Name: ELEMENTS OF ABYSS (R!SKY Y2K REMIX) by RISKYNEAT™
Duration: 5 min 44 s
Description: EDM, rave, trance, operatic, cinematic, female vocal, high-energy, hypnotic, nostalgic.

Dark electro, synth-driven, dark mood, mortality, atmospheric, outrun, driving beat, Salvador Dalí, hypnotic vibes.

MORTAL CLOCKS

EDM, x-core, ASMR, rave, food fetish, ice cream, glitch, future bass.

CONE PLAY (Original Edit)

EDM, atmospheric, rave, Tomorrowland, synth, dark, melancholic.

KNEW THE RULES (Bigroom Edit)

EDM, high-energy, rave, live sets, cinematic, industrial, music industry, social media, news, Instagram, smart phones, tech detox, horror-core.

KILL THE PHONE (Bigroom Edit)

EDM, glam core, glitch, rave, banger, cinematic, tension, hard drops, seductive, sensual, French, female vocal.

DANSE DE DÉCADENCE (Ultra Edit)

EDM, alt-R&B, future bass, synth, energetic, introspective, seductive, sensual, male vocal, romance, cinematic, driving beat.

UNDERNEATH (Original Edit)

EDM, rave, high energy, x-core, glam core, male vocal, glitched, metaphorical, double entendres, hyper sexual.

CONE PLAY (R!SKY REMIX)

EDM, rave, high-energy, travel, jet-set, closing parties, Ibiza, hypnotic, tripping, clubland culture.

CLOSING CALL (R!SKY REMIX)

EDM, high-energy, romance, heartbreak, synth pop, male vocal, Spanish vocals, melancholic tone, party.

ALGÙN TIPO DE AMOR

EDM, rave, trance, operatic, cinematic, female vocal, high-energy, hypnotic, nostalgic.

ELEMENTS OF ABYSS (R!SKY Y2K REMIX)

R!SKYNEAT™ (Songwriter|Producer) creates immersive borderless sound within the world of hyperpop maximalism — an emerging genre defined by sonic excess, visual distortion, underground appeal and internet-native identity— where everything goes HAM. Glitch aesthetics (“CONE PLAY”), reverb on max (“UNDERNEATH”), raw emotion (“KNEW THE RULES”), jet set chic (“CLOSING CALL”) and fashion memecore (“SHE GO SUMO”) collide in a space where irony (“HOW DEEP IS YOUR POP”), sincerity (“SUNRISE SETS”), chaos (“ELEMENTS OF STONE PT I”), and absurdity (“ON THE CASE”) are stitched together like bootleg couture for the masses in four spoken languages: French (LU), English (MIA), German (LU/AT) (“NULLER IM GASSL”), Spanish (MIA/ESP), and even dusts off the shelf for Bajan Creole (“TOP-TOP SHELF”).

The futuristic sound is genre-fluid rave (“QUOTH THE RAVEN”) and overstimulated: part club meltdown (“TOTAL CARNAGE TV”), part pop theatre (“S-O-R-R-Y”), dripping in diamond-static (“DRIVER’S SEAT”) and champagne-glitch (“SUPER NEAT-O”). Each track is encoded with layered references and double entendres (“ALLEZ CROCO”) — deep-cut nostalgia (“THE WORLD, CHICO”), diss track bars, heartbreaks (“MADISON AV.”), and pop culture tributes (“JUST ASK BOBBY”).

Beneath the shimmer is a sense of digital déjà vu — fragments of memory (“DIAL-UP LOVER”) and culture (“MAYBE IT’S THE TEA”) looping back in distorted forms. More than music, it’s an operatic performance (“ELEMENTS OF ABYSS PT 2”), built for the hyper-connected era: loud, layered, and too much on purpose. More is more…


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Unauthorized duplication, distribution, or use of these recordings or any portion thereof is strictly prohibited. These compositions and sound recordings are protected under international copyright law.

ELEMENTS OF ABYSS (R!SKY Y2K REMIX)

RISKYNEAT™

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