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Energetic, powerful and versatile singer, entertainer and DJ from North East of England. Available for parties, weddings, christenings, church services or any other events. Complete with industry standard PA, lighting, transport and insurance.

🎧 Bookings: navi@aceagency.com
✉️ MGMT: info@mickstermanagement
🎵 OUT NOW: ‘Oh My Lord'

Beyond their breathtaking melodies and explosive live sets, you’ll find dance music's closest friendship. Dutch powerhouse duo Lucas & Steve have seen a momentous rise to stardom in recent years with consecutive summer hits, multiple platinum and golden records, an endless string of international performances and accolades from BUMA (The Netherlands), Fun Radio (France), DJ Mag, MTV and many more.

The pair are renowned for uplifting productions and emotive lyrics, etching their place in modern dance music with massive radio hits like "Summer On You", "Up Till Dawn", "Where Have You Gone", “Perfect” and of course “Letters”, the title track of their 2020 debut album: "Letters to Remember”. Their 16 song LP, which received the Netherlands’ prestigious Edison Pop Award, showcases their musical diversity and solidifies Lucas & Steve’s reputation as truly talented songwriters. With deeply embedded dance roots, the pair have collaborated with the likes of Armin van Buuren, Sam Feldt, W&W, Mike Williams and remixed many household names such as David Guetta, Robin Schulz, Kygo, Lost Frequencies and Illenium among many others.

Since, the Dutch tastemakers have continued their upward trajectory with a slew of highly anticipated and heavy hitting collaborations. 2021 saw Lucas & Steve first team up with R&B icons Blackstreet for the radio-friendly ‘No Diggity’, before bringing things back to the festival with ‘Paper Planes’, a joint venture alongside Norway’s very own Tungevaag.

Lucas & Steve’s infinite energy is best experienced in a crowd, which they’ve proven time after time with acclaimed live performances at Tomorrowland’s Mainstage, Creamfields, AMF, Parookaville, Sziget Festival, ElectroBeach, as well as continuous tours across Europe, Asia and South America.

As the world came to a standstill in 2020, Lucas & Steve continued to elevate their songwriting and recording process to new heights, resulting in the duo surpassing 1 billion streams from all corners of the globe. Lucas & Steve continued to up the ante throughout 2021, churning out trendsetting and memorable collaborations alongside industry icons like Afrojack, Tiësto, and Galantis. Most recently, Lucas & Steve expressed their excitement to bring their sound back on the road with the release of the aptly titled “Set You Free”. Completely reinvigorated, Lucas & Steve are finally emerging from the past two years with a whole new bag of musical tricks up their sleeves. With a succulent summer tour ahead, the Dutch duo is ready to show fans that the best is yet to come.

Multi-instrumental - Live Dance act - Producers

Bookings: bookings@goldfishlive.com

Management: info@goldfishlive.com

Catch us on tour: http://www.goldfishlive.com

The secret is officially out. An electronic duo from the Southern-most tip of Africa have gone from one of Dance Music’s best kept secrets to an act tipped by industry tastemakers as the band to watch this year.
Their genre-defying mix of live instruments, House beats and searing live performances has seen Goldfish go from impromtu jams at a tiny beach club in Cape Town to headlining Amsterdam’s Olympic Stadium, cracking a top 10 on the US iTunes Dance chart, a residency at Pacha Ibiza with David Guetta and DJ’s like Fedde le Grand knocking at their door to do remix their tracks. It’s almost hard to believe that not very long ago they were just Dom and Dave, two music students who lived a relatively chilled life of surfing and playing music in their home town Cape Town.

All that really did change when they decided to record an album. Not having a record deal or much money, they simply locked themselves in a bedroom...with a double bass, a saxophone and a couple of synths, recording their debut Caught In The Loop on their own. A charming dance record that received massive support from the international dance music scene, desperate for something fresh and new. Pete Tong even called it his Ibiza Poolside Album of the Summer.

The two guys quickly found themselves maintaining gruelling international tour schedule that saw them play sold-out shows from Amsterdam to Miami, from the Sydney Opera House to Sao Paulo, in-between still finding time to mix the covermount CD for DJ mag international, garnering a record-breaking 8 SAMA nominations, numerous number ones radio at home, as well as performances at Glastonbury, Sensation White, Ultra Festival Miami, 46664 and Get Loaded in the Park amongst others.

They even got their hands on a residency to die for; Friday night at Ibiza super-club Pacha. Here they developed their sound further and presented it on their second album Perceptions of Pacha. As no other album, Perceptions Of Pacha captures the carefree vibe of the magical island of Ibiza, with their track Fort Knox cracking the Top 10 on the US iTunes Dance Charts. Following that up with the SAMA award-winning album Get Busy Living featuring the smash Youtube hit video We come together that garnered millions of online views for it’s hilarious and ground breaking animation work that has become a Goldfish trademark.

With props coming from everyone from Dr Dre, Sebastian Ingrosso, Pete Tong, Sander Kleinenberg, Fedde Le Grand and Faithless, watch this space. The Re-invention of the DJ has arrived.

For Press, Bookings and availability contact

bookings@goldfishlive.com
info@goldfishlive.com

Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports.
With Steele's background in The Sleepy Jackson and Littlemore's founding role in PNAU, the duo embarked on a sonic odyssey that has captivated audiences worldwide. Since their emergence, Empire of the Sun has transcended boundaries, blending alternative electronica with mesmerizing visuals to create an immersive musical experience unlike any other.

Their seminal debut album, Walking On A Dream, which the musicians described as "a spiritual road movie" spawned iconic singles “Walking On A Dream” and “We Are The People”. The critically acclaimed second LP, disco-pop Ice On The Dune featured “Alive” and “DNA” and saw the band tour the world. Third LP "Two Vines," saw the band welcoming guests like Lindsey Buckingham, members of David Bowie's band from the Blackstar sessions, and Wendy Melvoin from Prince & the Revolution and featured singles “High And Low” and “Way To Go”.
Their chart success extends far beyond their native Australia, with their albums achieving multi-platinum certifications across the globe. In addition to their commercial triumphs, the duo has garnered an impressive array of accolades, including eight ARIA Awards, two APRA Awards, and an APRA Billions Award. With over 5.5 million albums sold globally and a staggering 7.6 billion streams, Empire of the Sun's impact on the music industry is undeniable, solidifying their status as icons of the electronic music genre. 8 years since their last LP, 2024 sees the dawn of a new era. The journey continues…this time we’re going through “Changes”.

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Igor Spee
Haarlem, The Netherlands.
Electronic, Progressive, Deep and Tech.

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