Method: It‘s complex. 
Narration: Just think of Paris, millenia later.
Image: Another (altered) section of the original Tiny Inclusions illustration. Yes, I guess 'blue' might have been seen in ancient Greece as well.

poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

Out of the blue
he is back, has returned.
It is the Klein kind of blue,
to be precise. He must have
stared at the picture for hours.
.
The walls reek of bliss.
His own smell carries that stink.
Long before he had realized it,
his senses had learned
to abhor beauty.
.
.
It is now that
he remembers his name.
He was the one who courted,
beguiled Helen, took her to Troy.
His name, the gods took him here to remember his name.
.
.
.
All his life, he had fought his way along
the Hausmann lines of perfection
that used to encircle his palace. Armies of strangers.
This is where they end, in a blue
square on a gallery wall
reeking of bliss,

blue

Blue

This piece describes powerful experiences working with visualisation and meditation techniques. We live in a multilayered reality with multiple 'parts' operating simultaneously. I have carefully built this track around these concepts - giving the listener a taste of this experience.

Standing Between Worlds

Eternity

Out On The Ridge - Combstead / Robert Grigg

Marketplace in Istanbul

Francois Emmanuel Fodere Washington DC Metro Center Station Waiting

Metro/ waiting

https://open.spotify.com/int.../album/2w7IdhyZiWjCaiVj8cR7zU
https://www.deezer.com/fr/album/468713635
https://music.youtube.com/playlist...

I Can't Choose

Gwent Balalaikawave

Image: street art, Lima, Peru, 2017.
Drums: NI Karriem Riggins
Bass: Warwick 5-string.
Guitars: Suhr Classic and PRS CE24 through NI Guitar Rig and Archetype Rabea. Guitar solo / noise during end section is Archetype Tim Henson using harmoniser and Arturia Efx Fragments.
Keys: Karanyi, NI and Spitfire.
Mastering: Ozone 10 Standard.
DAW: Ableton.

L'Odeon

This is a re-imagining/redux of an original song written way back in 1985. It was a signature song for an LA band I was in at the time called The Program. Originally written as a straight ahead rock tune, the funky and catchy bass pattern was the central component of the song. This new arrangement and recording maintains that original bass pattern and vibe, but definitely takes the tune into completely new realms! Enjoy!

Program Me (Inflated Mix)

New Idea 256

It's a blessing to be able to create music and if someone enjoys my work, that's icing on the cake! All blessings come from God.

As a retired DOD Civil Service worker, I have time to record some. I have been recording at home sice around 1990 and some of my tracks are very old.  I‘ve had 50+ years in bands playing music of many types. I still play the club scene 3 to 4 times a month. Life is good!

I'm a Guitarist who likes to write, record and sing many styles of music. Please check out my tracks. I'm also enjoying the occasional collaborations.  Meeting some good friends on here and continuing to grow. Thank you for listening!


Es una bendición poder crear música y si alguien disfruta de mi trabajo, ¡eso es la guinda del pastel! Todas las bendiciones vienen de Dios. Como trabajador jubilado del Servicio Civil del Departamento de Defensa, tengo tiempo para registrar algunos. He estado grabando en casa durante unos 23 años y algunas de mis pistas son muy antiguas. He tenido más de 50 años en bandas tocando música de muchos tipos. Todavía juego en la escena del club de 3 a 4 veces al mes. ¡La vida es buena! Soy un guitarrista al que le gusta escribir, grabar y cantar muchos estilos de música. Por favor, echa un vistazo a mis pistas. También estoy disfrutando de las colaboraciones ocasionales. Conocer a algunos buenos amigos aquí y seguir creciendo. ¡Gracias por escuchar!