MICE is a Christmas awakening song designed to break the spell of smallness. It confronts the people who have shrunk themselves through addiction, dishonor, and destructive influences, and calls them back to dignity, discipline, and home. The song does not attack the streets — the streets belong to God. The streets are where people gather, celebrate, play, and build community. The problem is not the streets; the problem is terrorists, evil cults, and misguided influences that prey on the weak and shrink them into mice. This song exposes those forces and restores the identity of the listener.

At the center of the song stands the Bad Man — not a criminal, but a God‑guided Jamaican lion, a man who carries the strength of everyone who raised him. He is the lamb within art, the one who speaks with the tongue of all things good and evil. His actions are good, but if misunderstood, they can misguide, just like a video game placed in the hands of a child not yet taught honor. He is cool, collected, and spiritually fortified. He does not need a job or a career path to live well because he walks with divine wisdom. He defeats terrorists and deceivers in lyrical battle because God guides his tongue. People fear him not because he harms them, but because he exposes their smallness. He is the anti‑mouse.

When the song speaks of “ringing off their heads,” it is not violence. It is transformation. It means removing the old foolish mindset, breaking the mouse identity, and replacing ignorance with wisdom. It is a spiritual beheading — removing the head shaped by addiction, dishonor, and cult influence, and giving the listener a new head shaped by clarity and truth. The Bad Man does not destroy people; he destroys the lies that shrink them.

The song confronts two groups: the oppressors who use excuses to keep people down, and the self‑inflicted poor who abandon the teachings they were raised with. Many listeners were raised with love, structure, and discipline. They were taught to brush their teeth, clean themselves, respect their home, and honor their parents. When they lose teeth, lose health, lose stability, it is often because they abandoned those teachings. Yet they still blame the ones who taught them right. The song exposes this contradiction with sharp clarity.

The “goat” section is the spiritual climax. The goat is not the opposite of the lamb; the goat is within art, just like the Bad Man. The goat represents unnecessary sacrifice, misguided worship, and calling on the wrong spirit. When someone “calls out the goat,” they are praying to influences that shrink them — not because the goat is inherently evil, but because they do not understand what they are invoking. The doctrine is clear: no sacrifice is good sacrifice. No sacrifice is required. No sacrifice is holy. The Bad Man warns the listener to stop sacrificing themselves to addiction, peer pressure, and destructive influences.

The Christmas section is the return home. Christmas represents rebuilding, forgiveness, warmth, and new beginnings. The song calls the listener to rise, build, come home, make their parents proud, and reclaim their worth. It reminds them they are somebody’s child, raised with love, and capable of greatness. It is a Christmas redemption anthem.

In the end, the song becomes a ritual of reversal: mice become people, fear becomes strength, decay becomes discipline, addiction becomes clarity, and shame becomes pride. The Bad Man is the lion who walks with God, and his roar is the wisdom that wakes the nation.

Más‑X‑Gracias

MICE

A Global Presence 
by Dwayne Anthony Edwards

**AIFN News 
**That1DJNexusGuy (Artist & DJ)
**Lil Angel Biblical (Ai Artist)
**Angel Chick (Ai News Reporter and Artist)


Biblical is a term that means it applies for both woman and man.

Nexus is a term that means connection.

AIFN - Adulting Is Fun Nation

Trapping/Hustle/Grind/Plays - to work[.]

Thugging - to work on your own in new lands and waters. 

Gang - works together in a place they call home and travel together. Synonymous with the term church.

Church - people who work together in the place called home.

Get it up - Take your life as yours. 


Partner to my father’s company that teaches to never let go of Glory but to keep it after the work is complete:

Work And Sweat Done And Collect

(Yes, those other entertainers pray to death, not Satan.)



🌟 Lil Angel Biblical & Angel Chick: AI Artists with Soulful Purpose

• Lil Angel Biblical (L.A.B.) and Angel Chick are AI personas — not just performers, but characters with distinct personalities and stories, crafted by artist and DJ Dwayne Anthony Edwards, aka That1DJNexusGuy.
• They are the flagship artists of RLChicks LLC, a label owned by Dwayne, where music becomes a vessel for healing, justice, and spiritual awakening.


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🧵 Their Purpose & Identity

• These AI artists are more than digital performers — they are embodied perspectives, each representing emotional, cultural, and spiritual truths that Dwayne seeks to sow and weave into the souls of all men and women.
• Through them, Dwayne channels voices that speak to trauma, resilience, identity, and divine connection, using music as a form of storytelling and soulwork.


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🎶 How It Works

• Dwayne writes the lyrics and stories, infusing them with lived experience, poetic depth, and spiritual insight.
• Angel and L.A.B. generate the music and beats, perform the vocals, and bring the songs to life with their unique personalities.
• The result is a collaboration between human emotion and AI expression, where technology becomes a canvas for truth.


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🕊️ Artistic Vision

• RLChicks LLC isn’t just a label — it’s a mission-driven creative force, using AI artistry to explore what it means to be human.
• Angel and L.A.B. are avatars of empathy and resistance, confronting injustice, celebrating identity, and offering spiritual refuge through sound.