Clásica

Best work of Fall of 21 (Community)

Choir

Ambient

Favourite reposts

This play list does not include Enlightened City, Suite for String Orchestra or A New Eaarth for Orchestra, Chorus and Narrator. These will be added soon.

Video for A New Eaarth: http://www.youtube.com/watch?v=CZlzCkWUfwI

Full perusal scores: http://robertpaterson.com/orchestra/

Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

Contact: http://robertpaterson.com/contact/

Selected Orchestral Works

Cinematic

Dissonored

ANET MUSIC & GABRIEL CHLOE - Dissonored (Original Mix)

In this program you will hear the U.S. Army Chorus and Brass Quintet perform Fanfare for a Festival (Ron Nelson), “O Jesu Christ Meins Lebens Licht” (Johann Sebastian Bach), “Ain’t-a That Good News” (William Dawson), “Now Look Away” (Norman Merrifield), “Keep in the Middle of the Road” (Marshall Bartholomew), “Soon-Ah Will Be Done” (William Dawson), selections from the Marriage of Figaro (Wolfgang Amadeus Mozart), “Simple Gifts” (Aaron Copland), “Buccinate in neomenia tuba” (Giovanni Gabrieli), “My Spirit Be Joyful” (Johann Sebastian Bach), Second Prelude (George Gershwin), “Blue Bells of Scotland” (Arthur Pryor), “Ubi Caritas” (Ola Gjeilo), “Lux Arumque” (Eric Whitacre), “Mansions of the Lord” (Nick Glennie-Smith and Randall Wallace), “Battle Hymn of the Republic” (Julia Ward Howe), and “God Bless America” (Irving Berlin).

The U.S. Army Brass Quintet has gained a reputation as one of the most highly respected and sought after groups of its kind. The ensemble has appeared before audiences and dignitaries in 48 states and 14 foreign countries. An element of the U.S. Army Band “Pershing’s Own” in Washington, DC, the U.S. Army Brass Quintet has performed at the White House, presidential inaugurations, and official state ceremonies in the nation’s capital. The chorus has participated in the presidential library dedication ceremonies for Gerald R. Ford, Ronald W. Reagan, George H. W. Bush, and George W. Bush, and performed in memorial ceremonies honoring significant events in our country’s history including at the Korean War Veterans Memorial, the National World War II Memorial, and the Pentagon 9/11 Memorial. This concert was held at the National Gallery of Art on Sunday, March 20, 2016.

U.S. Army Chorus and Brass Quintet

All the sounds you hear on this song are from crickets singing at night.  
The choir -like effect was achieved by using tape playback to slow the speed of the cricket sounds....   makes you wonder if this is what THEY hear when they sing at night ? 
A long mix perfect for nature meditation and relaxation or yoga .  Please let me know what you think thanks ! 



Twisted Hair - The Cricket Chorus

-= August 2021 =-

Vocal Trance Mix 2021

Indigolight

World War Horror Film Score type instrumental prod. and Composed by Maxphony

World War Horror Film Score type instrumental prod. and Composed by Nomax

We were Heroes Epic Space Orchestral Filmmusik Type Soundtrack Prod. and Composed by Maxphony

Free Download

Hero /  Epic Space Orchestral Filmmusik Type Soundtrack Prod. and Composed by Nomax

New Epic Filmscore type instrumental prod. and Composed by Nomax

"Elysium" Sad Epic Ambient Piano  Instrumental Prod. and Composed by Nomax

" Yggdrasil "  Vikings Sountrack prod and composed by Nomax

" Yggdrasil "  Vikings Sountrack Prod. and Composed by Nomax

Everyone Can Dance,so Can You

Check out Kid Swisher
@is a.kid.named.colin 

Lyrics:

Falling for you
When will I see you, too?
Falling for you 
And I know I can't go (go)
Down the same road now
And I'm going at this bitch 
It's just another lil twist 
In a story of some bliss (yeah)

I want it, bliss yeah
I wish you wanted that, too
I want a happy ending (yeah)

I don't want it 
I don't need it 
I don't want her to be conceded 
I don't want her to be a demon (demon)
She just tryna keep me fiending
I can't find a meaning 
I can't find a meaning (meaning)
She don't want to see it 
But I just need to repeat it

Falling For You (feat. Kid Swisher)

Dollboy - Odd Man Out
Ion Driver - Deep Sands
Indigolab - Unreal
Soloneili - Thermoclines
Jon Hopkins - A Drifting Up
Harnes Kretzer - Petrichor
Kim Carroll - Rowan Rejects Horse
Kim Guy  - My Funny Valentine (Rogers & Hart)
Nils Frahm - Snippet
Dollboy - DadGad
Dollboy - One Liner
Chet Faker  - North
Hiatus - Feathering
Brombaer & Fljóta - As The Desert Blooms
Greg Haines - 183 Times 
unseeingmusic a.k.a. Keith Kenniff - To see


Cricket Chorus

The Mario Rap Chorus [Extended]

Written: 2012
Duration: 38'
Instrumentation: orchestra, SATB chorus and narrator
Performed by the American Modern Orchestra and Albany Pro Musica, Mostly Modern Festival, Kent Tritle, conductor, Larry Pine, Narrator. Special thanks to Jose Daniel Flores Caraballo for preparing the choir for this performance.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/

Also Available: Choral Suite from A New Eaarth consisting of the choral movements from the orchestral work re-scored for SATB choir and piano. The choral suite may be performed as a stand-alone work.
For more information on this work: http://robertpaterson.com/a-new-eaarth. http://robertpaterson.com/choral-suite-from-a-new-eaarth

A New Eaarth for Orchestra, Chorus and Narrator

Drama - Karma - Boomerang

Variation of this one  https://soundcloud.com/user-441019026/stp-t-trntgrand

Step By Step(r)

This is a song to close your eyes,  to flow and dissolve with universe. Just breathe and look into yourself. #shortmeditation  Ready on Spotify! 
 https://open.spotify.com/track/5rITJaFeycTe6vrriFrFSI?si=e09c5f90531b43f1

THE SEED OF LIFE. Short meditation at 432Hz

Dark Mountains for orchestra
Commissioned by the Vermont Symphony Orchestra, Jaime Laredo, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=994
For More Information: https://robertpaterson.com/dark-mountains
View Score: https://issuu.com/robertpaterson/docs/dark_mountains_for_orchestra_fs-bou

PROGRAM NOTES
Vermont is famous for its green mountains, but I often find myself taking long drives through the mountains on overcast days or even at night, when the mountains lose color and become gray silhouettes. Many roads in Vermont are so dark, particularly in the Northeast Kingdom, that you need to use headlights, even during the day. Dark Mountains is meant to portray the beauty and grandeur of the mountains and the peacefulness of the open roads, but also the darkness and occasional treacherous passes one may encounter during the evening hours. The piece is in three connected sections. The first section portrays the calmness and austerity of a quiet evening. The second is inspired by a fast drive down winding country roads, with twists and turns, frequent tempo changes and shifting gears. The final section evokes the feeling of looking at the nighttime sky with moonlight shining through the trees and the sounds of nature in the distance.

This piece is commissioned by and dedicated to the Vermont Symphony Orchestra and Jaime Laredo, and was originally written for the Made in Vermont Music Festival.

Dark Mountains (for Orchestra)

Electric Lines for Orchestra, music by Robert Paterson
Duration ca. 9'
Winner of the Lousiville Orchestra Composition Competition
Performances by Minnesota Orchestra, American Composers Orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=932
For More Information: https://robertpaterson.com/electric-lines

PROGRAM NOTES
In past summers I have taken long trips across America from New York to Colorado. Driving along the highways, there are endless fields, infrequently dotted with farms and farm machinery. Contrasting the farmland's somewhat natural splendor, there are thousands of miles of electric lines—ubiquitous and perhaps even unsightly, yet somehow blending in with the scenery.

What I find most dramatic about many of these electric lines—other than their gargantuan size—is the realization that day after day, a dizzying amount of information travels through them and across great distances: billions of pieces of information are packed inside these powerful cables. In Electric Lines, my goal is to take the audience on a sonic roller coaster ride: I want the audience to feel tremendous energy and power and the thrill of instantaneously sending and receiving information at light speed.

Although electric lines inspire this work, there is nothing technically "electrical" about it: there are no synthesizers or electrical instruments used, with the exception of the vibraphone. The electric qualities in many sections are highlighted by tense string trills, long, powerful melodic lines and by giving many of the players energetic, concerto-like parts. I also try to make the melodic lines sound charged and electric by enhancing them with various types of orchestral accents and by pairing different instruments using parallel or almost parallel lines at close intervals.

A few of the sections and transitions in Electric Lines are modeled after the physical characteristics of the cables and power line towers. Many of the musical lines occur in groups of two’s and three’s; some of them dip and swoop like power cables, while others are electric rod straight, but tense and electrified. There are also occasional anvil-accented "power chords" that act as markers to delineate certain sections.

Even though Electric Lines might seem to have industrial underpinnings and allusions to mechanics, I am not trying to align myself with the early twentieth century Italian Futurists: it is more the present than the past that I am thinking of in this work.

Electric Lines (for Orchestra)

Symphony in Three Movements for Orchestra
Duration: 19’
Mostly Modern Festival, American Modern Orchestra, Chris Rountree, 2018 Faculty Conductor
Skidmore College, Arthur Zankel Music Hall, Saratoga Springs, New York (USA), 6/10/2018
Commissioned by the Cayuga Chamber Orchestra for their 25th Anniversary Concert, Kimbo Ishii-Eto, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1339
For More Information: https://robertpaterson.com/symphony-in-three-movements

PROGRAM NOTES
The first movement, Bright and jubilant, is generally cheerful and upbeat, but occasional clouds of gray cast shadows over the musical surface. I associate this movement with traveling to a lover, and particularly over great distances. The brightness of this movement also subtly reflects the "silver anniversary" occasion for which this work was originally commissioned.

The slow second movement, Serenade, represents the unique intimacy that lovers share. Most string players in a chamber orchestra—even the first stands—never have a chance to play exposed material. This is interesting because although the string sections most often play as homogenous groups, the first stands of the string section are in an arc have an intimate view of each other. In this movement, the first stands of the violins, violas and cellos all have solo material whereas the rest of the strings often play gentle, long trills. My goal in to give all of the string players in the first stands an opportunity to shine.

The third movement, entitled Dancing games, is the most energetic of the three. It is has quirky, dance-like rhythms and a strong sense of pulse. In this movement, I imagine two lovers engaging in a bickering, yet friendly verbal dance match, their playful sentences bantered and volleyed back and forth like some sort of demented game of badminton in fast-forward mode. I suppose this would mean that the kind of dance I am imagining here is not one that you would necessarily move your feet to, but one meant for listening and that makes your insides want to move and shake.

Symphony in Three Movements - I. Bright and Jubilant

Symphony in Three Movements - II. Serenade

Symphony in Three Movements - III. Dancing Games

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

A New Eaarth for Orchestra, Chorus and Narrator

Robert Paterson Composer