To guide us through the next simulated experience; Passing Notes Radio boss and 1/2 of the great new label ‘Companion', Pjenné [Melbourne, AUS], shows us what a utopian existence can sound, feel and look like.

Follow on as she glides through the stratosphere, looking down on the lush greenery and crystal water that our earth effortlessly inhabits... occasionally looking up into the vast display of distant stars and planets, glittering across the stillness of outer space.

Pjenné beautifully illustrates the phenomenology of nature through tracks which touch on each element, whether that be the ethereality of air, the intricacy of water, the depth of earth, or just the pure warmth flowing through this immaculately thought-out audible narrative.

We couldn’t help but think this would be the perfect soundtrack for the day peace on earth is declared, where humanity sits back and appreciates a new world— where collectively, we love what grows, exists and dies.

This small blue dot is our home… our balanced oasis in the desert of space. Perhaps we need the ability to fly to see a different perspective - and we’re sure this will help.

Close your eyes and drift into your own self.

Enjoy, and thankyou Pjenné 

“SAHASRARA” - The Thousand Petal Lotus

Virtual Utopia 03: Pjenné

last saturday nite in Amsterdam Rush Hour Music invited 
Traxx to Doka playing from start to end for 8 hours 
{150 person capacity/maximum vibes}

the demonstration for Doka was the 3rd exclusive 
edition of dirtyblends entitled: ⚙️🎛 TecHnique ⚙️🎛 
further showcasing musical blueprints of all rare chicago 
tracks both old and new, plus many NEW tracks unheard 
from dirtyblends along with raw disco, funk and edits all 
over and in between like the days of old in chicago diving 
deep into the ghosts of Ron Hardy at the Music Box, 
Liaisons Dangereuses at the Hacienda, NEW music 
from Nation and Kode plus INSANE unreleased treasures 
from Prince come together to raise the room’s musical 
temperature and awareness that was a self-evident 
spiritual experience, illumination, truth, emotional depth 
and suspension of time.

this demonstration has lots of new music to come from several 
releases we won’t announce just yet but what has been provided 
in this document is hours upon hours that is literally all over the 
rhythm 🎵 scales ⚖️

this was an intimate connection to the dance floor..

TASCAM DR-40

The Jak Presents DirtybLends Demonstration III: Technique

@richard-akingbehin

www.wakinglife.pt
19 - 24 June 2024

📸 kieran behan

Richard Akingbehin at Praia - Waking Life '23

Captured live at Club Digital @ OHM
6.07.2024 with the crew

Flørist
roadkill
PLO Man
c3D_e [live]

excuse the dust

Closing Club Digital @OHM 6.07.2024

Recording of PLO Man's set at Dekmantel Selectors 2024.

Dekmantel Selectors 2024

PLO Man at Dekmantel Selectors 2024

DAISY RECORDS 15.4.25

Extracted from the archives, we have Lena's Bank Holiday set from last August for you. 
It was sadly Lena's only set at The Gun, but it was a wild night, sweaty and heaving in the extreme & certainly one of favourites. The crowd had been dancing from about 7pm (Casper Clark and I's warm up is also available here) so when Lena got on for the remaining 4.5 hours, the room went nuts. Its a brilliantly varied and balanced set that encapsulates so much of what we loved at The Gun, banging enough for a room full of seething heads. dancing into the early hours and considered and classy do that it suits playback at any time of the day.
The recorder died just before the end of the set, so it appears those very last tracks were just for us there on that night, the rest is ready now. (Thanks for this Lena x)


Lena Willikens Live at The Gun August Bank Holiday Sunday '24

my guest hour for patina <3 https://www.fbi.radio/programs/patina/episodes/patina-20th-april-2025

patina 20.04.25

-  - - --*
https://allpossibleworlds.bandcamp.com/music

planet bandcamp

the dust has only just settled on summer 2025, with cosy season being invited in with a warm embrace and we’re already looking back fondly at the memories made and the dancefloors shared across the past three months. one of those moments is the idyllic kune festival who we will be teaming up with for the next few weeks to share sets and stories from their fifth edition. for the first time ever, they’ve filmed some of these moments to be shared with you all, taking a deeper glimpse into the scenes, sounds and style of this stunning weekend. 

kune is nestled within one of europe’s most unique festival locations, ungdomsøen, a former sea fortress turned cultural playground that is just 30 minutes by boat from copenhagen. historic bunkers become listening rooms, old stone courtyards turn into dancefloors and the sea-facing hills offer a moment of respite from the stimulating surroundings. creating an isolated utopia that fully allows their guests to escape from the hustle and bustle of their normal lives, kune has quietly grown over the last five years, drawing a crowd of open-minded individuals that nurtures and pushes arts and culture forward. this is created through their diverse musical programming that caters to the curious with this year’s lineup featuring loek frey, woody92, peachlyfe, hewan aman, hannah d, sunju hargun, martinou, sybil, shjva, reptant and more alongside a packed arts and activities programme. 

so welcome to the world of kune festival. 

for the first edition of this takeover we have berlin-via-denmark dj and promoter tania just, one of the co-founders of the esteemed party series, fandango. moving to berlin in 2014, tania was introduced to the playful sensibilities and spirited mindset of the city’s nightlife scene. finding her crew who showed her the ropes and all that the city had to offer, tania cut her teeth in the local scene by attending the legendary cocktail d’amore parties at the shuttered griessmuehle, learning everything she needs to know about this new world she was being introduced to. drawing from these influences, tania is known for sleazy basslines, dreamy vocals, and cheeky twists that blur the lines between ‘90s house, early tech house, and progressive cuts.

since moving to berlin, she has gone on to run the gorgeous fandango parties alongside dave murrin and mark gill, which has quickly become a cornerstone in the local scene. i ended up at one of their parties spontaneously a few summers ago, arriving early in the morning to catch ccl warming things up for the day ahead and it was one of my fondest memories of that season, dancing throughout the day and exploring all the cute little nooks their unique location has to offer (kindred spirits with kune perhaps?) 

speaking about kune, this year, tania played the serene beach stage and touching on her relationship with the festival, she says, “i love kune! i first went 4 years ago, and it really opened my eyes to a more open-minded and diverse side of denmark that i had never experienced before. i met a lot of people there who today are close friends of mine, so it meant a lot to be invited to play this year.” 

interview: https://untitled909.substack.com/p/untitled-909-x-kune-festival-2015
video: https://www.youtube.com/watch?v=L3EBDONfJFw

Mastered by: Mitja Miklic - MM Audio Design

@taniajust
@kunekbh

｡𖦹° untitled 909 podcast 238:  tania just (live from kune festival 2025) ｡𖦹°

Support the artists buy purchasing their music direct

B(if)tek Bandcamp: https://biftek.bandcamp.com
Artificial Bandcamp: https://artificialtrax.bandcamp.com

The turn of the millennium sparked fears globally of a technological fallout: computers would crash at the changing of a ’99 to a ’00, security systems would fail, the world’s nuclear stockpile would be triggered. The impending panic of inaccurate ordering of automated dating in digital systems spread its fear far and wide and came to be known as the Y2K bug.
On the underside of the world, in Australia, where most things arrive late, distorted or totally different to their original form, there were two women embracing analog and digital technologies in all their glory. Nicole Skeltys and Kate Crawford were better known as B(if)tek, a pioneering electro-femme outfit. Feminism with a wink and a bleep. Ladytron before Ladytron. Nicole’s eccentric solo project was Artificial – Hillbilly House – as she likes to call it.

Interview with Nicole Skeltys from B(if)tek & Artificial over at LYL radio: https://lyl.live/episode/raudie/

Tracklist:

B(IF)TEK – Into The Clouds – Frequencies Will Move Together – 2003
B(IF)TEK – Unisex – Frequencies Will Move Together – 2003
ARTIFICIAL – No Taste In Music – Electro-Lollipop-Explosion – 1999
B(IF)TEK – Machines Work – 2020 – 2000
B(IF)TEK – Bedrock – B(if)tek – 2020 – 2000
B(IF)TEK – Nylon Gods – Sub-vocal Theme Park (Acid Unravelled) – 1996
ARTIFICIAL – Sentiment – Libraries Are Fun – 2002
B(IF)TEK – Hi Fi – Frequencies Will Move Together – 2003
B(IF)TEK – Modern Woman – 2020 – 2000
B(IF)TEK – Ultimate – 2020 – 2000
ARTIFICIAL – Over The Fence – Stoner Classix Vol 3 ‘Carry On Electronica’ – 2003
ARTIFICIAL – An Englishman in Ibiza – Stoner Classix Vol 3 ‘Carry On Electronica’ – 2003
B(IF)TEK – Luxury – 2020 – 2000
B(IF)TEK – The Climb – Sub-vocal Theme Park (Acid Unravelled) – 1996
B(IF)TEK – Wired For Sound – 2020 – 2000

B(if)tek & Artificial: 1996–2003 for LYL Radio

Raudie McLeod

AU/NZ: hello@superutu.club
EU/UK: juliette@blbcagency.com

B(if)tek & Artificial: 1996–2003 for LYL Radio

river yarra