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MISTRESS OF RUNY

I never thought... we’d see each other
Just where we met, so long ago
Shy soft glances we shared back then
Repeated over with sad regrets

I can’t believe... It’s you beside me
You look just like..., so long ago
When you smiled and you talked too much
When you were nervous... it made me laugh

We both have moved on, I've got a family
There’s nothing left for us to share today
It's the way we used to be
Shadows in the past

That little spark....That made me love you
I see it's back again tonight
There not room left for me and you
and closing doors won't make it right 

So how are you? I guess you’re married
Are you still working for the company?
Never knew you at all that well 
I had a chance, but... that boat has sailed 

We used to be... so good together
It seems so many years ago
Many summers have passed us by
They Fade to brown then into grey 

We both have moved on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

Still in the past... My heart is racing
I want it back... But I just can't.....
Everything that we used to share
It's broken now.... can't be repaired...

We both must move on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

I have to go
I need to go
It was so nice ..But oh
It's the way that we used to be
Shadows in the past


Album - Hopes and Dreams (C) 2019
Song - Shadows in the Past
Music - Russell Lucas and  Tania Knight
Lyrics - Tania Knight
Vocals - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

Shadows In The Past (EP - Hopes and Dreams)

PRE SAVE https://linktr.ee/DionysianMusic

"TenZion" new music, same vibes #EpicSonics

TenZion

Duration: ca. 9'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation:  soprano, baritone, and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Marnie Breckenridge, Soprano, and Jorell Williams, Baritone

Purchase Sheet Music (available with In Real Life II and In Real Life II): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778
Extraordinary may be performed as a stand-along work, or with In Real Life I and/or In Real Life II.

For more information:
Version for Soprano,  Baritone, and Chamber Ensemble: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-chamber-ensemble
Version for Soprano, Baritone, and Piano: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-piano

PROGRAM NOTE
As a follow-up to our song cycle for soprano and chamber ensemble (or piano), Robert and I  agreed the concept of five characters looking for love online should have a male counterpart. Written for baritone and chamber ensemble, In Real Life II looks at five contemporary men clicking their way to second chances and romance. In “No Frog” we meet a prototypical player, a guy who fluffs his profile, but the truth keeps slipping out. The tone shifts with “Sola Fide,” in which a U.S. veteran of the war in Afghanistan explains the tattoo on his chest and the wounds inside. An older gentleman envisions one last fling in the irreverent “Die with Me.” In “Still Vamping,” a gay man muses on his start-and-stop romantic history. Finally, in “Nice-Plus,” an everyday guy reveals a hidden passion. In Real Life II was commissioned by American Modern Ensemble with funding from the Doctorow Family Foundation.

American Modern Ensemble: In Real Life

In Real Life

Extraordinary (Version for Soprano, Baritone, and Chamber Ensemble)

Over The Rainbow By Robin Quinlan(2)

A live jam of my song 'Shoot The Bull' recorded on Friday, January 13, 1984.
Greg Michalski - Guitar
Ron Snyder - Guitar
Mike Steele - Drums
Mike Carasotti - Bass

Shoot The Bull (LIVE 1984 JAM) Michalski/Snyder/Steele/Carasotti

LYRICS

I'd give your pretty head a little shake.
Cos maybe i'm not such a fool.
Ah now, you're out there hanging with the super freaks.
The ones who abhorred you at school. 

There's no reason to be this excited by.
Oh, it's only some shit up your nose.
You look in the mirror from your pallid eyes.
Good lookers never give you a rose. 

The cows in the fields,
Oh they get it for free,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me. 

Overestimating your thinking time.
It's seconds not the years that you thought.
The days that you gave in waiting on the line.
Can't count all the shit that you bought. 

Perfecting a lazy impression of.
The dandiest man on the town.
Might fool all the others with your dirty clothes.
Someday everybody comes down. 

The cows in the fields,
Oh they get it for free,
They get it for free.
The birds and the bees,
Oh the cows and the trees,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me. 

You think you'll have it down
your nose at us.
Now that it bleeds take a pass.
The wolf is laying right there in your grandma's bed.
My girl what big teeth that he has. 

I'd give your pretty head a little shake.
Cos maybe we're not such a fool.
Ah now, you're out there hanging with the super freaks.
The ones who abhorred you at school. 

The cows in the fields,
Oh they get if for free,
They get it for free.
The birds and the bees,
Oh the cows and the trees,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me.


Cows (Get it)

Join us as we dive into our continuing series of 80's Megamixes!! This is Part 7. Featuring 2 hours plus of 80's 12" remixes. 

Outrageous Intro 
Say Goodbye / Hunters & Collectors
Hit That Perfect Beat / Bronski Beat 
(Keep Feeling) Fascination / Human League 
Never Let Me Down / David Bowie 
Never Never / The Assembly 
P Machinery / Propaganda 
All Stood Still / Ultravox 
I'm Gonna Tear Your Playhouse Down / Paul Young 
Forever And A Day / Classix Nouveaux 
Mr Big / Icehouse 
Papa Don't Preach / Madonna 
Hot In The City / Billy Idol 
True Faith / New Order 
Don't You Forget About Me / Simple Minds 
Never Gonna Give You Up / Rick Astley 
So Much For Love / Venetians 
Dum Dum Girl / Talk Talk 
I Could Make You Love Me / Wa Wa Nee 
Instinction / Spandau Ballet 
Mind Of A Toy / Visage 
Hot With Fleas / Severed Heads 
The Only Way Is Up / Yazz 
Outrageous Outro

80's Megamix 7

SYWA (see you walking around)

Duration: ca. 6'
Instrumentation: flute and harp
Performed by:
John Romeri, flute: https://www.broadwaychamberplayers.org/about
Kathryn Andrews, harp: http://www.kathrynandrews.com/
Commissioned by Aletheia Duo, Ann Yeung, harp and Jonathan Keeble, flute
World Premiere: Alethia Duo, American Harp Society's National Harp Conference in New Orleans, June 1, 2014; World Harp Congress International Conference in Sydney, Australia, July 1, 2014.

PROGRAM NOTE
Pegasus is a winged, usually white stallion, and one of the best known creatures in Greek mythology. He is the son of Poseidon, and at birth, sprang forth from the bloody neck of the Gorgon Medusa when she was beheaded by the god Perseus. According to legend, everywhere the winged horse struck his hoof to the earth, a spring would burst forth. The imagery of springs bursting forth and Pegasus flying through the skies are what inspired this piece. Pegasus was commissioned by the Aletheia Duo, Ann Yeung, harp and Jonathan Keeble, flute.

Pegasus for Flute and Harp

An affirming, uplifting yet meditative ambient track, with floating pad melodies and subtle choirs setting the scene for sporadic piano hits and modulated synths sounds. This track evokes a hopeful longing alongside its overall positive mood.

For commercial and derivative licenses, please visit our Pond5 profile where you can buy this track for a number of additional uses.
https://www.pond5.com/artist/covertacoustics

Ambipheres

Primary Ray

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Extraordinary (Version for Soprano, Baritone, and Chamber Ensemble)

Robert Paterson Composer