PLAYHOUSE <LYRICS BELOW>


[Signature]

Oh Yaye

Woo 
Woo

Said

It’s too much 

Going on 

It’s too much

Going  on 

I was wit my n*ggas we was pourin’ out 


I was wit my n*ggas we was vibin’ out 

Sleepless nights for weeks can’t wait for sundown 

Now we rolling out 

Now we blowing out 

Now we showing out 

We just out here cruisin’ 

Pray they never stop me

Scat out with da Harley’s 

We seen it's a party 

They say It’s a party

Linkn’ wit da barbies 

Where them bitches actin’ naughty 

Mm

PLAYHOUSE

(Ay)

They say it’s a hangout 

(Heh Laugh)

We at the PLAYHOUSE

Promise this a hangout 

(Yaye)

We at the PLAYHOUSE 

Promise this a hangout 


Promise this a Hangout 

PLAYHOUSE 

(Yaye)

We hanging at the PLAYHOUSE 

Mm

PLAYHOUSE



PLAYHOUSE 


Jumpin’ it’s foreal

N dem’ bitches off da pillz 

Bet chu kno da deal

You gone try to chill

And that’s foreal

(Oh Yaye)

Yea

We hanging at da PLAYHOUSE 

This a Hangout 

Promise this a Hangout

ZVYE ✪ - PLAYHOUSE  (TRACK 03 OFFSHORE EP)

Hands up!

Prelude 3 (B) is speech-like, inspired by how rap manipulates rhythm. Triplets, poly rhythms and syncopation play into the contemporary style. The climax around bar 28 is lots of fun. The final two bars are inspired by Chopin’s Prelude Op. 28 No. 3 (G major), finishing in unison. Sheet music at https://www.australiancomposers.com.au/search?q=rachel+hocking

Prelude 3

STAY

It Was

See Through Me
I’ve been through nights so long they felt like whole lifetimes. The kind where silence presses against your chest and the dark makes you feel like you’re the only person left in the world. I thought I’d learned to live with it. I thought I had to.
Then there was you. You saw straight through the version of me I’d built to survive. You didn’t flinch at the cracks — you traced them like they were part of the design. I didn’t know it was possible to feel seen and safe at the same time.
I don’t pretend this will last forever. Nothing ever does. But maybe that’s why every moment with you feels heavy and light all at once — like I’m holding something too precious to set down, even for a second. If this is only now, then I’ll take now over nothing. I’ll take every second you’ll give me.
I want you to know that I’ve been through hell, and you’ve been the first person to make me believe I wasn’t supposed to stay there. You’ve been the light in nights I thought would never end. And if all I have is this moment, I’ll still give you everything.

SEE THROUGH ME

U and I

Country love song - young love and loyalty

My Man

Various artists singing DougEboi's music.

Promises  (Remix)

In a time where R&B is constantly shapeshifting, Tiffany Nichelle stands out as an artist who blends timeless emotion with a fearless modern edge. Her latest release, “Love In Reverse,” is a hypnotic journey into the messy beauty of heartbreak, desire, and the thin line between holding on and letting go.

Crafted alongside the visionary pen and production of Yung Adamsville, the track flips the typical love story on its head—literally. Built on lush, slow-burn chords and a bassline that moves like a late-night confession, “Love In Reverse” paints the picture of a relationship unraveling in rewind. Tiffany’s vocals glide effortlessly between honey-smooth runs and raw, cutting delivery, making each word hit like it was pulled straight from a diary you weren’t supposed to read.

From the opening beat, Adamsville’s production feels cinematic—layered with atmospheric textures, haunting harmonies, and a pulse that mirrors the chaos of love that’s falling apart. It’s the type of record that plays in your head long after it stops, not because it’s just catchy, but because it feels true.

Tiffany Nichelle isn’t afraid to stand in her vulnerability, and “Love In Reverse” proves she’s entering a new era—one where her artistry is just as daring as her storytelling. This is R&B for the lovers who’ve been burned, the ones who replay every moment wondering where it all went wrong, and the ones who know sometimes the only way to move forward… is to go backwards first.

U and I

Rob Fletcher