“I shouldn’t have schmoked before sitting down to pen this nonsense, now I can’t write about myself without vomiting up some grandiloquent hyperbole, all you need to know is that I’m an ex angry booze hound, turned cynical stoner who somewhere down the line, started writing and in pursuit of work, moved to the Big Smoke. Then thanks to a bunch of unfortunate plot twists, became homeless, continued writing, became more misanthropic, continued drinking, embraced Nihilism, took to Absurdism and continued drinking until he mastered the art of talking shit. Hustled his way back into a fixed abode, found stability with handy short term financial donations from a multimillionaire-pop star he never met, kept writing, replaced the booze with weed, kept writing and gained some insight and a handful of stories to tell. People will project what they want on to an artist, it doesn’t matter who I am, I’ll keep being me to me & Stig Of The Dump will keep being me to them. It’s probably best to not over think it but that’s apparently “my problem”. On the other hand i’m good at saying dumb shit & occasionally something meaningful falls through the gaps”

………………………………………………………………..

“The struggle is the art”

A decorated World & Domestic battle champion, Steven “Stig” Dixon a.k.a Stig Of The Dump is a writer who’s individualist insight, misanthropic rants, cynical musings & heavy humour have found themselves at home on the dusty, crackling, vinyl sampled break loops of Hip Hop. A wordsmith with little regard for conformity, his back catalogue reflects the story of a marginalised artist, trying to balance the fight against his demons with the desire to escape them and the gradual maturing of an outspoken & unflinching lyricist, revelling in his niche. Fro the beginning of his first release The Homeless Micrphonist EP [Beer & Rap], written & recorded in just seven consecutive days, during a 2 month long stint of sleeping in the Foreign Beggar’s studio vocal booth; Stig established himself as a brutally honest & uncompromising voice in the UK Hip Hop scene. An unrefined, unfiltered classic, reflecting the anger & ever shifting temperament of a bitter, homeless drunk it received instant fan support and much critical acclaim, selling out the initial run and repress and achieving cult status amongst domestic Rap collectors and along with his next release, 12″ single Braindead ft R.A.The Rugged Man, has long since sold out and currently sells for collector’s prices. Having found base, an outlet for further release and a roof over his head, Stig’s subsequent full length LP debut, Mood Swings [Lewis Recordings] further solidified his reputation as a hard hitting lyricist and in the same vein as his previous offerings, continued to express the conflict, struggle and depravity of poverty, excess & urban life. Over the next two EP’s Cannon Fodder [Lewis Recordings/F.U.Music] & Piff Rhys Jones [Lewis Recordings/F.U.Music] Stig Of The Dump found stability through touring the world, covering rent & gaining insight & with stability came, maturity & his need for rebellion became focussed & more considered, culminating in his latest full length release Kubrick.

“A remarkable album” – Tom Ravenscroft BBC 6 Music

“Railing against society from the gutter” – The Wire

“A meticulous mini-epic full of self-reflection”  **** – Mojo

The Label Behind: 
DABBLA  - SUMGii - ILLAMAN - DUBBLEDGE - PROBLEM CHILD - LDZ - FROSTY - PIERRE GREEN - BENOFFICAL & PROZAC - BAILEYS BROWN - FINAL BOSS - DREAM MCLEAN - GEAR - COBES - JAYSUN

 Info/bookings:  info@potentfunk.com

Got a demo? http://playaz.co.uk/sending-demos/
Launched in 2006 as the new face of DJ Hype and DJ Pascal’s company Real Playaz. The True Playaz brand that Hype, Pascal and Zinc built back in 1996 was missed and now the names have been changed to protect the innocent.

There are few artists who can claim to have shot to Drum & Bass fame as quickly, or as succinctly as Birmingham based DJ Hazard. In just a few short years this incredibly talented producer has knocked out enough dancefloor bombs to be considered a serious sonic terrorist, adding to the noise pollution problems of neighbourhoods around the world with his uncompromisingly tight beats and earth-quaking basslines.

Originally noticed by D&B legend DJ Hype while producing a few tracks for DJ SS’ Formation Records, Hazard was soon snapped up by the Playaz boss once he realised the young Birmingham based talent wasn’t under contract. There began a partnership that has rocketed DJ Hazard to the very top of his game, both in terms of producing immense dancefloor destroying tracks that eager DJs clamour to get their hands on during promo stage, and his own career as a DJ which has seen him travel the globe, doling out masses of bass-fuelled pain to unsuspecting ravers worldwide.

Soaking up the bass-heavy sounds of Ragga and Hip Hop like a musical sponge in his early youth, Hazard found he was drawn into the sub-low hitting basslines and the infectious cut up drums of early Jungle during the early ’90s and, like many youths at that time, began to collect those addictive slabs of black crack. Funding his love of buying and playing records by working in factories, washing up in restaurants and delivering pizzas, Hazard put everything he had into following a path that he loved and his hard work paid off.

Evidently his journey didn’t begin with the Playaz camp; throughout the ’90s Hazard built a reputation as a solid club DJ in the local Birmingham scene, while he built on that success with his regular radio show on Kool FM Midlands alongside MCs Biggie and Accapello. From there the production bug was the obvious logical move, and soon Hazard was churning out tracks that would get his style noticed by hordes of the top D&B dogs. As word about this fresh talent grew, Hazard continued to work his way up the Drum & Bass ladder with determination and belief in his own abilities, and with such determination on display it’s no wonder that DJ Hype picked him up as the first non Ganja Kru member to be signed exclusively to the camp.

From there on a string of releases made Hazard’s name one that even your average D&B fan’s mum could recognise. Tracks such as ‘Use Your Brain’ and ‘Get The Fuck Up’ cemented Hazard as a favourite in many aspiring DJs’ boxes, and almost overnight he became one of the most popular Jump Up producers in the game.

Of course it’s obvious to anyone that hard work and dedication are Hazard’s watchwords, as you can tell from his journey to the top, but now that he’s there, he’s not resting on his laurels either. More recently his incredible anthems ‘Busted’, ’0121′ and ‘Mr Happy’ all topped the Drum & Bass charts, receiving support from just about everyone who’s anyone in the scene. The incredible power of Hazard’s production and the insane levels he’s prepared to take it to became even more clear as he dropped the awesome brutality of the ‘Machete Bass’ EP, a release that has secured his place in the top echelons of Drum & Bass producers, a place that will leave his mark on this music for many years to come.

With talk of a DJ Hazard mix CD on the newly formed Playaz imprint and the possibility of an artist album in the works, as well as his increasingly hectic DJ schedule and his relentless dedication to his art, it seems that all this could just be the beginning for DJ Hazard.

Robert Along Emarton is following