Asalto al Cielo representa una búsqueda más profunda de banda en adentrarse en los elementos q definen al metal progresivo actual, trabajo de ritmáticas sincopadas cercanas al djent, elementos de Trip Hop, drums and base y música electrónica, sin renunciar a la sonoridad trovadoresca e hispana.

Créditos
Jorge Antonio Fernández Acosta: teclados
Emmanuel Urquía Linares: guitarra eléctrica, guitarra acústica, tres.
Luis Samuel Cano Ramos: drums, coros
Marcos Antonio Garrido y Guillermo Daniel Mena Ronda: Bajo eléctrico
Denis José Rodríguez Zamora: voz principal.

Producción musical, mezcla, master y voces de apoyo: Tiago Felipe
Producción Ejecutiva: Fondo de Arte Joven
Distribución @GitanaMedia

Por Toda la Ciudad Feat. David Blanco - Histerésis

“Pacem Meam Do Vobis” closes the album with a paradox: a promise of peace wrapped in the shadow of death. Borrowing its title from the words of Christ in John 14:27 — “Peace I leave with you; my peace I give unto you” — the song meditates on the tension between divine assurance and mortal finality. It’s a farewell not just in scripture, but in sound.

The track begins with apocalyptic brass — evoking the trumpet blasts of Revelation, heralds of both judgment and transcendence. From this dramatic opening, the song unfolds slowly, building with orchestral weight and sacred texts. But just when peace seems within reach, it arrives in the form of a flatline. A heartbeat stops. The listener is left with the chilling realization: in this world, the only peace we can be certain of may come with death.

Yet even here, a deeper meaning flickers beneath the surface. The text drawn from the Secreta for All Saints’ Day reminds us: “The souls of the righteous... seem in the eyes of the foolish to be dead, but they are at peace.” The concluding “Alleluia” — “Praise the Lord” — is not naïve joy, but a stubborn, defiant hope. It echoes the album’s recurring theme, first spoken by Virgin Black: “All is lost but hope.”

Pacem Meam Do Vobis is the sound of finality — and what might lie beyond.

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PACEM MEAM DO VOBIS

Justorum animae in manu Dei sunt, 
et non tanget illos tormentum malitiæ:
Visi sunt oculis insipientium mori: 
illi autem sunt in pace. Alleluia!

(The souls of the righteous are in the hands of God, 
and the torment of malice shall not touch them:
They seem in the eyes of the foolish to be dead, 
but they are at peace. Alleluia!)

Horror Sacri

Pacem Meam Do Vobis

Para escuchar la versión instrumental   https://soundcloud.com/juan-fco-bueno/primeros-pasos
Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/primeros-pasos-ac

PRIMEROS PASOS

Un tambaleo y tus ojitos son
unos luceros buscando protección
y también un mundo bajo tus pies.

Manitas altas y un nuevo tropezón
en una danza sin red y sin guión
que te da suelo y cielo a la vez.

Estribillo

Primeros pasos para mi sol
tu primavera, tu despertar
allí estaré si quiero verte brillar.

Primeros pasos ¡qué ilusión!
si tienes dudas vigilaré
me ocuparé de mantenerte en pie.

----------------------

Te caes, ríes y vuelves a empezar
en cada paso se ve la decisión
de seguir con valor y tesón.

Estribillo

Primeros pasos, pura ternura,
así comienza la gran aventura…

FIRST STEPS

A wobble and your little eyes are
stars seeking protection
and also a world beneath your feet.

High hands and a new stumble
in a dance without a net and without a script
that gives you ground and sky at the same time.

Chorus

First steps for my sun
your spring, your awakening
I'll be there if I want to see you shine.

First steps, what an illusion!
if you have doubts, I'll watch
and I'll make sure you stay on your feet.

----------------------

You fall, laugh, and start again
in every step you see the decision
to continue with courage and determination.

Chorus

First steps, pure tenderness,
thus begins the great adventure...

Primeros pasos

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[Techno Punk / Melodic HC] The gray pledge – Rahab Punkaholic Girls

End of the Bridge

Low Tech

Fallen Hero

I was once king of my kingdom
Looked up to, respected and revered
Someone with pride whose principles were clear
A leader an example for others to follow

Then I displayed a crucial moment of weakness
And my whole world collapsed like a pack of cards
Too late for regrets, can’t turn the clock back now
What you see is a fallen hero

But since I met you there’s a fresh spring in my step
Once a broken man, I’ve discovered a new lease of life
My whole world has assumed a different shade of meaning
You’ve given me faith to restore my reputation

A chink of light now radiating stronger
Piercing through my despair and my gloom
You’ve given me back my respect, my pride, no more soul-searching
No more guilt no more wish to shrivel up and die

I became a fallen hero
A misjudgement caused my disgrace
My dignity was lost, good name reduced to ashes
Couldn’t wait till the dusk of night descended
But now I’m strong, proud and clear of conscience
My reputation fully restored
You were my guide, my saviour, my source of inspiration
You have rescued this fallen hero
I’m no longer a fallen hero
You have rejuvenated
this fallen hero

Lyrics by Bobby Lincoln
Vocals and production by Phil Hawker

Fallen Hero

I’ve been fascinated, for a while, in discovering how shamanic ceremonial music eventually became blues, jazz and gospel, so this is a little exploration into it.  I haven’t found the answer yet... but I hope you'll enjoy this experiment along the way! 

The ceremonial choir is from a field recording in Madagascar. I made the drumming from a south African esoteric jazz pack of samples, and I made the R&B song with A.I.

The Offering

Buying Happiness

pop punk/rock
co-produced, mixed, mastered and cover art by

@a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Edge of the Knife

Rob Fletcher