MODX8

Cybernetic Dreams

Road to freedom

PROFESSORS OF TRULY GOLDEN SOUNDS

[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 611

created: 2024/03/09

These tracks were uploaded to SC in 02/2024 and 03/2024.
except for the following, older ones:

...

The Central Committee sends its love.

[TO BE COMPLETED]

hk_Superdance_tracks_611

Patches

ZOMBIE

Confessions of a Singer written by Dan Boyko

Oh Lord, I know I never bothered before
I was wrong, ‘cause I’ve sacrificed so much for so long
Yes I’ve tried, to be a better man inside
Though I’ve failed, and I know I’ve been more selfish than kind
I’m alright, I really could use a friend tonight

(Chorus)
And I let my demons out in the light
And I let  my demons out in the light
And I don’t know if I’m ready to fight
And I don’t know if I’m ready to fight

Oh Lord, I’ve only felt the dark hand of love
You know I would, Take back all those words if I could
In my mind, Honesty's a waste of time
In my eyes, it’s hard to tell the truth from the lies
I’m alright, I really could use a friend tonight


(Chorus)
And I let my demons out in the light
And I put my demons out in the light
And I don’t know if I’m ready to fight
And I don’t know if I’m ready to fight
And I let my demons out in the light
And I put my demons out in the light
And I don’t know if I’m ready to fight
And I don’t know if I’m ready to fight

I said I’m sorry yeah, for everything I said 
I said I'm sorry yeah, for everything I did 
I said I'm sorry yeah, for everything I do to you
I said I'm sorry yeah, especially to you
I said I'm sorry yeah, I'm sorry to you

Confession Of A Singer - Dan Boyko

The 90s PROPER Tea Leaf

Something a little quieter 😊

Vocals: various royalty-free sources

Free download if you like it.

Thank you for listening ♥

Sunana

weightlessness

Back to high energy with this one 😁

Two teenagers are on the run from the police in a stolen car, after being told they are too young to be together.

This one is for Jeff 💛🎵

Vocals: various royalty free sources

Free download if you like it 😊

Thank you for listening 💛

On The Run

One more piece in collaboration with Roberto Klavi. Thank You for beautiful music Roberto 🎶🤗

"May your melodies be merry, your harmonies be bright, and your beats bring joy throughout this festive season!
Wishing my fellow SoundCloud musicians a Christmas filled with creative inspiration and musical cheer. 🎶🎄 #MusicalChristmasMagic"

Merry Christmas Everyone - Shakin Stevens (cover)

Take my hand

AIRY GAME

D'après le film " The Man from Earth " de Richard Schenkman . On a remplacé le personnage principal par un tueur professionnel 😱 !!! 
Based on the film "The Man from Earth" by Richard Schenkman . We replaced the main character with a professional killer 😱 !!!! 

Composer : Philippe SEGUINARD 🚲
Songwriter : Guillaume DULER 🛶 

Lyrics :
Il paraît qu'il n'y a pas de sot métier
Le mien c'est tout simplement de tuer
Je suis l'meilleur dans ma catégorie
J'ai ôté la vie dans tous les pays
Je travaille pour tous les gouvernements
Les rois , les riches maffieux les présidents
Je suis très cher mais je suis efficace
Quand j'élimine je ne laisse pas de trace

Oh les scènes de crimes !

J'ai liquidé pas mal de vrais méchants
Mais comme j'assassine pour le plus offrant
Je ferme aussi les yeux des faux gentils
Car pour moi toutes les vies ont un prix

Oh les scènes de crimes !

Je frappe tel un virus sans distinction
Je n'ai pas de lois pas de religions
Je suis bien né avant toutes ces chimères
J'ai 14 000 ans et des poussières

Holocène de crime

Personne n'a jamais vu mon visage
Je suis une ombre un fantôme sans âge
Je suis un salaud dix fois millénaire
Toujours debout sur cette pauvre Terre
Pourtant je peux mourir à chaque instant
C'est pour vieillir que je mets plus de temps
Je sais que c'est très difficile à croire
Les preuves sont dans vos livres d'histoires

Holocène de crime

They say there's no such thing as a fool's job
Mine is simply to kill
I'm the best in my category
I've taken lives in every country

I work for every government
Kings, rich mafiosi, presidents
I'm very expensive but I'm efficient
When I eliminate I leave no trace

Oh the crime scenes!

I've taken out a lot of real bad guys
But since I murder for the highest bidder
I also close my eyes to false good guys
Because for me, all lives have a price

I strike like a virus without distinction
I have no laws, no religions
I was born before all these chimeras
I'm 14,000 years old and counting

Holocene of crime

No one has ever seen my face
I'm a shadow, an ageless ghost
I'm a bastard ten thousand years old
Still standing on this poor Earth

Yet I could die at any moment
It takes me longer to grow old
I know it's hard to believe
The proof is in your history books

Holocene of crime

© Philippe SEGUINARD/Guillaume DULER 2024

Holocène De Crimes   TRANSLATED

wood rose

1..2..3

Rock the Night Away

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Sunny Day / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 77
A7 Em7 Gbm Dm7
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Sunny Day - Paploviante Open Collab Offer

No Trouble

True Love

Digital Expansion

maybe that´s the way it´s meant to be!
"Red Sound" Electronic music with vocals and guitar

Red Sound

Beach

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

Submerged Echoes of Love

https://www.instagram.com/robertoklavi?igsh=ejNpMnNpNTRrNXMx

https://www.threads.net/@robertoklavi?invite=0

https://youtube.com/shorts/uapOPoFIpAw?si=5jXDypbwKqb1BZ8j

electronic music and keyboard player. 🌟 From an early age, I grew up in the world of sounds, and my heart always beat to the rhythm of rock and roll. Today I create songs in trance and techno styles, exploring the endless possibilities of synthesizers. My favorite instruments are: Yamaha MODX8 - a powerful synthesizer that opens the door to countless sounds. Roland Gaia 2 – perfect for creative experiments. Bass Station – giving my songs depth and character. I invite you to follow my musical journey! 🎶✨ #ElectronicMusic #Trance #Techno #Keyboardist #YamahaMODX8 #RolandGaia2 #BassStation