New Weird America
Discography: https://heidiharris.bandcamp.com/music
Booking & info: sukisound@yahoo.com 

Heidi's creative practice is based on an exploration and intermingling of traditional and non-traditional sound sources. Repertoire of instruments include: piano, clarinet, harmonica, guitar, melodica, synthesizer, theremin, and various sound makers. 

Heidi contributed many of these sounds including songwriting as a former member of the chamber folk trio http://soundcloud.com/cutleri, later in http://soundcloud.com/knife-throwers-assistance,  an eclectic musical collective based in NYC and continues to collaborate in her band: https://soundcloud.com/heidiandthe9feathers But Heidi's first “instrument” was her own voice. From a young age she performed lead roles in operettas and musicals, and although stylistically she has moved on to more avant-garde territories, the quality and range of her voice still hinges on her theatrical roots.

Heidi attended the Institute of Audio Research in New York City, focusing on the process of recording and producing, and went on to record several self-released albums in her home studio, Suki Sound. Her work has been reviewed by labels and blogs all over the globe, applauding her as a unique and exceptionally prolific songwriter and recording artist.


contact email: sukisound@yahoo.com

Good Vibes Cali Tour On Sale Now ☀️
"Taking My Time" and "Pay No Mind" Out Now 💫

Official site: https://SlightlyStoopid.com
Get the Music: https://SlightlyStoopid.com/music
Find a Show: https://Slightly Stoopid.com/tour

As a musical brotherhood since 1995, Slightly Stoopid, led by the vastly versatile duo of Miles Doughty and Kyle McDonald, has expanded its fusion of rock, reggae, acoustic soul, hip hop, heavy metal, and punk rock, and achieved artistic freedom and commercial success while subscribing to their own DIY ethos. In the process, the talented collective has grown both onstage - from their original trio to a seven-piece ensemble - and as the generational forebearer of an immensely growing subculture and lifestyle movement. 

Bound by their devotion to a musical agenda that relies on the spirit of collaboration and improvisation, and a social agenda that advocates for the freedom and legalization of marijuana, Slightly Stoopid’s musical melting pot continues to earn the respect of their mentors and peers, inspire countless young musicians, and delight millions of fans.

Read more at: https://www.slightlystoopid.com/about

Fat Freddy's Drop’s pirate soul train, resolutely independent, worldwide.

Formed in 1999 in Wellington, New Zealand our sound draws inspiration from almost every part of the black music lexicon. Soul drenched vocals and jazz harmonies collide with tape delays and echo chambers, underpinned by a rhythm section as comfortable laying down a throbbing, techy soundscape as they are a swampy blues stomp.


New York City's Easy Star Records has produced three of the best-selling and trendsetting reggae albums around - the Easy Star All-Stars' Dub Side of the Moon, Radiodread and Easy Star's Lonely Hearts Dub Band - while building an international brand and roster that has come to signify quality and class.

The independent label has created an impressive body of work that includes those above-mentioned in-house productions, along with progressive recordings from envelope-pushing acts like Protoje, Jesse Royal, John Brown's Body, The Skints, The Black Seeds, Rebelution, Passafire, Backbeat Soundsystem, Gentleman's Dub Club, Cas Haley, New Kingston, The Expanders, Lila Ike, The Late Ones, Marcus Gad, Tommy T, JonQuan and Ticklah; reissues of classic reggae from the vaults of Sugar Minott and Linval Thompson; new music from reggae legends The Meditations and Sister Carol; and collaborations with international reggae stars like Matisyahu,  Michael Rose, U Roy, Luciano, Anthony B, Christofer Martin and Morgan Heritage.

Easy Star has steadily built a scene that extends in many directions, following any path where reggae leads, bringing together young producers and musicians, reggae stars, and even artists outside the genre who have been influenced by Jamaican music, like Citizen Cope, blues musician/musicologist Corey Harris, Janelle Monáe, Jason Mraz and Kelly Clarkson.

The label manages its in-house musical collective/touring band The Easy Star All-Stars, who have played in over 30 countries on 6 continents. Dub Side of the Moon, Radiodread, Lonely Hearts and Thrillah have formed the backbone of a growing franchise of reggae re-inventions of classic albums; the band is at work on the next installment, targeted for 2022.

Easy Star has also developed a strong sense of how to market reggae to both core genre fans and a mass audience, leading to work consulting on marketing for albums such as Gov't Mule's Mighty High. Easy Star's musical director Michael Goldwasser produced albums for Corey Harris and Israeli band Hatikva 6, as well as remixes by Umphrey's McGee, Rebelution, Jason Mraz, Yoko Ono and more, bringing the Easy Star sound further outside the family. And Easy Star has raised its profile as a lifestyle brand with events such as Easy Star Reggae Tuesdays, which was one of the longest-running weekly reggae parties in New York.

I make nifty electronic music for the most part.

Feel free to message me or comment on my tracks, as I'm a fairly friendly fellow. 

Grammy-nominated reggae/hip-hop/alternative artist. The new self-titled album, Matisyahu, is out now on vinyl, digital and CD.

https://soundcloud.com/ian-melvin/audiobiography-ian-melvin

All the songs on this cloud are original compositions of mine.  Sometimes in collaboration with other SoundClouders.

Music is a kind of kaleidoscope, although it manifests itself on an incomparably higher level of ideality. Music produces beautiful forms and colours in ever more elaborate diversity, gently overflowing, sharply contrasted, always coherent and yet always new, self-contained and self-fulfilled. Eduard Hanslick 1854

I am a married father of two, grandfather of four, fine arts graduate and polymath.

I had been asked to commit my songs to recording for the benefit of my offspring, and also I guess before I go completely deaf (Yes. I am one of the 1 in 7 severely deaf people in the UK) so begins this project. 

However, as I have gotten into it I realize that I have a lot of new stuff bursting out all the time, much of it inspired by you good people on Sound Cloud. 

Collaborating has been a revelation and I want to do more and as much as I can, so if you hear anything of mine you like and/or have any ideas about production etc just drop me a line anytime.

My collaborative name is Eight Zeros and can be found here: http://soundcloud.com/eight-zeros and on Facebook here: https://www.facebook.com/eight8zeros

I would at some point like to work with someone to develop my own and hopefully your songs as an acoustic vocal duo so if you are geographically near and interested please get in touch.

Recordings were made first on a Boss Micro BR, then on an iMac running Garageband'11, inputting through a Behringer 1204 USB mixer and using a Rode NT2A for voice (Behringer C1 condenser mic for voice up to April 2013) and an AKG1000S for guitars. From January 2013 I have upgraded software to Logic pro 9. My weapon of choice is a Martin 00015M, with Martin SP Light's mostly recorded open though sometimes via Fishman Rare Earth Blend. 

All Material is Copyright © 2012,2013, 2014, 2015, 2016.

Robert Ochan is following