Always a pleasure to listen to your beautiful music, Robert, Thanks for sharing!! Great job as usual

Lovely, delicate and at the same time quite intense.

An absolute masterpiece! Really enjoyed the strings!

on youtube you find Nosferatu 1922 by Murnau. If you use this track on repeat as the soundscore of this film you`ll watch a perfect version of this movie and also this piece of music

Great dynamics & arrangement. Thrilling & enchanting. I love how the strings come in, the tango feel, the drama. Great performance! It really takes you places...

Nice! Interesting composition and very well mixed.

A playlist that - in my mind - conveys a sort of cinematic feeling. Not just original soundtracks to films, TV shows or videogames but music in general that could very well work in that context.
A wide range of styles and moods as weel - from bombastic, epic, huge trailer scores to more intimate tunes, to droning soundscapes, romantic piano pieces and everything in between.

Cinematic Feeling

ASFdeafboar - March Of The Cursed

Why do some of us are constantly drawn into this overwhelming and longing  stargazing desire?
Why always the sky?
It's irresistible, it's uncontrollable.

A song is a bit like a novel, like a book. Everyone can read themselves in the story. 
Like some of you, I know nothing. 
I am just a crazy time traveler.

// Jan 28th 2022 //

https://open.spotify.com/track/3TrIV63C20TjX2WsuTerDP

☿  ᴀʟᴡᴀʏs ᴛʜᴇ sᴋʏ  ☿

Why do some of us 
Join the sky in a cusp?
Why always the sky?
Why always the sky?

Maybe I'll start a fire
Life by life lost in time
Why always the sky?
Why always the sky?

And if you don't shine
How will I know?
The future is our ancient heart
With every star now 
This is the time
This is the time to start a fire
This is the time to start a fire

Nothing's quite as it seems
This was just a daydream

Why always the sky?
Why always the sky?

______________________

music/words: Andrea Ev (January 28th 2022)

Always The Sky

Heroes’ Burden

Dylan Vel - Hastings battle

lyrics: 

Better shot me now
Better shot me now
If you're going to keep hiding who you are
Killing all the time
Killing all the time
What I feel for you

I'm gonna break it down
I'm gonna break it down
And I'm gonna break it
I'm so far
I'm so far
I'm so far from you

Hastings battle, evolution failed
Neutrón bomb, Stone age is coming
Everybody wants to look like the King of the party
Hastings battle, evolution's breaking down

Better shot me now
Better shot me now
If you're going to keep hiding who you are
Killing all the time
Killing all the time
What I feel for you

I'm gonna break it down
I'm gonna break it down
And I'm gonna break it
I'm so far
I'm so far
I'm so far from you
I'm gonna break it down
I'm gonna break it down
And I'm gonna break it
I'm so far
I'm so far
I'm so far from you

Hastings battle, evolution failed
Neutrón bomb, Stone age is coming
Everybody wants to look like the King of the party
Hastings battle, evolution failed
Hastings battle, evolution failed
Neutrón bomb, Stone age is coming
Everybody wants to look like the King of the party
Hastings battle, evolution failed
Hastings battle, evolution failed
Neutrón bomb, Stone age is coming
Everybody wants to look like the King of the party
Hastings battle, evolution's breaking down
Hastings battle, evolution failed
Neutrón bomb, Stone age is coming
Everybody wants to look like the King of the party
Hastings battle, evolution's breaking down

Ozymandias

Hastings battle

Dylan Vel - Hastings battle (Soundcloud version)

https://www.youtube.com/watch?v=riCy0aHx-CI
https://www.youtube.com/watch?v=PiVTH8S7A3Q
https://www.youtube.com/watch?v=uezCBMMT1Ig

synodia - Philhellenic Victory Tune

calm after the storm

Toad's Improv

Big Love

"Man Hunter" is a mesmerizing dark ambient track that plunges listeners into a realm of suspense and uncertainty. Through haunting soundscapes and eerie textures, it weaves a narrative of pursuit and evasion, evoking the primal tension between predator and prey. This composition is a sonic journey through the shadows of the mind, leaving an indelible sense of intrigue and unease. Ideal for those seeking an immersive, enigmatic experience in soundscapes.

Please follow and support if you like!
https://linktr.ee/obsidianveil

#ambient #ambientmusic #dark #darkambientmusic #darkambient #musicscore #sounddesign #freelance #filmscore #filmscorecomposer #videogames #videogame #videogamemusic #filmmusic #moviemusic #musiccomposer #musicproducer #mixingengineer #sounddesigner #scifi #horror #sciencefiction

Music for Non Places

Man Hunter

Our Love is Eternity

WILD SIDE OF LIFE

Justice will prevail!

https://www.amazon.com/Justice-Michael-Ramsey/dp/B08HJV5LV6/ref=sr_1_1?dchild=1&keywords=michael+ramsey+Justice&qid=1610147595&s=dmusic&sr=1-1

Fanfare For Justice

Check out the video on YouTube, it’s pretty cool.
https://www.youtube.com/watch?v=D-jiXk0INIg

Existential

◉ Follow Magdalena Meisel:
@magdalenameisel
@https://youtu.be/jueg9O87-sQ

Have You Ever Seen The Rain | Cover version

Vocal : Magdalena Meisel
Backing vocals : Magdalena Meisel
Guitar : @singahit #singahit

Songwriter(s)John Fogerty
Music John Fogerty
Creedence Clearwater Revival

Have You Ever Seen The Rain

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Spheres

Sun Trio - Mvt. II. Sunset

The Thin Ice of Your Fragile Mind
for flute, clarinet, violin, cello, percussion and piano
Duration: 8'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1102
Online Perusal Score: https://issuu.com/robertpaterson/docs/the_thin_ice-fs-bound_copy
For More Information: https://robertpaterson.com/the-thin-ice-of-your-fragile-mind

PROGRAM NOTES
I came up with the title The Thin Ice of Your Fragile Mind before I began writing the piece. I soon realized that the work would be far more abstract than the title itself implies. I often come up with titles before I begin writing, but this one could have easily been added after I finished. In some ways, it describes the nature of the piece: there are sections that sound icy, cold and fragile, and even moments that sound like plunging into the dark depths of a black lake.

I also knew this work would be premiered at Arcosanti, a prototype "arcology" (a word meaning architecture coherent with ecology) in the Arizona desert designed by architect Paolo Soleri. Since I could not stop thinking about the wonderful windbells made there, I chose percussive sounds that are entirely metallic: a vibraphone, crotales, orchestra bells and finger cymbals. This works perfectly for two reasons: metal percussion instruments can sound icy and cold, and the percussionist in E.A.R. Unit, the group premiering the work, was limited to bringing instruments that would not be adversely affected by the intense summer heat. While composing the piece, the irony never escaped me that a work inspired by ice and cold would be premiered in a sweltering desert.

Star Crossing

The Thin Ice of Your Fragile Mind

Indie music maker, available for sound design & music for media.

I grew up with music & technology, and I love them both.
I love many genres but rock and electronic music have a special place in my heart.

Why the name Dark Side of Synth? Because it’s cool and it sums up my fascination with the dark side and with synthesizers. Dark side not just as negative but also as obscure, unknown, unexplored...

Don’t worry, you won’t be finding only darksynth, heavy, scary and sad tunes and tones here but quite a wide range and lots of happy, upbeat things too. Again, it is just a name – not a mission statement set in stone forever.

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Sun Trio - Mvt. II. Sunset

Robert Paterson Composer

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