Empire Of The Ego

High-energy, cinematic, freestyle electro, satirical, noir, nostalgic, dead pan humour, movies, comedy.

ON THE CASE (Original edit)

It’s tender, ethereal, and comforting — like a whispered embrace in the dark.

My Confessions

son kez

I write all my melodies myself.
Arrangement - artificial intelligence

Goodbye_-My-Heart

🔥 Fake Love is a powerful dance track by Omar Tunes, blending raw emotion with clean, driving beats. Written from the pain of betrayal, it transforms heartbreak into energy made for the dance floor. With a catchy hook — “You played me, you played me, but I’m free” — this track delivers both honesty and empowerment.

Fake Love

bombalar

rüzgar gibi

The Now is a song about the present moment — a door that only opens when everything else is left behind. It speaks of the quiet power of presence, the beauty of breathing without past or future. The track flows as RnB-pop: smooth, pulsing, unfolding slowly, drawing you into depth — soft, radiant, yet full of intensity.

Between a gray room and a luminous world, the music becomes a bridge: a step into now, a sweet pop like bursting bubblegum, a smile spreading through the space. No pressure, no destination — only the infinite glow of the moment itself.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 MIRAGE – All rights reserved.

The Now (Sequence One: Electro Pulse)

Ascending, strong, dynamic, orchestral, pop, clean, emotive, cinematic, soul, clean vocals, strings provide a floating backdrop, while powerful rhythms and heartfelt energy drive the song forward, R&B, orchestral pop with dynamic brass accents and a soft, deep, dynamic, gentle feel

I am walking in flames,

Falling_at_night

R!SKYNEAT™ |Songwriter•Composer•Producer| immersive borderless sound from the underground — defiant vibes defined by sonic excess, visual distortion, underground appeal and internet-native identity— where everything goes HAM. Glitch aesthetics (“CONE PLAY”), reverb on max (“UNDERNEATH”), raw emotion (“KNEW THE RULES”), jet set chic (“CLOSING CALL”) and fashion memecore (“SHE GO SUMO”) collide in a space where irony (“HOW DEEP IS YOUR POP”), sincerity (“SUNRISE SETS”), chaos (“ELEMENTS OF STONE PT I”), and absurdity (“ON THE CASE”) are stitched together like bootleg couture for the masses in multiple spoken languages: French (LU), English (MIA), German (LU/AT) (“NULLER IM GASSL”), Spanish (MIA/ESP), or why not…even Bajan Creole (“TOP-TOP SHELF”).

The futuristic sound is genre-fluid rave (“QUOTH THE RAVEN”) and overstimulated: part club meltdown (“TOTAL CARNAGE TV”), part pop theatre (“S-O-R-R-Y”), dripping in diamond-static (“DRIVER’S SEAT”) and champagne-glitch (“SUPER NEAT-O”). Each track is encoded with layered references and double entendres (“ALLEZ CROCO”) — deep-cut nostalgia (“THE WORLD, CHICO”), diss track bars (“RISKY VS THE TATA MACHINE”), heartbreaks (“MADISON AV.”) (“ALGÙN TIPO DE AMOR”), and pop culture tributes (“JUST ASK BOBBY”/ “ROBBI FABBI”).

Beneath the shimmer is a sense of digital déjà vu — fragments of memory (“DIAL-UP LOVER”) and culture (“MAYBE IT’S THE TEA”) looping back in distorted forms. More than music, it’s an operatic performance (“ELEMENTS OF ABYSS PT 2”), built for the hyper-connected era: loud, layered, and too much on purpose. MORE is MORE…


© RISKYNEAT 2025. All rights reserved.
Unauthorized duplication, distribution, or use of these recordings or any portion thereof is strictly prohibited. These compositions and sound recordings are protected under international copyright law.

ON THE CASE (Original edit)

RISKYNEAT™