What you do here affects the heavens and your eternal life

I say to you that likewise there will be more joy in heaven over one sinner who repents than over ninety nine just persons who have no need of repentance.
Luke 15:7
Matthew 18:18
Ephesians 6:12
Luke 12:56

With men this is impossible, but with God all things are possible.”
Matthew 19:26

Charlie Brown is All Grown Up [free download]

The reflections of a man recognising the strength of the woman who has shouldered all of his failures.

YOUR TRUEST FAITH
(Paul Ariss)
Every time you look at me
I know just what you’re thinking
You wish that I would change my ways
And maybe stop this drinking
It’s too much to admit I know
But I’m not the man you married
I’m not the man you knew before
I’m just the man you’ve carried

Even when the child was born
I was somewhere else instead
You never even asked me why
When you should have wished me dead
I carry all the benefit as you
Suffer all the blame
I took from you the years of youth
And you took from me my name

And now as you see another line round your eyes
Do you think of the years passing by
Do you wish for that optimistic wind on your face
As I hang on to your truest faith								   As I hang on to your truest faith

A man as weak as this one before you
Will always find excuse
To seek a home for his easy anger
With occasional abuse
I still hide behind your charity,
But I know the price you pay,
Do you still believe in me
Or has hope just blown away

REPEAT CHORUS 

If you would only scream a little and let me see the pain
Would I carry on regardless and do it all again?
Or take another chance to show you the man I wished to be
Recall those years I stood beside you so strong and straight and free






Every time you look at me
I know just what you’re thinking
You wish that I would change my ways
And maybe stop this drinking
It’s too much to admit I know
But I’m not the man you married
I’m not the man you knew before 
I’m just the man you’ve carried

And now when you see another line round your eyes
Do you think of the years passing by
Do you wish for that optimistic wind on your face
As I hang on to your truest faith
As I hang on to your truest faith
As I hang on to your truest faith

Your Truest Faith

Performed by Nashville Opera | Danielle Pastin, Soprano

ABOUT THE ARIA
From The Companion, the first act of a trio of operas called Three Way. In The Companion, Maya lives with her android lover, Joe. This interactive programmed Companion looks and sounds human—only better. Still, Maya wants more complexity from Joe. She has technician Dax come by to install new experimental software, with surprising results. Dax flirts with Maya; in this aria, she shares her ultimate desire.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
What I want is a man. 
Not just any man: the perfect man. 
Who will be here, ready and happy,
At the end of every day.
You may find it alarming 
But Prince Charming
Is just an upgrade away.
He can kiss me so tenderly,
Or hard and savagely.
He is a generous lover.
He can last all night in the sack
Without going slack.
He can hold back on his back
Until I’m done.
He thinks of me first and last,
Every time, every day.
And he never thinks of himself.
He never thinks at all.
But he seems to think,
And that makes all the difference!
That’s the perfect man.
Oh, I’ve had men—
Or weak creatures that called themselves men.
Selfish, stupid, lazy, greedy boys.
And after wasting years of my life
Playing house and wife,
I’ve decided to go home with my toys.
What I want is a man. 
Not just any man:
The perfect man.

Three Way

Three Way - Act I. The Companion - Scene 2: Maya’s Aria: The Perfect Man (Soprano Aria)

The synth and rhythm tracks are inspired by my love of The Who. Specifically Who Are You, Won't Get Fooled Again and Baba O'Riley. Once I started adding melodies it took on its own life. That's the cool thing about recording sometimes. The song goes where it wants to regardless of how hard I try. ;-)

03-02-18: Replaced original mix 3 file with MIX 5.
03-06-18: Replaced file with MIX 9
12/19/18: Replaced file with lossless AIF
05/02/19: eMastered mp3
08/12/20: Final Version v2.3

Shut Up & Play

Who's Rising

iTunes

The vibe of ancient and incredible when you walk into a Vimana Temple on beautiful India.

12 - Bonus Track VIMANA TEMPLES 2019 REMIX

Live version: https://youtu.be/hIyFS6RHFyQ
On iTunes/Spotify/Apple/Everywhere now! 

Lyrics:

Asleep when we start to breathe
Dreaming of different things
Chorales in different keys

We are a wake
Disturbing the peace along the lake
Dig in your hands
And wash the sand back out again

We are a wake...

Your heart stopped and started a light in the room.
Won't you sing one time in my dreams of you.
Your songs cease. Unfinished melodies - 
Playing over and over inside of my head
Playing over and over inside of my head

Somber songs transcend the water
Carrying calls from memories ago
Laying down to take it in
Lake waters frozen and covers me whole

But peace was taken and left with honesty
And its timbre wavers in kindness

We are a wake
Disturbing the peace along the lake
Dig in your hands
And wash the sand back out again


The last songs are spiritual, or hope filled in a sense
Bringing love and pain into its call with innocence.
Should the truth become unraveled, and keenness lost in mumbled words;
May I be buried in the memories, and her voice be carried off the earth.

...her voice be carried off the earth.

This song has multiple meanings, but to capture them both into one - it's love where you are, and who you're with, because you and them are not there forever.

Waves - EP

Bandcamp

Cast

The lAst STand b3f0Re P4rtIb0I 3NteR G0d MoD3💊💊💊

Focus.wav

Moving On

Original video - @themarvsound
Song - TheMarvSound - Douglas Independance
Video Edit - @themarvsound

▶️NEW UPLOAD -
Available on Youtube & Instagram, link below. Afro beats, The Marv way.

https://youtu.be/opz1K6ZM3VU

This weeks upload is more footage captured by myself, I had the pleasure to film an amazing collective of female street artists & see how they put together there art.

Never let the flame for your passion ever go out because there is no better feeling than completing a challenging piece of work or even just generally smashing a personal target for yourself.

Opportunities could present itself at anytime, focus & consistency is the key. Hard work never goes unrecognized....

#marvsound#marvobahn#thefuture#mysound#nextwehaveanother#afrobeats#orginalsound#nogenreissafe

THEMARVSOUND - INDEPENDANCE

Scorpion Tales for Two Harps
Duration: 15’
Publisher: Bill Holab  Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1126
For More Information: https://robertpaterson.com/scorpion-tales

PROGRAM NOTES
Gruesome creatures have always fascinated me, so when Duo Scorpio asked me if I would be interested in writing them a new piece, and their only request was that I incorporate the scorpion as a theme, I was happy to oblige.

The first movement, Trinidad Scorpion, is inspired by a fiery red pepper called the Trinidad Scorpion "Butch T", currently the hottest pepper in the world. It measures a blistering 1,463,700 Scoville Heat Units (SHU). (A typical jalapeno pepper measures around 5,000 SHU, while a habanero pepper measures up to 350,000 SHU.) The tempo is appropriately marked con fuoco, and the contrapuntal middle section is subtly infused with Calypso rhythms.

Promenade à deux is the title of the second movement, borrowed from a colorful description of the scorpion's complex courting and mating ritual. This begins when the male and female locate and identify each other using a mixture of pheromones and vibrational communication. The courtship starts with the male grasping the female's pedipalps with his own; the pair then perform a "dance" called the promenade à deux. The courtship ritual can involve several other behaviours such as juddering and a cheliceral kiss, in which the male's claw-like mouthparts grasp the female's. In some cases, the male will inject her with a small amount of venom, perhaps as a means of pacifying her. Once mating is complete, they separate. The male generally retreats quickly, most likely to avoid being cannibalised by the female, although sexual cannibalism is infrequent with scorpions. Scorpions glow fluorescent under black lights, so I imagine the scorpions basking in a fluorescent afterglow after completing their courtship.

The third movement, The Tale of Orion, is inspired by an ancient Greek myth. According to legend, Orion boasted to goddess Artemis and her mother, Leto, that he would kill every animal on earth. Although Artemis was known to be a hunter herself, she offered protection to all creatures. Artemis and her mother sent a scorpion to deal with Orion. The pair battled and the scorpion killed Orion. The contest was apparently lively enough to catch Zeus's attention, so he raised the scorpion to heaven and afterwards, at the request of Artemis, did the same for Orion. This served as a reminder for mortals to curb their excessive pride. A second version describes Orion and Artemis growing fond of each other. Learning of this development, Apollo, Artemis's twin brother, grew angry and sent a scorpion to attack Orion. After Orion was killed, Artemis asked Zeus to put Orion up in the sky. So every winter Orion hunts in the sky, but every summer he flees as the constellation of the scorpion approaches.

Scorpion Tales was commissioned by harpists Kathryn Andrews and Kristi Shade of Duo Scorpio through a grant from the American Harp Society.

Scorpion Tales

Scorpion Tales - III. The Tale of Orion

Spending days 
With the Getaway
Railways 
Begin to fade 
And I'm loving you 
Before the days break
Lets stay all day 
See what we can make

We could run away
But what would that change
Chose not to stay 
Like what God arranged
Shady ways 
To spend the night alone
In a daily haze
Consumed by my phone

There's no way she says 
As she looks across the room
It's too late I know 
What she means to you 
You could never know how
I couldn't live without
So, I'll wait
For you I couldn't choose

Grey days
Fade into night
We find ways 
To be alright 
Corners bear 
From left to right 
Lets stay all day 
Forget the fight

There's no way she says
As she looks across the room
It's too late I know
What she means to you 
You could never know how
I couldn't live without
So I'll wait
For you I couldn't choose

We Find Ways

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Three Way - Act I. The Companion - Scene 2: Maya’s Aria: The Perfect Man (Soprano Aria)

Robert Paterson Composer