Produced and Mixed by David Plakon at North Avenue Studios in Orange City, FL 
Engineered by Mark Mason 
Mastered by Doug Van Sloun at Focus Mastering in Omaha, NE 

Released July 9, 2013 on Wolfbomb Productions

Bird in My Window

I don’t know who I was before you
I don’t know who I am now
But for a few months it felt like I had it all figured out
But that was so long ago
I don’t know where I’m going
I don’t know where you are now
But I guess it’s always been that way
But I guess I just never really change
Sometimes, late at night
Every song of yours that reaches me
Sounds like it’s singing to me
Are you singing to me
I quickly push that thought away
Because I know that you’d tell me not everything’s about me
You keep me in check

check

Aereo-Plain

First Girl I Loved

Petty Grass voice memos 

It goes without saying, that the past couple of days, have been strange and full of emotion. It's all I can do to immerse myself further into my music. I'm currently in the studio recording an instrumental record that I am elated with.  But yesterday, I was un able to put proper focus in that direction.  With the Vegas tragedy and the loss of a musical legend, all on the tail end of multiple natural disasters, I had to look to other people's music for relief.  Instead of recording, Jeff covert (my long time friend, studio engineer/producer/collaborator) and I, listened to Tom Pettys masterful songwriting and reminisced about the project we did together in 2015 called Petty Grass.  Bluegrass versions of Tom Petty songs to be played at a benefit that I do every year, the day after Christmas, in Fredericksburg VA.  The whole idea began by Jeff and I singing Tom Petty songs on pee breaks at the studio. Jeff is always a whiz at figuring out guitar parts and pulling harmonies out of thin air. So we brought in Jay starling on dobro and put together a set of our favorite Tom Petty songs and did them  Bluegrass on 12/26/15 at the Colonial Tavern in Fred VA to benefit our local SPCA.  The show was OK but the best part about that project was sitting around and playing Tom Petty songs. When we felt something we thought was close, I would pull out my phone and record it on my voice memo.  The next thing you know, I have 15 or so Tom Petty songs done Bluegrass in my Voice Memos.  Since December 2015, occasionally I will be out of cell service or simply be tired of my catalog that on my phone and pull up my Voice Memos and listen to the different ideas and recording's. These Petty Grass voice memos have brought me many a laugh. Naturally, I reached for these recordings in hopes of a smile.    I think the coolest thing about it is, it is the purest form of a recording.  The truest sense of raw. I also love the way we were extremely loose and not worried about being right, as this was simply a rehearsal and we were just finding our way and taking chances. We were sitting on the couch right next to thousands of dollars of recording equipment and recording this on the cell phone.  

Yesterday, we sat on the same couch and listened to all these Petty songs we recorded almost two years earlier.  Just for fun, Jeff started messing with enhancing the sound. It turns out, neither one of us knew how to mourn the passing of Tom Petty. So we just enhanced Voice Memos of us playing his songs and it made us happy. We hope that it will make you happy as well in this very tricky and difficult time.  This was never meant for release as it is riddled with wrong notes, wrong lyrics and a whole lotta other things that are just plain wrong.  But somehow, it made us feel better.  Please enjoy. 

Petty Grass voice memos 

Recorded 12/15ish/15

Jeff Covert Guitar/voice 
Jay Starling  dobro
Keller Bass/voice

EVEN THE LOSERS

Some great songs from The Black Keys back catalogue

The Black Keys - Act nice and gentle

http://thesheepdogs.com/ 
http://facebook.com/thesheepdogs 
http://twitter.com/thesheepdogs 

Ewan's Blues

Wolf's Law

Forest Serenade

RELEASE DATE: JUNE 2013 (LP/CD/digital.) 

https://lnk.to/PoB8
www.paradiseofbachelors.com/steve-gunn

In the city we’re all angling for Quittin’ Time, laboring along and among the hours, searching and scheming for the sweet sound of those two easy words: Time Off. It’s something you take—or sometimes steal, like a thief or a baserunner—but seems you can never get enough of it. It’s regulated, rationed, and billed by volume, like water or electricity or ice cream. Sometimes you have to beg the boss for more, or even for a trifling taste. So let’s make time! Let’s roll the dice and get these old bones out on the road again. 

Steve Gunn’s new album imagines the fugitive moments afforded us during time off, out, and away as occasions for dilatory investigations into our immediate environments and interiors. Time Off (PoB-08) showcases the virtuosic guitarist and songwriter’s oblique character sketches and story-songs, some of which, like “Lurker” and “Street Keeper,” portray specific denizens of his Brooklyn neighborhood. “Old Strange” celebrates Jack Rose, a dear and departed friend and muse. 
Those contemplative studies frame Gunn’s most affecting, accessible and articulate work of pure songcraft to date. His definitive statement as a songwriter, Time Off represents the culmination of nearly fifteen years of stylistic experimentation as a solo artist, a member of GHQ and the Gunn-Truscinski Duo, and more recently, as a guitarist in fellow Philadelphia-bred troubadour Kurt Vile’s touring band the Violators. 
Gunn’s first eponymous album with a full band, Time Off harnesses a core trio format to launch his compositions into new, luminous strata; the songs have evolved through disciplined trio interplay with longtime collaborator John Truscinski on drums and Justin Tripp (formerly of Aspera and Favourite Sons) on bass and guitar. Helena Espvall (Espers) also guests on cello. Steve’s keen baritone voice features more prominently than ever before on these tunes, each of which feels both more rigorous and expansive than previous efforts. 

Here, Gunn the guitarist masterfully deploys the discursive, deconstructed blues style, at once transcendent and methodical, that has become his signature. Close listening reveals the influence of Delta and Piedmont country blues, ecstatic free jazz, and psych, as well as Gnawa and Carnatic music, on the continually unfolding compositions. The fresh emphasis on narrative, characters in counterpoint, and those heavy-duty vocals likewise recall the finest work of Steve’s friend and sometime touring partner, Michael Chapman.
Building on his established penchant for charting musical travelogues that ramble through city and wilderness alike, these dispatches about home are not merely descriptive but corporeal. Gunn’s evocative writing and ductile instrumental phrasing, buttressed by the band’s intuitive playing, carries the listener along bodily for the “Trailways Ramble.” It’s a real collection of foot-tappers and head-nodders, perfect for summer sessions. 

The album opens with the sublime, meditative “Water Wheel”—a paean to “the water wheel’s constant turn/open views and days to burn”—and indeed Time Off sounds as if Steve has swum full circle to reach the headwaters of his musical practice. This is Gunn at the top of his game, utterly unique but steeped in traditions both vernacular and avant-garde. Jump in. 

•	Steve Gunn’s first album with a band, featuring John Truscinski and Justin Tripp
•	His most affecting, accessible, and articulate work of pure songcraft to date, with a new emphasis on vocals
•	Available on virgin vinyl, in a deluxe, limited edition, as well as on CD and digital formats
•	Vinyl edition features matte, tip-on jacket, full-color inner sleeve, and digital download coupon
•	CD housed in heavy 20 pt matte gatefold wallet
•	Package features artwork by Anthony Campuzano, Constance Mensh, and Justin Tripp

Bird in My Window

Roadkill Ghost Choir