Fantastic violin playing. Sounds great with the piano in the background. The tone and execution is first class.

absolutely wonderful piece, I really enjoyed listening to this and will come back to it again

I can't understand the mood of this composition, but the piece itself is very interesting, looks like it was recorded live, because every instrument sound natural, and musicians are very good

just awesomely beautiful. I love the evolving melody lines.

Amazing and beautiful instrumental...thank you for sharing

wow this is so good, different emotions make the piece so interesting

what a wonderful, tender and same time powerful music! I enjoyed it very much, very big LIKE

Totally impressed by this movement. For me it's a beautifully balanced mix of Ravel and Prokofiev with a Robertson twist, and by twist I don't just mean the record scratch.

Beautiful, with its own distinctive character!

What Is This?  SoundCloud Pre-release (released to rest of streaming on March 26, 21)
• Tim Graves: guitar, synths, programming, vocals
• Brad Palmer: drums
• Ryan Anderson: bass
• Charlie Blu: vocals
• Chad Bell: trumpet
• Recorded in Oakland, Akron, Chicago and Nashville 
• Mastered by Stephen Marcussen

What is This

What Is This?

40 second intro seeking visual arts interest.

Whipsaw

(c) 2000
Guitar, Programming, composition,  mixing, producing and mastering by Robert Grigg

TechNo Taco

Sonata No. 1 for Violin and Piano
Duration: 20'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1107
Online Perusal Score: https://issuu.com/robertpaterson/docs/sonata.i-vln.pno.-fs-bound-perusal
For More Information: https://robertpaterson.com/sonata-no-1-for-violin-and-piano

PROGRAM NOTE (SHORT VERSION FOR PROGRAMS)
The first movement, Adagio – allegro con uno trotto – adagio begins and ends in a somewhat Romantic style, but with a twist: the end of the movement sounds like a record scratch, as if what you just heard is a track from an old vinyl LP. I became fascinated with the sound of record scratches when I noticed them in many commercials, although this is somewhat ironic since no one really plays records anymore.

The imaginary title of the second movement, Schizando (derived from ‘schizophrenia’) is a word I came up with to describe a musical style centered on fast, abrupt changes. This movement also reveals an obsession with sequences: sequence-like chord patterns decay by gradually becoming more dissonant as they evolve. These sequential sections alternate with “siesta daydream” sections, akin to channel surfing with a remote control. I was recently on the road for two months with my wife Victoria while she was touring, so on a personal level, traveling on the road to a different hotel every week probably influenced how I wrote this movement. We were never in the same place for very long and many of the hotels looked the same. Our lives were not that dramatic. I started craving drama, particularly in the music I listened to, and this probably spilled over into how I wrote this movement.

The third movement, Largo is slow and broad and inspired by the phrase "the weight of the past." There are time markers that delineate certain sections, reminiscent of the ticking of a clock. There are a number of composers whose works influenced me in this movement, such as the later works of Arvo Pärt and the slow movements of some of Beethoven’s sonatas. I was also pre-occupied with wanting to write a movement that contained mostly “open” notes, i.e. half notes, whole notes and double whole notes.

My main influences for the last movement, Allegro con moto are the early formal ideas of Igor Stravinsky, folk-style fiddle playing and jazz. There are a few false starts when piano chords come crashing down and a few somewhat humorous sections. Many of the themes from the previous three movements reappear in this movement.

As with many of my earlier works, my goal was to create a four-movement work in which all of the movements are quite different from each other. In a sense, I view this multi-stylistic approach as the result of wanting to embrace a variety of tools. As a result, as I wrote this I did not have an allegiance to any one particular style, as each one hopefully elicits a certain, distinctive emotional response.

Joy: Music for Violin and Piano

Sonata No. 1 for Violin and Piano - I. Adagio, Allegro Con Uno Trotto, Adagio

Sonata No. 1 for Violin and Piano - I. Adagio – allegro con uno trotto – adagio

Thursday
for Soprano and Piano
Duration: 12’
Text by Kenny Berkowitz and Bridget Meeds
Performers: American Modern Ensemble; Nancy Allen Lundy, Soprano, Blair McMillen, piano
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=889
Online Perusal Score: https://issuu.com/robertpaterson/docs/thursday.fs.all.bound
For More Information: https://robertpaterson.com/thursday

PROGRAM NOTES
The text for Thursday was conceived and written by two close friends, Bridget Meeds and Kenny Berkowitz, both excellent writers who possess an acute and often exquisitely wry sense of humor. Each movement attempts to paint a literary picture of the central character by introducing various people who are related to her. The work has six short movements, each one representing a different character.

Winter Songs

Thursday - 2. 9:15 am

Winter Songs (for Bass-Baritone and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. Icicles filled the long window (Wallace Stevens)
II. Dark Day, Warm and Windy (A. R. Ammons)
III. The Snow Man (Wallace Stevens)
IV. Boy at The Window (Richard Wilbur)
V. Old Story (Robert Creeley)
VI. Neither Snow (Billy Collins)

Performers: American Modern Ensemble; David Neal, Bass-Baritone
For More Information: https://robertpaterson.com/winter-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1357
Online Perusal Score: https://issuu.com/robertpaterson/docs/winter_songs_perusal_score


PROGRAM NOTES
The idea for Winter Songs occurred to me after I wrote a short song based on the sixth poem from Thirteen Ways of Looking at a Blackbird by Wallace Stevens for a group composition project at Cornell University. The original idea was to have each student in the department set a different poem in this work, culminating in an evening long song cycle. There are many compelling settings ofThirteen Ways, so instead of trying to contribute yet another, I decided to compose a song cycle using winter-themed poems by a variety of poets. David Neal, the bass-baritone who sang my initial song, Icicles Filled the Long Window, liked the idea so much that he asked me for a complete cycle. I spent months collecting and reading as many poems about winter as I could find. Winter-themed poems seem to fall into two categories: those that are playful and fun, and those that are quite serious. I chose to set six serious poems, including another one by Wallace Stevens, and one each by Robert Creeley, Richard Wilbur, A.R. Ammons and Billy Collins.

Winter Songs was commissioned by David Neal and The Arts at Grace through the New York State Music Fund and was premiered by David Neal and the Society for New Music in April 2008.

ARTISTS:
Robert Paterson, Conductor
'David Neal, bass-baritone
Sato Moughalian, flute
Benjamin Fingland, clarinet
Matthew Ward, percussion
Blair McMillen, piano
Robin Zeh, violin
Robert Burkhart, cello

The Four Seasons

Winter Songs - VI. Neither Snow (Text by Billy Collins)

#micahthunder #thundertribe #visualizer

Official Single "Here I Am" by Micah Thunder. Produced by @Edgar Wonder 
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Lyrics:
Do not live for tomorrow
Today is gone
Dead and gone
My soul lingers on

Searching for a reason
why the days will pass
good times will not last
life goes by so fast

You got what I need
what I want to see
In this world
Oh no,
We know how this goes
We know how this grows
and How it ends

I’m searching
For purpose
Can’t find my way
Don’t know if I’m worth it

It’s so dark
I’m so tired
Searching for a spark of life


Don’t Worry
You’re Perfect
Coming up so fast
It makes me nervous

Let’s dance
let’s smile
a miracle is worth my time

You got what I need
what I want to see
In this world
Oh no,
We know how this goes
We know how this grows
and How it ends
 
how this grows
how this goes
How it ends

I can be your man
I’ll do all I can
help me understand 
give you all I am
You can be my woman
Help you grow
Show me what lovers know
You won’t walk alone

You got what I need
what I want to see
In this world
Oh no,
We know how this goes
We know how this grows
and How it ends

© 2021, Micah Thunder, All Rights Reserved

HOW IT ENDS - MICAH THUNDER

The whole live
Your destination is not to die
The whole live
Your destination is simple to live

But never walk alone
This isn’t the way
But never walk alone
You’ll find it

The whole live
Your destination is not to walk alone
The whole live
Your destination is to keep your friends 

But never walk alone
This isn’t the way
But never walk alone
You’ll find it

You will never walk alone never

The whole live
Your destination is not to give up
The whole live
Your destination is to fight 

But never walk alone
This isn’t the way
But never walk alone
You’ll find it

The whole live
Your destination is not to do things you hate
The whole live
Your destination is to do things you love

But never walk alone
This isn’t the way
But never walk alone
You’ll find it

You will never walk alone never

Destination

No Fear

From third album - "TOO BLUE"
available where all digital music is sold

Too Blue

All The Best

Piano Baby Lullaby by Bohoman (Fedir Khivrich)

Free download / listening / licensing: https://bit.ly/3gKIEoD

This gentle, soothing track sounds like a lullaby. It is ideal for your advertising for children and mothers, for children’s films and TV shows, TV shows, as a background for audio books, cartoons, anime and much more.

Background music for videos, advertisements, movies, TV series, cartoons and anime, documentaries, theater productions, dance numbers, podcasts, social networks, websites, videos for YouTube, Facebook, Instagram, Vimeo, Linkedin, etc.

You can use this track in your videos for free * or purchase a license ** for commercial use.

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If you would like to tag me in your video, please copy and paste this information:

Music: Piano Baby Lullaby by Bohoman (Fedir Khivrich)
Music link: https://bit.ly/3gKIEoD

Track information

Name: Piano Baby Lullaby

P.R.O. "United States BMI"
Songwriter/Composer - KHIVRICH FEDIR
IPI Name # 01027176968

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If you are a composer, musician, performer, publisher, label and want to distribute and sell your music around the world for free through iTunes, Spotify, YouTube, Soundcloud, Deeser, Tidal and much more, use the link and register on RouteNote, a free distributor of your music on the Internet: https://bit.ly/3wWQvFW

Simple Piano

Piano Baby Lullaby

07 Piano Baby Lullaby

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Sonata No. 1 for Violin and Piano - I. Adagio – allegro con uno trotto – adagio

Robert Paterson Composer

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