The Traveler arrives at a torn scenery. A raging ocean to the west, a sleeping desert to the east. The sand beneath his feet still, never to awake from its slumber. Every particle its own microcosm, worlds containing worlds in a hundred, a thousand, a billion variations, coexisting in an endless circle of conflict and peace.





Artwork: https://w-dog.net/wallpaper/namibia-kalahari-desert-dune-sand-wind-atlantic-ocean/id/304651/

Tales Of A Traveler

In The Ocean Of Dunes

A muddy walk is sometimes all you need for a change of pace

Fields and Water

On My Sleeve

Heading Home _    Boo Deity  -💀Combstead

I Do

Isolation (101)
guitars... lots of guitars
An exercise in squeezing every drop of blood from a D chord
Written, produced and engineered by Sol Marineris April 2020
All rights reserved ©
Video at https://youtu.be/HqTVJSEsBDE

Isolation (101) Movement in D Major

the healing night and the moon is bright
the healing night and the moon is full
THE HEALING night DNA the MOON is bright
the healing NIGHT and EHT moon is FULL

Healing-Night//Full-Moon-Bright

This is a wall of sound tune from my forthcoming debut EP “The Dakota EP.” I layered many TeIecaster guitar parts, one acoustic guitar, and several vocal harmonies as the song builds. As with the others, I wrote, sang and played all the instruments on this track. If you dig it please feel free to repost or share! Thank you 🙏🏻✌🏻

Whitney (original track)

threshold of faith - lINElIFE

◆ Bandcamp: thresholdfaith.bandcamp.com/album/linelife
◆ Spotify:  open.spotify.com/album/6DPdGnBBKRf3LTbjW0cu04?si=yObPI8VyQOC8tZW2EcrXtw
◆ iTunes:  music.apple.com/ru/album/linelife/1545434175?ls

Musical project from St. Petersburg, Russia that creates experimental rock music, intricatel mixing the genres of guitar music and electronic music in the most unexpected combinations

☛ Follow threshold of faith
facebook.com//threshold0ffaith
youtube.com/channel/UC62QnpgCYtb-S-wzSD4wBug
twitter.com/threshold0faith
instagram.com/threshold_of_faith

lINElIFE

Alternative Solution

Duration: ca. 11'
Instrumentation: string orchestra and recording
World Premiere: American Modern Ensemble, Del Sol String Quartet, JACK Quartet and PubliQuartet, Delta David Gier, conductor, SubCulture, New York, NY, January 15, 2015

View Score: https://issuu.com/robertpaterson/docs/paterson_i_see_you__string_orch._ve

Video: https://www.youtube.com/watch?v=3B4565EIa_U&feature=emb_logo

Buy Sheet Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2435

Note: versions for string quartet and string quintet also available.

PROGRAM NOTE
I See You is inspired by a week I spent at my father's side in a hospital. Having never spent much time in hospitals, I was unaccustomed to hearing the myriad of sounds, particularly in the Intensive Care Unit (ICU), where my father lay incapacitated, in critical condition. It was incredibly sad: I could see him, but because he was so sedated, he was barely aware I was even in the room with him. Despite this, there was something strangely soothing and almost musical about the constant pattern of beeps and noises emanating from the machines. To pass the time, I would imagine an orchestra playing, with the litany of noises as accompaniment.

I See You consists of three connected sections. The first section entitled Tranquillo is calm and soothing, almost like a lullaby, with long melodic lines. The second, entitled Sturn und drang (“storm and stress”) is more rhythmic and stressful, incorporating a cacophony of ICU sounds. The final section, entitled Return, is more like the first, perhaps a bit darker, but with rays of optimism toward the end. Throughout the entire work, I incorporate sounds one might hear in an ICU, manipulated and mixed with recordings of heartbeats, breathing and the sounds of children playing. The piece ends with the overlapping patterns of my own heartbeat, my father’s heartbeat, and my son’s heartbeat, and even my son's heartbeat when he was in my wife's womb, creating an intimate, multi-generational, rhythmic tapestry.

I See You (String Orchestra and Recording)

Instruments :
Moog Mother 32
Moog DFAM
Neutron
Korg MS20mini

TheWayOut (Part One)

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

I See You (String Orchestra and Recording)

Robert Paterson Composer