Concerts / live / dating / Social media / toxic relationships / melancholic / findom / pimping / simping / rave / club life / festivals / dj / bass / onlyfans / fansly / fanvue

O.F.O.D. (Original Edit)

R!SKYNEAT™ |Songwriter•Composer•Producer| borderless sound from the underground — defiant HYPERPOP MAXIMALISM defined by sonic excess, sub/alt culture, visual distortion, chaotic appeal and internet-native identity (“ON THE FEED”) — where everything goes HAM. Glitch aesthetics (“CONE PLAY”), reverb on max (“UNDERNEATH”), raw emotion (“KNEW THE RULES”), jet set chic (“CLOSING CALL”) and fashion memecore (“SHE GO SUMO”) collide in a space where irony (“HOW DEEP IS YOUR POP”), sincerity (“SUNRISE SETS”), spaced-out(“ELEMENTS OF STONE PT I”), and absurdity (“ON THE CASE”) are stitched together like bootleg couture (“ROBBI FABBI”) for the masses in multiple spoken languages: French (LU), English (MIA), German (LU/AT) (“NULLER IM GASSL”), Spanish (MIA/ESP), or why not…even Bajan Creole (“TOP-TOP SHELF”).

The futuristic sound is genre-hybrid rave (“QUOTH THE RAVEN”) and overstimulated: part club meltdown (“TOTAL CARNAGE TV”), part pop theatre (“S-O-R-R-Y”), dripping in diamond-static (“DRIVER’S SEAT”) and champagne-glitch (“SUPER NEAT-O”). Each track is encoded with layered references and double entendres (“ALLEZ CROCO”) — deep-cut nostalgia (“THE WORLD, CHICO”), diss track bars (“RISKY VS THE TATA MACHINE”), heartbreaks (“MADISON AV.”) (“ALGÙN TIPO DE AMOR”), and pop culture tributes (“JUST ASK BOBBY”/ “ROBBI FABBI”).

Beneath the shimmer is a sense of digital déjà vu — fragments of memory (“DIAL-UP LOVER”) and culture (“MAYBE IT’S THE TEA”) looping back in distorted forms. More than music, it’s an operatic performance (“ELEMENTS OF ABYSS PT 2”), built for the hyper-connected era: loud, layered, and too much on purpose. MORE is MORE…


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O.F.O.D. (Original Edit)

RISKYNEAT™