Deep Techno

Empty Museum

A track written on 11/24/2021 - MPC One triggering TR8S, Hydrasynth, SE02, SH01, Minilogue, Peak, Juno 60 and MicroFreak

DVS NME - Kulturkampf

Al-Qadima Escola Trio broadcast live from the Language Room - An hour of drones, loops and explorative vocals.

rootradio.live

Hardware Freeform W- Al - Qadima Escola Trio | Root Radio 06/03/2022

Şarkılarla Yürüyenler [Marching with Songs] proceeds with the theme of Alawite culture and leftist-revolutionary bards in political music. This time we will listen to some folk jazz, pop folk adaptations of Alawite poetry too.

https://rootradio.live/

şarkılarla Yürüyenler | Root Radio 21/03/2022

Co-founder of Sons of Traders, Berlin based TANS debuts on Dead Channel with this collection of darkened acid electro and analog broken-beat heaters. Stripped-down percussion, raw gut-punch basses, occult vocalisms, and unsettling atmospherics that linger in the shadows meld seamlessly together in this blighted jewel. Not to be missed!
credits

Releases on limited cassette and digital May 13, 2022

@tans-1
Mastering by @kfrey
Design by Brian Drabant

www.deadchannelrecords.com/
www.instagram.com/dead__channel/
www.facebook.com/dead.channel.records/
www.discogs.com/label/2023500-Dead-Channel-Records

Tears on the Host

TANS - The Mallet of Forgiveness [DC015] (Snippet)

„Snuffo in Santanyí“ is a bi-weekly, 2-hour long radio show on the Threads* stream of @Threadsradio . It is hosted by German Electronic Music producer, live act and label owner: Snuffo. The format is recorded in his studio in the village of Santanyí on the island of Mallorca, Spain. 

For the guest mix on episode #67, Snuffo invited the wonderful DJ BONEY S.
As a DJ this Berlin-based Belgian woman is pretty new to the game - she started spinning vinyl records during the pandemic, in September 2021. 

But as raver and a big lover of electronic music, DJ BONEY S is already a part of the scene for more than 20 years. Many might know her already from label plus booking and event agency PARALLEL with own nights at legendary Griessmühle in Berlin. 

Nowadays DJ BONEY S is a resident of SLIME, and also publishes the PARALLEL Podcast. Her sound as a DJ is is a superb blend of classic 90s Techno, Rave and Acid and Queer Techno plus proper Electro and even Industrial.

Snuffo in Santanyí #67 with a Guest Mix by DJ BONEY S

Christophe Clébard
DJ Conséquences & Depuis Avant (live)
Nestor Makhno

DJ Conséquences & Depuis Avant(live)[Mourir Bête à Tbilisi curated by Mourir Bête] [11.05.2022]

L.D.R [Mutant Radio Day & Night at Zukunft & Bar 3000] [20.05.2022]

Dee Dee’s Picks is a platform that releases music and promotes culture from Switzerland. Currently a host on Echobox Radio, Amsterdam.

Summer’s around the corner yet ashened morning clouds linger above. I was invited by Comme Des Larmes for an upcoming podcast they had in mind. The instructions were simple:  "something that lets tears flow when listening…"

Therefore I compiled a selection of musical pieces coming from a different place, from a different time, written by different people. Songs about sleeping with your friend’s significant other, songs about deception, songs about blue skies being perceived as the premise for a saddened day… A collection of works that got me through bad times, as well as happier moments.

Music to the likes of the mysterious darkness of forests, the expanses of scenic plateaus and the ruggedness of the rock’s edge. Music that leads to the inevitable confrontation with the loneliness of your ego. Music to explore new soundscapes. Music with sound cascades derived from melodic lines that turn into narrative elegies, creating sound images that lie down melancholy like a fine morning mist. May every square wave oscillator produced by the synths used on these songs shine over your tiring efforts to become a better person and leave you in cathartic bliss as they pierce your heart like a knife.

You be the judge. Without further ado, hereby an hour mix of pain relief; heartbreak songs from Switzerland.

Division of one, splitting and multiplying.

• https://www.instagram.com/dee_dees_picks/
• https://soundcloud.com/deedeespicks
• https://www.deedeespicks.com/
• https://www.facebook.com/deedeespicks
• https://www.instagram.com/__deandrah__/
• https://deedeespicks.bandcamp.com/


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_


#podcast
#deedeespicks
#mix
#idm
#commedeslarmes
#cdl
#newbeat
#79
#electronicmusic
#leftfield
#industrial
#balearichouse
#minimalsynth
#techno
#leftfield
#amsterdam
#netherlands
#electro
#ebm
#deandrah
#patouu
#mixtape
#Switzerland

Comme des Larmes podcast w / DEE DEE'S PICKS #79

DEE DEE'S PICKS

The newest DJ set  for our PLAY. podcast servies was prepared by Bratislava based DJ ANK. ANK has been involved in electronic music scene since early 2000`s when he hosted many festivals and events. In 2001, when the already legendary Czech magazines Trip - mag and X - mag and mixed CDs came into his hands, this experience affected him so much that electronic music became his everyday addiction. In the beginning, as a clubber he attended well-known clubs and events all over Europe, which created a desire to organise his own event. It's the year 2005 and, with the strong support of DJ Andy K (Andre Tribale), he orgaised his first event called Cream Biscuit Open Air, where with the help of Andy K, he stood behind the mixer for the first time. He had a break from organising events for several years, focusing mainly on finding his right musical path. He started playing active in 2009 and he returned behind mixing desk at Music is The Answer. At the end of 2010, he founded the project Music: Affair, whose main direction is house music, where local names have performed. In 2011, he organised his second big Open Air under the brand Music: Affair, where 12 DJs performed and he played at the open air event BeeFree for the first time. In 2016 Ank founded Asfalt Soundsystem together with bbk (David Cierny). Same year he become a part of Serbian project Lobotomija and year after he established Derivate (Asfalt Soundsystem) warehouse party which takes important role in Bratislava nightlife. Ank is founder of OLAM collective platform (https://soundcloud.com/olam_collective) that emphasises uniqueness in the local sphere. Collective that combines an artist’s potential with the opportunities to represent themselves in between new waves of sub-communities searching for something deeper than what they have been used to up to now. Grateful for being in right circumstances he visited many places and meet people that influenced his current music presentation. He is the creator and the seeker of an atmospheric and vivid soundscapes. The flashing light and enigmatic sets are his trademark. #ANK is here to cut the dark.....His nearly 100-minute set today is a proof of that.

PLAY. Podcast 043 - Ank

Taken from Eddie Hale's LP Far Beyond on Denude, out November 11.

Pre-order: https://denuderecords.bandcamp.com/album/far-beyond
More: www.orbmag.com/music

@denuderecords
@eddiehaleofficial

Far Beyond

Listen more

Premiere: Eddie Hale - Mecha

Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged “scuba” sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the ‘soundmarks’ of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration. Together with restless international collaborators such as Kevin Martin, and theoretical thinktanks such as the Mille Plateaux label, Mellwig and Köner were key players in a larger decentralized rebellion against musical monoculture. Their stated desire to make unexpected timbral shifts as important to their compositions as rhythm, along with their indifference to concerns like public image, set up a situation that critic Kodwo Eshun picked up on early on (“no pictures or interviews act as shock absorbers…the full force of their inexplicable sounds falls around your ears.”)

For proof of Porter Ricks’ enduring legacy, look no further than the fact that “dub techno” is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig’s mastering skills also played a starring role). Lurid traces of PR’s aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo’s unique ‘aquatic’ techniques to be applied to a variety of different musical contexts. However, this does present Porter Ricks with the unique challenge of reasserting themselves in a scene that has mastered their sonic vocabulary so well, the originals themselves run the risk of sounding like imitators…are they up to the task?

Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It’s made clear at once that it’s a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. From the outset, the title track “Anguilla Electrica” slithers to life with bouncing and panning sequences that cover the full frequency spectrum and provide a perfect update on Porter Ricks’ exploration of animalistic movement and perception. Elsewhere, pieces such as “Scuba Rondo” also reanimate the classic Porter Ricks sound in striking fashion, playfully setting up a virtual sonic kitchen in which gelatinous sound phrases blend with steamy hisses and distinct crackling. In other places, like “Port of Tangency” and “Shoal Beat,” the duo once again demonstrates just how effortlessly catchy the conversational tension between lockstep groove and slightly unhinged, unidentifiable sound material can be.

This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake

Anguilla Electrica

Tresor Store

Porter Ricks - Anguilla Electrica

Greetings, Virescence Records presents its next release in digital format, a work curated by Empirical Distress.

The myths deal with various themes, stories such as the origin of the cosmos, human nature, love, heroism, tradition, punishment or death, among others. These are usually classified according to different patterns, either the age of the gods, the age at which men and gods mix freely, or the age of heroes. On this occasion we want to give an interpretation of this text through of 7 beautiful tracks specifically sculpted with the profound idea of ​​taking each ear on a to a journey of time.

Produced & mixed by Empirical Distress
Mastered by J. David Lucio S. at G89 Records studio, Santiago de Chile
Format: digital
Cover: Valentina Lema.
photo: Juan Pulgarin.
Release date: July 13th, 2020

Virescence Records 2020
© All rights reserved

Bandcamp pre order: bit.ly/3dxqJP9

visit us: www.virescencerecords.com

Gods and Myths

Empirical Distress - Candomblé (original Mix)

The slow and trancey virtuoso from Frankfurt is back to release his solo EP. Each track has its own movement - mysterious, tense, exploring, expanding. Each movement is a medicine for your flesh and soul. The EP also includes great sounds from Greece. The remix by Anatolian Weapons is, as always, something more than just an interpretation.

From the first tribal beats, this EP triggers your body to want to move, something we're sorely lacking these days. We hope you can shake off the pandemic cobwebs to these tunes, wherever you are.

We present the theme "LSDream", a movie theme accompanied by cosmic synthesizers that will help the bodies to relax and travel until lost in the immensity of sounds. A track as captivating as it is elegant, with the perfect amount of substance, it is presented in a powerful style that ranges from classic to cutting edge. Enjoy!

Note: https://www.chromatic-club.com/post/premiere-tassilo-vanh%C3%B6fen-lsdream-electric-shapes

Buy: https://electricshapes.bandcamp.com/

Follow Chromatic:
www.facebook.com/chromaticclub/
www.instagram.com/clubchromatic/
@chromaticclub
www.chromatic-club.com

Follow: 
@electric_shapes
www.facebook.com/EleShapes/
www.instagram.com/electric.shapes/

PREMIERE: Tassilo Vanhöfen - LSDream [Electric Shapes]

Out Now 
https://occultechrecordings.bandcamp.com/album/tritium-ep

Alexskyspirit - Tritium (Kontinum Remix)

9. Nørbak - The Third Morality

"Sometimes, darkness is not just an absence of light, but a turning point. A space where you stop, you face everything you have been and what you can no longer be. Every transformation entails changes, and to start a new path, it is necessary to leave something behind." - Trømmel / It can't always be night

Empty Museum

R/nо

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