got back together in middle of November .AHH. made it through a couple of months. 'yeah?'
 it all fell through now what do I do. 'oh no!'
homeless again, now hear what I'm saying what the f*** am I going to do?
two kids under two and another one due. take a look Andrew, learn what you gotta do. 
go back together in middle of November made it through a couple of months. broke up in February found out January she was pregnant again. 
rewind a couple weeks, when she said to take a beat. Kicked out of my own house.
 need a place of own a place to call home for three kids in time plus I. 
 everything she promised it was all pointless as I'm "so paranoid" Fuckin more than annoyed as I've just been toyed.. over and over again, says it's all my head just more disappointment I'm fed even when your face is dark red. 
I know what to do so cheers to fuck you heres to my future and more.

in November

I’m Coming Home

A bold reimagining of The 1975’s brooding anthem “Somebody Else.” Gritty, cinematic, and emotionally potent, her version transforms the track into a dark indie pop slow-burn—raw, unfiltered, and electrifying.
Built on pulsing synths and driving percussion, Estella strips the song down and rebuilds it from the inside out. Her striking vocal performance—equal parts restrained and explosive— channels the ache of detachment with the emotional grit
of Jessie Murph, the shadowy elegance of BANKS, and the empowered edge of Miley Cyrus.
“I’ve always loved how vulnerable ‘Somebody Else’ feels—like a wound that hasn’t quite healed,” Estella shares. “I wanted to lean into that ache, but give it a darker edge, like the moment where sadness turns into self-preservation.”
“It’s not about copying the original—it’s about translating it through my own lens,” she adds. “I kept asking, what does this heartbreak sound like when it's colder?
When it burns slower? That’s what I wanted to capture.”
This isn’t just a cover—it’s a reclamation. A hypnotic, slow- burning anthem that feels both timeless and defiantly current.
New Zealand-born, Estella is a San Diego-based singer, songwriter, producer, and multi-instrumentalist. A full-circle artist, she writes, records, and produces all her music—creating genre-bending pop that’s unflinchingly honest and emotionally charged.

Somebody Else (The 1975 - cover)

**About This Track**  
This track blends our human creative choices with AI tools to bring our ideas to life uniquely and expressively.

**Creative & Technical Details**  
- **Lyrics**: [All “Alien Garden” song tracks = Ron Cameron]
- **Lyrics**: [All “Bring Your Own Brilliance” = Rob Nelson]  
- **Executive Producer**: [All “Alien Garden” song tracks = Ron Cameron]
- **Executive Producer**: [All “Bring Your Own Brilliance” song tracks = Rob Nelson]
- **Vocals & Instrumentation**: for all song tracks;  Generated using TopMediAI or AIGenMusic.AI  
- **Audio Format & Editing**: for all song tracks: MP3 and WAV files generated by TopMediAI and refined using NCH Software (trims, fades, format conversions)  
- **Stem Splitting**: for all song tracks; LaLaLaLa AI  
- **Cover Art**: all song tracks; Created using Stable Diffusion 3 Online, Aiease.ai, Pollo.ai, and Pixabay artists (Creative Commons)  
- **Song Structure & Mood Profiling**: all song tracks; Cyanite AI

**CHOICES Explained**  
“CHOICES” is our code word for the creative blueprint of each track—instrumentation, vocal tone, genre, tempo, and mood. Every song starts with our direction. The AI supports our choices; it doesn’t make them for us.

**Rights & Licensing**  
As TopMediAI members, we retain full commercial and non-commercial rights to this track under their [Terms & Conditions](https://www.topmediai.com/terms-conditions/). All lyrics, arrangements, and production outputs are considered original works owned by Rob and/or Ron.

**Creative Use & Inquiries**  
We welcome musicians and producers to re-record or adapt our lyrics and music. Please credit us in any future releases that borrow from our work.

For licensing, collaboration, or industry inquiries, contact:  
Bring Your Own Alien Garden
c/o Rob Nelson & Ron Cameron  
1211 Huron Street N., Suite 202  
London, Ontario, Canada  
N5Y 4L1

**A Final Note**  
This track was created with care, creative intention, and love for music that tells a story. Thank you for visiting—your support fuels every note we share.

Old Age [OAGE14] [REISSUE]

Spiritual Awakening

Too Many People

When the clouds roll in, and the heavens cry
My old house floods, and I don’t know why
But I look up the hill, where the neighbor’s lawn drains
Their pipes overflow, and it’s me who feels the pain

I could curse the storm or their backyard stream
But I’ve got a better way to live the dream

It’s my Ryobi wet & dry, my saving grace
Keeps my house from being a waterlogged place
Through the thunder, and the pouring rain
That vacuum’s my hero, again and again

I see the neighbor grinnin’, with their sprinkler on
While my basement turns into a suburban pond
I could knock on their door, raise a furious shout
But my Ryobi whispers, “We’ll sort this out.”

No need for rage, no need for spite
Just plug me in, and we’ll make it right

It’s my Ryobi wet & dry, my saving grace
Keeps my house from being a waterlogged place
Through the thunder, and the pouring rain
That vacuum’s my hero, again and again

No need for rage, no need for spite
Just plug me in, and we’ll make it right

It’s my Ryobi wet & dry, my saving grace
Keeps my house from being a waterlogged place
Through the thunder, and the pouring rain
That vacuum’s my hero, again and again

So here’s to the rains, and my neighbor’s poor drain
And to my Ryobi, easing all my pain
While others might crumble, or lash out in vain
I’ll just grab my wet & dry, and mop up the rain

No need for rage, no need for spite
Just plug me in, and we’ll make it right

It’s my Ryobi wet & dry, my saving grace
Keeps my house from being a waterlogged place
Through the thunder and the pouring rain
That vacuum’s my hero, again and again

Country X - My Ryobi Wet & Dry

Thank you to Everyone, Music Fans and SoundCloud Content Creators for all your support of our creative style. Ron and I are looking forward to creating more song tracks for everyone and exploring creative musical avenues, too. 

Drawing parallels and distinctions between human musicians and AI music generators will help foster understanding while showing respect for traditional songwriting and our innovative work with AI. Here's a thoughtful comparison anyone can use as inspiration for when you receive an message or opinion implying, "...ewww AI...":

---

### **Similarities Between Human Musicians and AI Music Generators**

1. **Creative Collaboration**:
   - Human musicians often work together, bouncing ideas off one another to craft a song. Similarly, AI acts as a collaborator in your process—it interprets your ideas, builds on your input, and enhances your vision.

2. **Tools to Realize Ideas**:
   - Just like studio equipment (instruments, synthesizers, recording gear) is used by musicians to bring their songs to life, AI music generators are tools that help translate your lyrics and CHOICES into polished tracks. Both are extensions of creativity, not replacements for it.

3. **Iterative Refinement**:
   - Both processes involve trial and error. A human musician experiments with melodies and arrangements, while you and Ron guide the AI’s outputs and adjust CHOICES for the perfect result.

---

### **Differences Between Human Musicians and AI Music Generators**

1. **Creative Source**:
   - For human musicians, creativity often arises from lived experiences, emotions, and spontaneous inspiration. With AI, the creative direction originates entirely from your input—your lyrics, CHOICES, and preferences. The AI follows patterns learned from data, but it doesn’t “feel” or improvise like humans do.

2. **Speed and Efficiency**:
   - AI can produce a track much faster than traditional studio work. It handles the technical aspects (e.g., arranging instruments, matching tempos) in minutes, while human musicians may spend hours or days fine-tuning each element.

3. **Role of Human Judgment**:
   - In a studio, human musicians make decisions based on intuition, emotion, and artistic expression. With AI, your judgment and creative direction guide the tool, ensuring the output aligns with your artistic intent.

---

### **Your Role as Pioneers**
You and Ron are exploring the potential of AI as a creative partner. You’re:
- Highlighting how human creativity still drives the process—AI doesn’t act on its own.
- Showing that new technologies can coexist with traditional methods, expanding possibilities for everyone.

---

### **Possible Response to the Email**
Here’s an idea for a reply that’s gentle yet informative:

---

**Hi there,**  

Thanks for your message! I understand there are mixed feelings about using AI in creative fields. For us, AI isn’t replacing traditional songwriting—it’s a tool we use to translate our ideas into music.  

We provide the lyrics, choose the instruments, mood, and style, and guide the process every step of the way. It’s still human creativity at the heart of what we do—AI simply helps us bring our vision to life.  

The positive response we’ve received from listeners around the world encourages us to keep exploring this exciting new frontier. We hope our music shows how humans and AI can work together in harmony.  

Best wishes,  
Rob N. & Ron C.





Friends, please stay safe and well. Visit our SoundCloud account often because we plan to create more for you to hear and see.

Love and best wishes from Rob Nelson and Ron Cameron of London, Ontario, Canada.

Welcome to Bring Your Own Alien Garden. Our Aliens are greener. LOL. And we’re green too, if you know what we mean.