - How U really feel
  B1. Crowdpleaser - Claire
  B2. Iron Curtis - Werc Werc Werc (Andy Hart Remix)

With all of this in mind, the premiere for today is none other than Ripperton himself’s offering on the compilation, Indian tree. Sitting at the end of part one, Indian tree is the embodiment of a feeling of movement twisting through time and space, touched ever so slightly by passing bodies. This movement of soaring pads and leads, coupled with a pattering percussion almost evoke a mental scene of rain falling on an ocean. 

From the emotional highs of Jackmates dub of Rerun, to Mary Yalex’s piercing leads on How U really feel and the cryptic depths of Luminous Black & Emerald, Zendama encompasses a wide realm of simply good music. That almost seems like a dis-service to say but in this case I believe hyperbole isn’t needed. If you enjoyed Indian tree, picking up the rest of the compilation is a must and can be done at bandcamp. We highly recommend it.

write up by Zach Huenink: https://soundcloud.com/huedj

Ripperton on SoundCloud: https://soundcloud.com/ripperton


http://www.itsdelayed.com

Ripperton Presents Zendama (Part one)

pre-order

PREMIERE: Ripperton - Indian Tree [Tamed Musiq]

For my <3

Out now on tamed musiq Vinyl & Digital 
https://linktr.ee/tamedmusiq

Claire

Nothing But Good Vibes 😌🥴😎💯☀️🙌🏽

TB - Call Me TB(Pt4)⚜️🆗😎

TB - Street Beat - Map.ache Remix

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton