I particularly love the way you use the french horn and the flute here.  As always, a very interesting piece to listen to.

very immersive and inspiring, love the complexity!

Quite liked this composition mysterious sound here

I have a feeling that all the instruments here were interpreting different 'living' characters. It's very colorful, beautiful.

Nice flute...it's astonishing _ thank tou and go on !

Very Intresting Track and Very Classy  ✨✨

Interesting piece of music. Enjoyed the woodwind instrumentation. It felt like the instruments were talking to each other using different harmonies. Great job.

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet

03/12/21

Been Dead

This is a track i put together with some samples of this style of music. Hope it comes across.

Neon is the new colour

stream / dl: https://bit.ly/3u4af93

follow my Monthly playlist on Spotify: https://spoti.fi/39hxy79

#Aktole online:
https://facebook.com/Aktole
https://twitter.com/Aktole1
https://instagram.com/Aktole1
Website: https://bit.ly/3cnDQnT

About Aktole:
What is the quality that defines greatness? Is greatness brought about by luck or work? Todd Cameron Housand is an individual that has crafted himself into a connoisseur of sorts in the realm of music. After years of playing and performing in a smattering of bands from varying genres and learning a plethora of instruments, he has taken it upon himself to master the craft of electronic music. Taking widespread influences ranging from Armin Van Buuren to Igor Stravinsky, and genres from jazz fusion to djent. Under the alias Aktole, Todd Cameron Housand looks to fancy himself into more than just an artist, but an icon.

Slamin(Remaster)

My name is Henrique and I'am a 22 years old. I'am from Portugal and since 2019 I have been making music everyday, started from the button, 
never played an instrument (only flute on medium school obligated like many of you). Since i first downloaded FL Studio i have found a passion and purpose, i was really bored. Music striked me and made me his host. Now i can't stop, Shi* i'am trapped.




Free beats politic:
All free beats are for non profit only. If you want to use for profit please contact me via e-mail (hiccabeatz@gmail) or on any of my socials for an agreement. Licenses are availeble on my beats store (https://www.beatstars.com/hicca)

Check my Youtube account if you wanna: https://www.youtube.com/channel/UCxb2_aH7Aho8lM2qM4BQ7nQ




Folow my socials for fresh stuff! 
Instagram: https://www.instagram.com/hiccabeatz
BeatStore: https://www.beatstars.com/hicca
E-mail: Hiccabeatz@gmail.com

[FREE] Mickey Mouse New show

Hair Of The Dog

This track was made in SPLASH. I made this out of nowhere and because I'm bored. This is a little bit messy, so sorry in advance.

Social Media Accounts:

Instagram: haileyjamaica
Facebook: Crimson Scarlett Eilish
Soundcloud: Hailey Villanueva
Highrise: HaileyJamaica

My Facebook Page was Unpublished. So, I just put my writing account. I don't have the links of my accounts but next time, I'll put it. HSHS! 

Hailey Jamaica Villanueva - Technology is Broken

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - I. Andante

Wind Quintet - II. Suburban waltz-fantasy

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…oducts_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - III. Melting Clocks

Wind Quintet - IV. Klezmeshugeh

Thiswaywestward

Jesse Medina - In My Head

Aye salutations everyone, my fellow supporters, listeners/Fans 
And fellow artists. So happy valentines day for everyone! 
And with this I'd just like to take the time and let you guys know this here is a little something something to get you through.. This record is available on my @spotify and though it may be something light, it is something that I wanted to give as well. Especially for it being a rather spiritual alchemy of amore 1000% <3 Enjoy my beautiful people of mother earth straight from the dreams works of the music movement @EmpiricalLeaderUniverseProductions

Mother Natures Works of Heart

DjWhizPkMusic

Mother Natures Works Of Art (Prod by DjWhizPk)

Bible belt

(c) 1999
Guitar, Vocals, Programming, Composing, Mixing, Producing and Mastering by Robert Grigg

Driftin'

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Wind Quintet - II. Suburban waltz-fantasy

Robert Paterson Composer

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