Really nice change of pace, slower, more reflective. Musically warmer.

the  soloist is wonderful! I like a lot the long strings chords! so peaceful

amazing classical composition Rob great stuff

beautiful!! Maravilloso. Great work!!  Loved it!!

I love this melody and the arrangement! The lyrics are a bit too on the nose for my taste, but the atmosphere is gorgeous.

A very poignant scene, performed beautifully.

Amazing voice and orchestration. A great production!

Magnificent, as always. Music like this is more than music, it's pure art.

Perfect Together

And now for a bit of a rest, this track settles into a calmer more reflective state while Andrea's guitar lays soulful intertwining accents on the bed Rebecca made.

Video: youtube.com/watch?v=k1BlW3u-GU4

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production. 
Andrea Pierantoni - guitars, production. 
Mixing and mastering by Andrea. 
Cover art by Rebecca.
SafeCreative Registration code: 2101306764691
© 2021 8000 Miles All rights reserved.

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Buy the Album 🔥

Lighter Turn Of Day

A Midsummer Night's Dream

музыка - Бковский Александр
слова - Рубинчик Валерии
вокал - Попова Ирина
звукорежиссёр - Широков Александр

Скрипка и рояль / Violin and piano

Performers: Nashville Opera; Samuel Levine, Tenor

ABOUT THE ARIA
From The Companion, the first act of a trio of operas called Three Way. In The Companion, Maya lives with her android lover, Joe. This interactive programmed Companion looks and sounds human—only better. After Joe has told Maya he’s leaving her for another android, he sings this tender parting aria.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
You were my first love,
The one I will never forget.
Your passion, your laugh,
I will never forget.
You taught me how to love,
How to be the perfect man,
But we were not meant to be.
You I will never forget.
Remember my kiss,
Forget the pain, goodbye.

Three Way

Three Way - Act I. The Companion - Scene 3: Joe’s Aria: You Were My First Love (Tenor Aria)

Never Forget

He lives
In Chinatown
Women have
no chance.
He kills them 
in the night 
cause he is 
the king of pain
 
The king of pain
Is in the town   
He kills the women
Without mercy

the police have no idea 
who the killer is, 
they are completely in the dark 
cause they have no suspect
he feels secure 
and has no fear, 
he follows his instincts
cause he is 
the king of pain

The king of pain
Is in the town   
He kills the women
Without mercy

one day 
he makes a mistake.
Witnesses recognized him 
and immediately 
reported him 
to the police.
they tried to arrest him, 
but he got away
to his next victim
cause he is 
the king of pain

The king of pain
Is in the town   
He kills the women
Without mercy



The king of pain
Is in the town   
The king of pain
Is in the town   
The king of pain
Is in the town   
The king of pain
Is in the town   

He shows no mercy
The king of pain
He shows no mercy
The king of pain

The King of Pain

The King Of Pain

From the forthcoming album O Captain by eNuminous & Archimedes.


MURDER

Scene shellac
Blue tire smoke
Body crumpled
Red gutter
Drain drip
Mean attack
Grew fire
So bloody
Mumbled Ted
Gutter
Drain drip
All fears
Mother
Father
Answer door
Wear black
Sneak attack
Tall nears
Hovers over
Whispers more
Our snack
Meat black

Smoke crush
Bullet dent
Wharf end
Hooked bent
Repeat kill
Skull mush
Pulled vent
Dwarf sent
Looked
Rent scream shrill

Murder

Bohemian Tango by Bohoman (Fedir Khivrich)

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Beautiful romantic, melodramatic instrumental music in the style of tango. Background music for videos, advertisements, movies, TV series, cartoons and anime, documentaries, theater productions, dance numbers, podcasts, social networks, websites, videos for YouTube, Facebook, Instagram, Vimeo, Linkedin, etc.

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Music: Bohemian Tango by Bohoman (Fedir Khivrich)
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Name: Bohemian Tango

P.R.O. "United States BMI"
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Bohemian Tango

Time Machine (Demo)

Written for and performed by Annie Ziyao Huang

Premiered for Ring in the New: https://steinhardt.nyu.edu/events/ring-new
Listen on Spotify: https://open.spotify.com/track/7suYyO4wupsshQ40rw5SIB?si=dd122acf00924e2e

Program notes:
"Dismantled, Rebuilt, And Destroyed" is an experiment with consciously bringing in elements of a metal subgenre known as djent, into the solo piano repertoire. Influences on the composer include bands like Meshuggah, Periphery, Animals as Leaders, After the Burial, and Glass Cloud.

Dismantled, Rebuilt, And Destroyed

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Three Way - Act I. The Companion - Scene 3: Joe’s Aria: You Were My First Love (Tenor Aria)

Robert Paterson Composer

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