I really like this scary atmosphere in some places and when it flows into something lighter. Great!

beautiful, soothing, mysrerious and unique sounds as usual.  Awesome piece , Robert!!

Love the nuances in this that come through on my headphones, early on is a hint of Strauss and the romantic, but it gets a little more sombre as the piece progresses. Love the strings.

Probably one of the most interesting serenades I have heard. Lots of things I was not expecting going in :)

I fucks with this heavy keep up the good work

Oh am I glad I've discovered your symphony Robert! I always think a symphony shows what a composer is really capable of - which is why I've never done one LOL. This is wonderful. Light when it needs to be. You know every section so well.

Really nice orchestral work. Really varied as if its telling a story.

Wonderful orchestration, Robert. You always show great respect for the performers.

This play list does not include Enlightened City, Suite for String Orchestra or A New Eaarth for Orchestra, Chorus and Narrator. These will be added soon.

Video for A New Eaarth: http://www.youtube.com/watch?v=CZlzCkWUfwI

Full perusal scores: http://robertpaterson.com/orchestra/

Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

Contact: http://robertpaterson.com/contact/

Selected Orchestral Works

Nederlandse versie van de 3e track op mijn Engelstalige debuut genaamd 'perfect.' Als dank voor jullie liefde deze bonustrack.

Expliciet, direct, respectvol liefdeslied over, jawel, de liefde.

Deze op Youtube: https://youtu.be/LqIcDuQycto

Origineel is een gedicht van me dat eerder werd gepubliceerd in de bundel 'menage a deux' bij uitgeverij Nadorst (2014).

Zang en tekst ik/
muziek martijn van dijk/
opname zang en mix en master deze versie peter kanselaar van www.zapstudio.nl

2021

Perfect - Nederlandse versie

Angel - Robert Grigg & Combstead

Hi! this is my Remix of 'When you're not with me' by Camilo Séptimo, hope you like it. If so, give me a like. Thanks for listening to me. Greetings!

Link Social Networks:

👉 https://linktr.ee/Itzco11

#krautrock #kosmischemusik

'Cuando No Estas Conmigo' (Itzco Remix Bootleg)

testing

Better Man is the 2nd release of album 'Human Touch' by Siggimusic

Human Touch is my 1st concept album centred on social aspects and individual strength. A roller coaster of emotions based on human interaction and behaviour.
The sound and mood change in each track but still blend together, while  tapping into the one relating message: "something is missing between one another and I try to define what it is" 
STAY TUNED!

Better Man, Written and performed by Siggi

Recorded at DesertFish Studio, Toronto

3D Artist - Fesq

Musicians: 
Bobby Shaw  Saxophone 
Sebastian Demianczuk Trombone
Scott Dion Brown Background vocals & keyboard
Holly Paxton Background vocals

Better Man

A music representation of the sacrifice
---
Photo by Jr Korpa on Unsplash

Sacrifice

Sacrifice - Ambient & Cinematic Music

Thanks for warm comments, i appreciate this!

Moontrain

The world is very serious
Everything lies in ashes
People cry, they miss their old world
People cry, they miss their old world
Children cannot go to school
Everything is toxic
People cry, they miss their old world
People cry, they miss their old world
You look at the street
But you see only dirt
You see the faces of the people
But see only masks
People cry, they miss their old world
People cry, they miss their old world

People Cry

Dark Mountains for orchestra
Commissioned by the Vermont Symphony Orchestra, Jaime Laredo, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=994
For More Information: https://robertpaterson.com/dark-mountains
View Score: https://issuu.com/robertpaterson/docs/dark_mountains_for_orchestra_fs-bou

PROGRAM NOTES
Vermont is famous for its green mountains, but I often find myself taking long drives through the mountains on overcast days or even at night, when the mountains lose color and become gray silhouettes. Many roads in Vermont are so dark, particularly in the Northeast Kingdom, that you need to use headlights, even during the day. Dark Mountains is meant to portray the beauty and grandeur of the mountains and the peacefulness of the open roads, but also the darkness and occasional treacherous passes one may encounter during the evening hours. The piece is in three connected sections. The first section portrays the calmness and austerity of a quiet evening. The second is inspired by a fast drive down winding country roads, with twists and turns, frequent tempo changes and shifting gears. The final section evokes the feeling of looking at the nighttime sky with moonlight shining through the trees and the sounds of nature in the distance.

This piece is commissioned by and dedicated to the Vermont Symphony Orchestra and Jaime Laredo, and was originally written for the Made in Vermont Music Festival.

Dark Mountains (for Orchestra)

Electric Lines for Orchestra, music by Robert Paterson
Duration ca. 9'
Winner of the Lousiville Orchestra Composition Competition
Performances by Minnesota Orchestra, American Composers Orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=932
For More Information: https://robertpaterson.com/electric-lines

PROGRAM NOTES
In past summers I have taken long trips across America from New York to Colorado. Driving along the highways, there are endless fields, infrequently dotted with farms and farm machinery. Contrasting the farmland's somewhat natural splendor, there are thousands of miles of electric lines—ubiquitous and perhaps even unsightly, yet somehow blending in with the scenery.

What I find most dramatic about many of these electric lines—other than their gargantuan size—is the realization that day after day, a dizzying amount of information travels through them and across great distances: billions of pieces of information are packed inside these powerful cables. In Electric Lines, my goal is to take the audience on a sonic roller coaster ride: I want the audience to feel tremendous energy and power and the thrill of instantaneously sending and receiving information at light speed.

Although electric lines inspire this work, there is nothing technically "electrical" about it: there are no synthesizers or electrical instruments used, with the exception of the vibraphone. The electric qualities in many sections are highlighted by tense string trills, long, powerful melodic lines and by giving many of the players energetic, concerto-like parts. I also try to make the melodic lines sound charged and electric by enhancing them with various types of orchestral accents and by pairing different instruments using parallel or almost parallel lines at close intervals.

A few of the sections and transitions in Electric Lines are modeled after the physical characteristics of the cables and power line towers. Many of the musical lines occur in groups of two’s and three’s; some of them dip and swoop like power cables, while others are electric rod straight, but tense and electrified. There are also occasional anvil-accented "power chords" that act as markers to delineate certain sections.

Even though Electric Lines might seem to have industrial underpinnings and allusions to mechanics, I am not trying to align myself with the early twentieth century Italian Futurists: it is more the present than the past that I am thinking of in this work.

Electric Lines (for Orchestra)

Symphony in Three Movements for Orchestra
Duration: 19’
Mostly Modern Festival, American Modern Orchestra, Chris Rountree, 2018 Faculty Conductor
Skidmore College, Arthur Zankel Music Hall, Saratoga Springs, New York (USA), 6/10/2018
Commissioned by the Cayuga Chamber Orchestra for their 25th Anniversary Concert, Kimbo Ishii-Eto, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1339
For More Information: https://robertpaterson.com/symphony-in-three-movements

PROGRAM NOTES
The first movement, Bright and jubilant, is generally cheerful and upbeat, but occasional clouds of gray cast shadows over the musical surface. I associate this movement with traveling to a lover, and particularly over great distances. The brightness of this movement also subtly reflects the "silver anniversary" occasion for which this work was originally commissioned.

The slow second movement, Serenade, represents the unique intimacy that lovers share. Most string players in a chamber orchestra—even the first stands—never have a chance to play exposed material. This is interesting because although the string sections most often play as homogenous groups, the first stands of the string section are in an arc have an intimate view of each other. In this movement, the first stands of the violins, violas and cellos all have solo material whereas the rest of the strings often play gentle, long trills. My goal in to give all of the string players in the first stands an opportunity to shine.

The third movement, entitled Dancing games, is the most energetic of the three. It is has quirky, dance-like rhythms and a strong sense of pulse. In this movement, I imagine two lovers engaging in a bickering, yet friendly verbal dance match, their playful sentences bantered and volleyed back and forth like some sort of demented game of badminton in fast-forward mode. I suppose this would mean that the kind of dance I am imagining here is not one that you would necessarily move your feet to, but one meant for listening and that makes your insides want to move and shake.

Symphony in Three Movements - I. Bright and Jubilant

Symphony in Three Movements - II. Serenade

Symphony in Three Movements - III. Dancing Games

God Does Not Exist

(C)2011
Guitar, Bass, Programming, Composing, Mixing, Producing and Mastering by Robert Grigg

Lately... I've Been Thinkin'

Gravy

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Symphony in Three Movements - II. Serenade

Robert Paterson Composer

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