In progress, will rap it up when it gets to 20 tracks, and start the next one.

I'll try to be back here with a few words...

Bisous

HK_Tradacoustic_21

EN_PUNITION_REPOSTS_08

Superdance series

> all short tracks
> tracks uploaded between 08/2019 and 03/2021, most of them in 2021, several in 02-03/2021, except for the following older ones:
. . - R. Paterson Comp "Eating Variations - V. The Happy Medium"(#10): 7 Y,
. . - TASSS "METALLOGON"(#9): 12-23 mo,
. . - KissMyGlitch "Shaper (WIP)"(#12): 12-23 mo.

Enjoy.

HK_Superdance_tracks_164

Eating Variations
for baritone voice and chamber quintet
Music by Robert Paterson, text by Ron Singer
Duration: 9'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Eating Variations

'CRAVE'
Written, Performed & Produced
by Andrew Borderick COPYRIGHT 2017/2020
Mastered by Andrew Borderick

I..................CRAVE FOR YOU    X2

YOU STAND ALONE HIGH IN YOUR SHOE'S
YOU LOOK SO COOL WHAT'S IN THE BAG

TELLING LIE'S UN'TILL THE SUN IS FALLING DOWN
ANOTHER DAY WILL RISE TO DO IT ALL AGAIN

IT MAY'BE SOMETHING SWEET AS A KISS
YOU ALREADY KNOW IT'S NOT FOR KEEPS

DON'T BELIEVE WHAT YOU HEAR OR WHAT THEY PRAY
THE SUN WILL RISE ONE DAY AND YOU WONT HAVE TO SAY

CRAVE  CRAVE  FOR YOU, I CRAVE FOR YOU

I..................CRAVE FOR YOU   

REMEMBER THE DAY'S WE THOUGHT WE WERE COOL
NOW FEELING THE SHAKE'S IT'S HARD TO LOSE

WE CAN CHOOSE IF WE'RE GOING UP OR DOWN
UN'TILL TOMORROW YOUR GONNA HAVE TO SAY

CRAVE  CRAVE  FOR YOU, I CRAVE FOR YOU

 (BREAK)

DON'T BELIEVE WHAT YOU HEAR OR WHAT THEY PRAY
THE SUN WILL RISE ONE DAY AND YOU WONT HAVE TO SAY

CRAVE  CRAVE  FOR YOU, I CRAVE FOR YOU

I..................CRAVE FOR YOU

Timeline

CRAVE

S.Opress - Hailing from the North of England, From the fringes of society and music in general Opress produces Drum & Bass, Dubstep, Garage and Techno. And as of 2019 is amassing a back catalogue of music that touches dead center aswell as the very edges of these genres as we know them.
Whilest being the master of none, his jack of all trades production style brings a unique blend of dark industrial atmospheres and minimal but thumping structures to the table!

Tracklist:

1. S.Opress - Hunter X
2. S.Opress - Be Mine
3. S.Opress - Sub Sahara
4. S.Opress - Surface Bombardment

Bandcamp: sopress.bandcamp.com
Soundcloud: @sopress1988

_______________________________________________
Submission: sacreddoctrine@gmail.com or PM on SC

Bandcamp

S.Opress - Sub Sahara

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Publisher: Bill Holab Music:
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Winter Songs

Eating Variations - I. My Body, A Temple

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Eating Variations - II. The Hog

Eating Variations - III. Even The Dyspeptic Music Eat

Eating Variations - IV. The Dietary Moralist

Eating Variations - V. The Happy Medium

OFFICIAL MUSIC VIDEO FOR QUENCH: https://youtu.be/eJw_XeiNT7k
by OBSIDIANULTRA

Turbo Digital

Quench

Hello beautiful souls🙏

We shall now continue with the TMC season 2 chapter 5
We are presenting to you our fifth artist,our Dearest friend Khavish Seenundon aka SKYLE the local Dark prog Maestro for the Chapter 5 with some brainstorming Dark Progressive for us... 💥

OUT NOW ⚠️

Artist bio:
🎧Skyle is a musical project by Khavish H Seenundon born in the paradise island, Mauritius.
He had to try and use as few words as possible to keep it short and sweet. During his teenage years, Khavish H Seenundon was aware of electronic music and has a great passion for it. But it was at his early twenties which he have heard something that really impressed him and it was Psytrance which he discovered by some friends and then Khavish H Seenundon was thrown into this amazing feelings and craved about it; it was at this moment this magical awakening for his journey towards Psytrance began with his stage name Skyle.
How did Skyle Djing odyssey begin?
It all started with Forest Psy and Twillight and in the meantime he was in a deep research of the different subgenres of Psytrance. Later on, he was slowed back from Forest Psy and Twillight to Progressive Psytrance and Full On. After few years, he found that his heart lied for Psytech, Zenonesque, Dark Prog, Bush Prog influences. This story and evolution came from many researches of the varied sub-genres of many artists around the world.
Subsequently, Skyle got an excellent opportunity offered by two good friends, where he got the chance to play his first Zenonesque set in a small gathering. From this moment, Skyle has never let go. He has been focusing in mastering his techniques baggage and enhance his tricks of creating storytelling journeys through his sets. Where later on, the efforts have pays off and got opportunities to play alongside with the finest psychedelic DJs in the island organized by Next Level, Fuzzy Concept, Psy Family Mauritius and Oblivion Gathering and sharing the stage with some international act and the local DJs in the island.
He is a versatile DJ by using his own baggage of mixing techniques and tricks to make you experienced spiritual, dark atmospheric, mystic and cinematic during his musical journeys into a deep dive of Psytech,  Zenonesque, and Dark Progressive music.
Skyle is in quest and willing to start designing his own tracks very soon.
One of his most impressive artists who inspired Skyle in his musical odyssey was Pspiralife ; the first psytrance artists which he discovered 5 years ago. His track ‘From the Womb’ has caught him by an amazing feeling and awakening towards his journeys, followed by many others too such as Merkaba, Kalya Scintilla, Adama, Sensient, Lunecell, Braindrop, Nibana, Nanuk, Tribone, Kaminanda, Headweller, Dr.Strangefunk, Grouch, Space Organ, Airi, Eartheogen, Electrypnose, Breger, Egomorph, MNGRM, Slytrance, Flicker Light, Kromagon, Triforce, Klipsun, Electronic Grind, Radioactive.Cake, Freedom Fighters, Zyce, Captain Hook, Hypogeo, Onionbrain, Hellquist, Ambler, Ivort, Psydewise, KenZo, Juelz, Vorg, Sumiruna, Evil Oil Man, Loud, Smilk, Dirty Hippie, Netrin, Alchemy Circle, Soulid, Millivolt, Nangijala, Tekdiffeye, Sourone, Rollercoaster, Fungophago, Brojanowski, Orrech, Tijah, Kliment, Sonic Tickle, Dharana, Melt, Seaweed, Zentrix, ETN, Paracozm, Noid, Xompax, Amortalist.
Skyle has also been sharing the stage with famous worldwide artists;
- Freedom Fighters(HOMmega, Zenon Records, Iboga, Nano, VII and Armada)
- Zeamoon(Zenon Records),
- Isabela Clerc (STICK RECORDINGS)
- Master Minded(Merkaba Music & Shanti Plant)
Facebook Official Page : https://www.facebook.com/Skyleofficialpage
Soundcloud Link: https://soundcloud.com/skyle_official

Follow us, Like & Share !🙏
Facebook Official Page: www.facebook.com/evolvingconsiousness/

**All songs and artworks are copyright to rightful owners. All rights go to the Producers & Record Labels. Support the artist(s)**

Evolving Consciousness MRU - The Mayan Calender Theory Chp.5 | Skyle

Here's a happy song about snow and living carelessly in the moment

LYRICS:

Snow doesn’t need instructions
No thoughts or patterns
It’s already beautiful enough
Spins and tumbles without direction
It’s only path is down
Seeks no certainty for what awaits it underground

Rolls and stays and it melts away
Blown by the air itself
Each little snowflake doesn’t get a say
But they don’t seem to mind anyway

I wish you were the falling snow
Content to see your future drift
Know in the end that there is an end and it’s one you won’t mind living with

Please stop falling aimlessly
Float ever down contentedly with me

Falling Aimlessly

I DON’T KNOW MUCH ABOUT YOU OH NO
I DON’T KNOW MUCH ABOUT YOU 
I DON’T KNOW MUCH ABOUT YOU BECKY
I DON’T KNOW MUCH ABOUT YOU

BUT THE LITTLE I KNOW
MAKES ME WISH I KNEW A LITTLE MORE
YES THE LITTLE I KNOW
MAKES ME WISH I KNEW YOU 

YOU KNOW NOTHING ABOUT ME AT ALL
YOU KNOW NOTHING ABOUT ME BECKY
YOU KNOW NOTHING ABOUT ME OR SO
THAT MAKES IT FIFTY/FIFTY

BOOKS BOOKS BOOKS

AND IF YOU SPOT AN ABSENTEE
TONIGHT IN THIS ROOM
WELL IT MIGHT VERY WELL BE ME
JUST ASK DAISY MACMUSHROOM

BOOKS BOOKS BOOKS

JE NE SAIS RIEN DE VOUS BECKY
OU BIEN SI PEU DE CHOSE
MAIS JE CONNAIS UN JEREMY
QUI FAIT QUE J’OSE

CE QU’IL M’A DIT DE VOUS
SI JE N’ABUSE
ME DONNE ENVIE D’UN RENDEZ-VOUS
UN JOUR À SAINT-JEAN DE LUZ
EN TOUT BIEN TOUT HONNEUR

NO ONE KNOWS ABOUT ANYONE
THAT’S FOR ETERNITY
BUT TODAY YOUR WHOLE WORLD IS ONE
LET’S SAY FIFTY/FIFTY

BOOKS BOOKS BOOKS

FIFTY FIFTY (Lyrics) Song for Becky

A couple of years ago I was looking for royalty free video material for another tune when I found a old silent movie, Alice in Wonderland, from 1915. Those fantastic images, full of naif beauty,  inspired me a piece about dreamers. That old version is still there on YouTube. This is a new version for violin with a great interpretation of Rosin Dust. The more we collaborate, the more enthusiastic I am of her lyrical sounds.

Here her amazing music: https://soundcloud.com/rosindust  
Here the footage of the movie, with the old version:  https://www.youtube.com/watch?v=WJXapdM4GZ4

For all dreamers

Here all our collaborations:
https://soundcloud.com/francescocartocci/sets/grazie-tatiana?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Composition and all arrangements: Francesco Cartocci

The dreamer - with Rosin Dust

Excerpts from Fr33d0m Album : https://n15ul4.bandcamp.com/album/fr33d0m

Teaser : https://www.youtube.com/watch?v=U7OgrbwhJao

NISULA - FR33D0M (ALBUM TEASER)

This song is dedicated to all the hours of sleep that I have not had that in my vampire life

Sleep Fade

TWR72 celebrates the 50th release on Float Records. A milestone for the label and the man behind it. 

Void, a four track EP contains the sound TWR72 is known for. Loopy, minimalistic grooves for the body, floor and soul. The opening track Void lifts off with a bass sequence combined with swirly rides. Zero, the 2nd track, is based on percussive elements to create an ongoing strong and fast paced loopy groove. On the flip side we have Total, a combination of 909 and cheeky percussive elements. Quiet, the closing track gives a peek into the versatile world of TWR72. An experimental journey.

Buy the Music:
https://floatrecords.bandcamp.com/music

Support the Artist:
https://soundcloud.com/twr72
https://www.instagram.com/twr72/

Support the label:
https://soundcloud.com/floatrecords
https://www.instagram.com/floatrecords/
http://www.float-records.com

BCCO Premiere: TWR72 - TOTAL [FLOAT050]

... journey to the synthwave synthesizer sounds of my youth :-) ...

Original image by 'Free-Photos' on Pixabay

Retro

Stream on Spotify

Retro [Free Download]

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Eating Variations - V. The Happy Medium

Robert Paterson Composer