this is so cool and and like the progressive building

oH i LIKE sPECIAL cECilia ;D She's a really cool artist

Brilliant collab with excellent production !! 👏

fresh dreamy sound! nice ambient dubby spaciousness, perfect foundation for Cecelia's vocals! real fresh and positive!

WHAT CLOUDS MEAN IN A FLOATING PLANET

The aliens that live secretly on Earth have found a unique way to create their own music. By using their advanced technology, they can manipulate sound waves to create a unique form of instrumental music. The music is composed of a series of intricate and melodic patterns that are woven together to create a powerful and captivating sound. The aliens have developed their own musical instruments to create this music. These instruments use a combination of advanced technology and acoustic properties to craft the unique sounds. They use a variety of techniques to manipulate the sound waves in order to create the desired result.

Breathing Space

Till the Sun Grows Old

Wrought by Fire (Original Mix)

Here the sister tracks: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/is-this-you. I must point out that there is no reference to the famous TV series of the same title. The inspiration again obviously came from the short Julio Cortazar story, 'Axolotl'. (here: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html ).
Cover pictur from Pietro Corrao.

------

Composed by Michele Ansani (2022).
Posted on SoundCloud: 2024, June 16.

This is us *

Thank you for your interest in my music. And I'm glad you're reading this. I know there will be many turning points in your life. I'm going through a not-so-good transition right now, and it's exhausting to accept it. I was in that mood when I was playing the guitar and this is what I came up with....hahaha

Dark Clouds And Mental Landscapes

Floating Emotion

New Collaboration with the Multi-Talented Lou Osiavo ( Ian Greaves )
Please show him some love with all the brilliant work he does on Soundcloud https://soundcloud.com/user-659662265
Lyrics :-
If it's working for you
Entitled to your 
Point of view
But it's not working 
For me
I would rather find the truth
No matter
What the scholars say
They don't 
Mean much these days

History
Don't reflect
And it 
Don't resonate
Brave new world
We found out
What this place
is about

If it's working for you
Entitled to your 
Point of view
But it's not working 
For me
I would rather find the truth
No matter
What the scholars say
They don't 
Mean much these days

Don't mean much these days

Lou Osiavo / winkandwoo 2024

Mean Much

Mean Much - Lou Osiavo & winkandwoo

Here's a collab with the one and only https://soundcloud.com/specialececilia

You can find her vocals here;

https://soundcloud.com/cecilia-special/aca-in-solidarity-living-in-unity-internationaly-need-other-heroes-vocals-freedownload


Cover art created with https://www.canva.com/

Special Cecilia X RiZLiX - We Can All Rise Up

Blue Planet

Follow That Tuk-tuk!

Axel sent me a tune he had and said " can you do anything with this ? " So I contacted Charlotte and the 3 of us created this super alternative Country song , we do hope you like it ! Well after this one everything is nearly completed but nothing actually is , if you see what I mean , 2 songs with Axel , one with Charlotte , and one with Dave Cooper , who is sunning himself on a Med cruise at this moment in time , lucky bugger ! I might do a couple of remixes just to keep things going , don't know yet , please stay tuned !

Together Again

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Slo Burn (but Getting Faster)

Thx Andre for sharing - (open collab) ;) https://soundcloud.com/noxpox15

 Jammin track + bass & keyboard - Artwork : Filip Hodas

Jammin & [TR0102_lament]━noxpox* open collab

Lyrics
Well, your folk rocks
Pristine
Just over the channel
Brightoned two sheen

Salt Fire looped by the hour
Teachers of tuned tone harmonious flower
Guitars for me cornered still
Their voicings will tend to your will
New musical pathways the pill
Everytime, ears getting that fill

Salt Fire go hear their higher
Salt Fire Lo-fi classical attire
Salt Fire Go hear their higher
Acoustic crumbs of grandeur
Harmonies. The biggest aliens have landed...

So come, let's all fly away in a song
We do it cause we are it
This is where we belong
Good tempered bones
Some tension tones
Utopian homes
Fly away in Salt Fire song
Good bye dystopian drones
We're aligned 
Our staves are long

This song is about the artist Salt Fire across the pond in Brighton. Superb music worth a permanent rabbit hole & I think worth more ears...

Check out Salt Fire on #SoundCloud
https://on.soundcloud.com/MVWEVjwQKrcNBTCGA

Ok so track filled. Added Celtic Harp, Classical Guitar and strings via Keyboard 

Theres a nice point here. So I used the phone recording, imported to the daw and it became the base and click track for the song. It's a nice way of locking in your human time but still filling over it and getting a full tune with more instrumentation. For those ideas your not at the studio and plugged up... 

Android I end up with an m4a - convert to wav for free online (usually fixes bitrate issues) - import to daw audio track - turn off tempo and click track - Your jam just became the click track. Playing to this only then allows you to lock into your feel again as opposed to recreating the whole thing to a click track from scratch...



On the human time... I was chatting with my best friend Anto the other day. He's a fabulous photographer. He shoots only film and uses an eye piece view finder still. He says it feels more instinctual to him. I feel similarly recording things on the spot in random places... You're playing to your instincts which can be spiritually way more creative I think then sitting down and doing it by sums. Both have their merits but starting more regularly in the former more natural way may offer more instinctual goodies. The method part of the process can always iron out and perfect the unusual things you find instinctually in hindsight when further along the process and it's all getting stitched.


To give the phone recording sufficient presence I add reverb 80%20%/compressor for acoustic guitar/EQed for Vocal/Light Stereo Spread for LF & HF. Then I double tracked it each panned slightly either side. The difference is actually a pretty cool example of cleaning something up for use. Recording wasn't changed aside from the dynamics

Salt Fire (Session #2)

Dark industrial trip‑hop built on dusty, heavily compressed drums with a slow, hypnotic swing and deep pulsing bass. Guitars stay textural — faint fuzz, warped whammy swells, ghostly feedback — more mood than riff. A single female voice delivers soft, whispered lines, fragile and close to the mic. After the bridge, the tension ruptures as a wild, fuzz‑drenched, whammy‑screaming guitar solo rips through the haze.

H311 (Remastered)

This is the last one of 44 songs I wrote with my mom’s Spanish guitar in my university years, songs I’ve been arranging and posting to SC for the last 6 years (I’ve skipped 4 of them which will become a conceptual album soon).

I’m so glad to have https://soundcloud.com/janinelevinson’s help on polishing the English texts and lending her vocal and painting arts to such an important song for me.

Also must credit https://soundcloud.com/user-498459842 for kindly and freely mastering the track.
 
CANCIÓN TRISTE CUANDO ESTOY SOLO (SAD SONG WHEN I’M ALONE)

Canción triste cuando estoy solo, para que sepas que yo nunca me iré.
Canción triste por todo lo que amo, último recuerdo de lo que pudo ser.

Sad song when I'm alone, so that you know I will never be gone.
Sad songs for all I love, are the last reminders of my ancient glow.

Do you think that someone somewhere else would ever care that I was here?
Do you think a future living man will give a damn for you and me?
Who could he be?

¿Piensas que a alguien a quien no conocí le importará si estuve aquí,
o no estuve yo?
¿Piensas que alguien que viva después se acordará de ti o de mí?
¿Quién podrá ser?

Canción triste…

¿Piensas que una nueva vida de amor nos bastará para creer,
para sentir?
¿Acaso te importa lo que piense la gente de mis intereses para morir por mí,
para morir por mí?

Do you think another life of love will be enough for us to see,
for us to feel?
Do you care what people really think about my pride, and will you die,
will you die with me?

Sad song…

ER44FI11 1997-2018

Canción triste cuando estoy solo (ft. Janine Levinson)

(Don't follow me here, best on my main page ;)

Special Cecilia X RiZLiX - We Can All Rise Up

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