Free Download

Matthew Dekay - Enough

Robag Wruhme isn’t just a producer; he’s a sonic storyteller. His tracks are known for their emotional depth and technical brilliance – the perfect blend of minimal techno, deep house, and ambient music—each track a meticulously crafted journey through sound. With influences ranging from classical to jazz to world music, Robag’s music is as diverse as it is enchanting. His latest offering on the trailblazing Speicher series is no exception. True to his unmistakable style, “Naila” meanders between heartwarming positivity and menacing darkness induced by one of those bass lines only Robag can deliver. In short: He nail(a)ed it! On the flip side, he joins forces with the ominous Bruno Pronsato – an elusive character that has a string of cult releases on Perlon, Musique Risquée and Foom under his belt. “CDV” was initially released on his album “Live At Club Der Visionäre” on Logistic Records. Robag’s slick re-rub is pushing things decisively in an afterhour-ish direction. Mental music for mental times!  Robag Wruhme ist nicht nur ein Produzent, sondern auch ein Klanggeschichtenerzähler. Seine Tracks sind bekannt für ihre emotionale Tiefe und technische Brillanz – die perfekte Mischung aus Minimal Techno, Deep House und Ambient Music – jeder Track ist eine akribisch ausgearbeitete Reise durch den Sound. Sein neuestes Epos auf der immer zu Späßen aufgelegten Speicher-Serie ist da keine Ausnahme. Getreu seinem unverwechselbaren Stil mäandert „Naila“ zwischen herzerwärmender Positivität und bedrohlicher Dunkelheit, hervorgerufen durch eine dieser Basslinien, die nur ein Robag liefern kann. Um es knackig auf englisch zu sagen: He nail(a)ed it! Auf der anderen Seite tut er sich mit dem ominösen Bruno Pronsato zusammen – einem schwer fassbaren Charakter, der eine Reihe von Kultveröffentlichungen auf Perlon, Musique Risquée und Foom vorzuweisen hat. „CDV“ wurde ursprünglich auf seinem Album „Live At Club Der Visionäre“ auf Logistic Records veröffentlicht. Robags slicke Neuauflage schiebt die Dinge nonchalant aber entschieden in eine afterhourige Richtung. Mentale Musik für mentale Zeiten!  Link: https://kompakt.fm/releases/speicher_132_12

Naila E.P.

ROBAG WRUHME  -  NAILA   /   KOMEX 132

dreamAwaken & O.Chelly - Dub & Soul (Pablo Bolivar Dream Dub Remake)

https://TulpaOvi.lnk.to/everythingisstupid!share

In September 2024, Douglas Greed put together a folder with lots of musical pieces. When I played at the Watergate for the very last time, I listened to everything in the hotel. "Everything is stupid, I wanna go home!" stuck with me. I listened to it in silence and decided that I probably had to do the first Tulpa Ovi, which definitely had nothing to do with myself. So Tulpa Ovi is growing,non? Then I asked my dear John Tejada if he could do a remix, and BOOM, there's a really cool John Tejada remix on top. 2025 is on fire already.

RW + Tulpa Crew

@douglasgreed

T.O.R. 011 Douglas Greed - Everyhting is stupid, I wanna go home!

“Context” is the latest EP from Pablo Bolívar in collaboration with Japanese artist Celestial Sphere.
This release, featuring four tracks of futuristic deep techno, stands out for its meticulous production and a unique blend of sounds. Each track creates an immersive and futuristic atmosphere, reflecting the creative essence of both artists. This release promises to take listeners to a new horizon of techno.”

Pablo Bolivar & Celestial Sphere - Context

Ich wäre gerne mit einem Flugzeug befreundet

Buy/stream: https://kompakt.fm/releases/grace_a_tale_feat_hella

Any new track by Jürgen Paape on a TOTAL compilation is always going to be worth your while. 'Grace (A Tale)', featuring up-and-coming talent Hella, is another grand addition to his incredible legacy. Dreamy minimal dub pop for your heart, body and soul.

Grace (A Tale) feat. Hella

Jürgen Paape - Grace (A Tale) feat. Hella

Rocket & Ponies have put together a special vinyl release for Record Store Day 2017 that finds Timo Maas & James Teej and Sebastian Mullaert serve up fantastic new remixes of classic Moby track ‘Porcelain’. These tracks released on a white label during Record Store Day 2017 sold-out within days, adding further weight to the Rockets & Ponies catalogue, which has been pioneering quality electronic music for almost a decade now.

Timo Maas is the long-time techno titan behind this label, and has partnered up with Canadian artist James Teej to great effect over recent years with a string of collaborations including the Grammy nominated reworking of Paul McCartney. Now the duo hook up again to serve up a Broken China Dub of Moby’s ’Porcelain’. Moby needs little introduction, as one of the figureheads for global dance music he has been pivotal in its development over the years and his seminal 1999 album ‘Play’, from which ‘Porcelain’ is taken, is an undeniable classic.

Maas & Teej’s vital new version is a trippy nine minute symphony of rubbery drums and synthetic synth sounds all run through with the smeared and heartbroken chords of the iconic original. The vocal cries and one finger piano notes also bring real emotion to the supple, rubbery groove and, as a result, this one is sure to make for plenty of teary-eyed moments on dancefloors, beaches, boat parties and terraces this summer.

Then comes Swedish artist Sebastian Mullaert, who has been turning out quality techno, minimal and IDM since the 90s both solo and as one half of Minilogue. From Mule to Hypercolour, Cocoon to Drumcode, he has recorded for the scene’s leading labels, never failing to deliver with each release. Mullaert is also a renowned vintage hardware junkie & sound engineer, who works from an incredible studio space on the edge of a nature reserve in Southern Sweden.

His masterful Transformation Mix is a fourteen minute opus that takes the listener on a trip through organic sound design, summery grooves and loose rhythms. It’s airy and feel good, dubby and infectious, and takes you ever higher with sumptuous strings and synths all oozing warmth and feel good vibes.

Beatport

Moby - Porcelain (Sebastian Mullaert's Transformation Mix)

Vinyl: bit.ly/2ruN381
Digital: bit.ly/2s4njy6

https://soundcloud.com/fantastictwins

Italo-cosmonauts Marvin & Guy board Life and Death with Superior Conjunction.
Alessandro Parlatore and Marcello Giordani’s four-tracker explores parallel worlds through expert synthesizer sequencing and cavernous vocal features. Celestial melodies paired with Athena’s stream of consciousness Italian recital guarantees Superior Conjunction’s dance floor devastation.
Arpadia’s hypnotic theme compliments the title track’s restrained drama, while the Fantastic Twins’ spoken-word elevates The Train of Fantastic to an altered state of being.
The EP is out on June 16th, right on time for  this year’s Life and Death OFF Sonar event in Barcelona.

Marvin & Guy- The Train of Fantastic feat. Fantastic Twins (Original Mix)

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

D4 - Daïmon - SNIPPET

Brickman - Vague

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton