Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

All songs written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments and voice effects: Daniel Lars

Monumental Times

Gravity Pul

Gravity Pull

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◆ iTunes: music.apple.com/de/artist/ontheedge/1591622049
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◆ Web: www.ontheedge-music.com/
◆ YouTube: www.youtube.com/@OnTheEdge-Music

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🎤 Vocals: Melissa Hollick


I’m done with this game I won’t keep playing
The fire is gone it’s not worth staying
Fighting battles I don’t believe in
What if peace is just not needing?

I’m done standing my ground through it all
But a little longer and I might (just) fall
The chains I once wore are giving in
Now the weight of this burden is lifting

I’m done with the noise, the need to please
I let go of those who brought me no peace
No more fake love I’m done with the act
I’ve found my truth and there’s no going back

Walls are coming down tonight
I let (it) go I'm done with the fight
I’m breaking free, I’m breaking free
This is who I'm meant to be

I'm Done

Bits and Pieces

Get the lossless version on Bandcamp: telquelsounds.bandcamp.com/album/decaying-lull

Decaying Lull

Echoing Moments

ⱤI†Σ

Written/Produced/Recorded by Nico Zaca
Mixed by mTwenty
Additional Electronic Production by Slshgrl on Track 7 - "Man2Machine:

She's 27

LoNe WolF - "Purpose of Living"

Album: "Avant-Garde"


Mixed & Mastered By: LoNe WolF



#purposeofliving #acoustic #stitches

Avant-Garde

Purpose of Living

GRETA

This track was inspired by the TV show Yes to the Dress. I've had the demo for a while. Let me know what you think. Thank you for listening.

MILFitting Dress

All Included

Prison Cell for Two Percussionists
Duration: 10'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1347
Video: https://www.youtube.com/watch?v=beD4-L0qgpI
For More Information: https://robertpaterson.com/prison-cell

PROGRAM NOTES
Prison Cell is a ten-minute percussion duet that musically, theatrically and symbolically represents a prison cell. The work centers around variations of a traditional, tonal theme and an original, more dissonant theme. The original theme and its variations are taken from a tone row built on the scale degree one half step above the tonal theme. This tonal theme is continuously alluded to through modulations, variations, chromaticism and dense, slowly evolving rhythmic and chordal structures. When the central, tonal theme is finally introduced, it is never completed, creating tension that is prolonged through the second half of the piece. The tonal theme eventually becomes immersed in the tone row and gradually fused into the original theme. The mutated, skeletal rhythmic motive of the tonal theme is all that remains.

The percussionist inside the set-up represents a prisoner. The percussionist outside the set-up plays two roles: when walking behind, this player represents the oppression of the cell; when walking in front, the player represents influences on the cell by outside forces such as prison guards. The tubular chimes represent the bars of a cell.

Prison Cell

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Prison Cell

Robert Paterson Composer