I am not sure how I would cope with a challenge the proscribed how I could write a piece. You do a great job on this! Would have been interesting to have a comparator piece of the same thing sans "restrictions"

Beautiful piano work and always Amazing voices in your music. Great piece Robert as usual!!

Very cool. I'm totally hooked to that piano part!

Sweet ecstaticity! It's an exquisite duo. The creators of CAPTCHA couldn't possibly have planned for this!

The last word that is sung really makes this movement.

Duration: ca. 16'
Instrumentation: mezzo-soprano and piano
Performed by American Modern Ensemble: Blythe Gaissert, mezzo-soprano; Blair McMillen, piano

World Premiere: American Modern Ensemble, Blythe Gaissert, mezzo-soprano, Blair McMillen, piano, Carnegie Hall, Weill Recital Hall, New York, NY, USA, April 26, 2018.

Publisher: Bill Holab Music

View Score: https://issuu.com/robertpaterson/docs/paterson_captcha__score-mezzo-sopra

Buy Sheet Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2782

For More Information: https://robertpaterson.com/captcha-mezzo-soprano-version

Also available as a version for baritone and piano.

PROGRAM NOTES
CAPTCHA originated with an assignment I was given as a participant in the American Opera Projects (AOP) Composers & The Voice program. Throughout the year, we wrote a variety of arias and songs and were given various "challenges." Some of the challenges included using no more than four lines of text, using found text, using prose, and also trying to avoid the passagio (a term used in classical singing to describe where different voice ranges cross over, for example, where the chest voice and head voice cross). I neglected to incorporate any of the challenges into previous pieces, and I only had one song or aria left, so I had to incorporate all of the remaining challenges into a single piece.

For found text, I decided to use CAPTCHA texts. The term CAPTCHA (for Completely Automated Public Turing Test To Tell Computers and Humans Apart) was coined in 2000 by scientists at Carnegie Mellon University. A CAPTCHA is a program that protects websites against bots by generating and grading tests that only humans can pass. For example, humans can read distorted text presented as a graphic, but current computer programs cannot. To find interesting words and phrases, I spent many tedious hours in front of my computer loading CAPTCHA texts. Actually, what I ended using are reCAPTCHA texts, which are derived from a free version of CAPTCHA that uses combinations of real words from scanned books that need human confirmation and gibberish text.

I initially wrote one song entitled CAPTCHA for baritone and piano, but later decided to compose an entire song cycle that incorporates the original song. Each songs uses a few key words (the few that are actually real words and phrases) as a springboard. I attempt to phonetically interpret the other words and phrases that don’t make sense, infusing emotion where none exists. Ultimately, my goal is to create an emotionally moving experience, despite the nonsensical nature of the words.

CAPTCHA (Version For Mezzo-Soprano And Piano) - V. Secretary Metadon

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

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