If You like this song please listen my other organ compositions.They are titled "4" and "6" greetings

ASFdeafboar - Dark Cathedral

This was a lot of work to do a 14 min Track like that Hope you like it =Nomax

"To The Horizon" Epic Orchestral Musik Prod. and Composed by Nomax

prod. Zamaxx

lyrics 
Tell me what you're thinking
I know it's you
Baby you got me sinking
On my way to you 
I know you got me bleeding
But ill stay for you
You know you got me wishing 
I could just break through

credence (prod. Zamaxx)

SINGULARITY

Single : Track 1.   Andoogie ©

https://www.youtube.com/watch?v=Zizkfey-rn8


Title Andoogie ©

Nashville Gamblers – Switzerland - Country Live Band

Mastering von Alessandro Giordano von MTM Mastering True Music Production


I sent the finished Nashville Gamblers Country Song 1 track to MTM Mastering True Music Production for review and sound improvement, which worked very well. A very nice team from Spain. Guitars, bass, drums now have the sound I imagined. For me it was very worthwhile to hand over the mastering to an external company. When mixing and mastering, your ear stays anchored in your DAW (brain). You often think that your sounds are not that good. That's why I use an external mixing and mastering studio to control it. I really had a very positive experience with MTM. With young ears and professional training that completed my work.
Thank you for your collaboration, Freddie and Team MTM Mastering True Music Production.
Mastering by Alessandro Giordano of MTM Mastering True Music Production

Composer André Schmohl : Bandleader 06/22/1996
With "Andoogie" (own composition) I found it only once in the "Tone Tapes" and it was "made" out of nowhere! 1993 – 1997.
Recording in the rehearsal room in Zurich: Recording device: The first mini digital tape recorder
by Sony.(Live recording) André Schmohl digitized the recordings in 2010 and put them on CD
distributed to our contributors.
In 2020, Karl Heinz - Heimgartner, who runs a small Studio One 5 from Presonus and Cubasis 2, came up with the idea of improving these live recordings.
He didn't do badly and the recordings turned out to be much better in tone and
Dynamics.
In 2023 Karl Heinz - Heimgartner completed an online equalizer and compressor course
and tried again to improve these original first titles.
Yes, it's not easy to mix single-track audio sounds.

Contributing musicians 06/22/1996

Lead Electric Guitar: André Schmohl
Rhythm Guitar: Karl Heinz – Heimgartner
Acoustic Guitar: Annamarie Baumann
Bass: Ueli Bichsel
Drums: Sandro Luginbühl

https://www.youtube.com/watch?v=Zizkfey-rn8

Andoogie - Nashville Gamblers – Switzerland - Country Live Band

When there’s nothing 
When there’s nothing 
You can do about a situation 
And you flash on a thing 
That hasn’t happened yet 
(It’s a natural thing)

Part of human nature 
Part of human nature (Worry worry worry worry worry 
Worry worry)

Maybe you can change it 
Maybe you can change it 
Maybe you can 
Be prepared 

And maybe it won’t make a difference 
Maybe you should not care 

You flash on a thing 
That hasn’t happened yet
Don’t be surprised 
It’s a natural thing 
Part of human nature 
Worry worry worry 

Maybe you should not care 
(Maybe it won’t make a difference)
Maybe you should 
Not care 

It’s a natural thing
To worry worry

WORRY

SALVATION

Á Hlið Englanna by Laxá features classical string melodies that intertwine with post-rock instrumentation to create a transcendent sonic landscape. Haunting violin and cello phrases soar over atmospheric guitars and pulsating rhythms, evoking a sense of melancholy and beauty. The track's dynamic shifts and crescendos immerse listeners in a cinematic journey, blending elements of ambient, experimental, and orchestral music. For fans of Sigur Rós.

Á Hlið Englanna by Laxá. Post rock music from Iceland.

Get this beat now! 🛸

When Summer Turns to Fall

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

The Four Seasons

Autumn Songs - IV. November For Beginners (Text by Rita Dove)

Si Vive Una Volta Soli

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Autumn Songs - IV. November For Beginners (Text by Rita Dove)

Robert Paterson Composer