This is a heavy track with a lot of twists and turns.  Drop tuned.  Heavy breakdowns.

Year Of The Ghouls

Comedys The Cure

Beat produced by Erlax Beats

Mix and Master by They Build Houses

in association w/ [sofa gang] Co.

Neanderthal

I kind of like songs that start out saying one thing but end up saying something completely different...

I wouldn’t change a thing


when I come back from dusty roads
i’d bring you tales
bring dust in my clothes
and I’d fall asleep… in mid flow…

when I’d come home from sailing seas
I’d bring you things
I thought that might please
never mind things that
we might need

But I, I, I
I wouldn’t change a single thing…

when I’d come home from work
I’d sit myself down
I’d kick off my shoes and I’d
talk about
all of the things I planned to do…

but I, I, I
I never changed a single thing
I couldn’t bend in the wind…

I couldn’t change a thing
I couldn’t change anything…

I lit the fire
you cleared the grate
I worked for hire
and you had to wait
I changed the tire
you filled our plates
you never tired
and I stayed out…

you brought me down to earth
and I hit the ground hard
but I hit the ground running
so everything
would seem the way it should…

but I, I, I

still hadn’t changed anything…

Wouldn't Change a Thing

Far away from home

Can you Breathe New Life in this Rubber Soul & Hold me Again....I Miss you. Can you Make any Sense of this Rubber Skin & Hold me Once More......I Miss you.

"Jericho"

Melodic guitar driven rock with a 90's feel.

The Forecast

The Forcast

Why dont we sleep at night
Why do we hurt sometime 
Why dont you see that I 
I'll follow you
Why do I close my eyes 
And see sometimes
Why do I fall for you everytime

When Im on this earth
And I'm mesmerised
Colour me at night
Deeper from inside
There s a universe in these
Weary eyes
When I sleep at night it comes alive

Why are are we here tonight

Why Are We Here

I have endured this pain that you've caused me
Now it's time that I finally

Burn the bridge
Watch it fall

Just like the clock, I'm going in circles
Back and forth, I relentlessly pace
You'd better pray to what you believe in
I don't discover your hiding place

Each and every time that I see you
I just want the memory erased

Burn my eyes
Burn my mind

Vs. The World

Deer God

Performers: Nashville Opera; Matthew Treviño, Bass

ABOUT THE ARIA
From Safe Word, the second act in a trio of operas called Three Way. In Safe Word, Mistress Salomé is a high-priced dominatrix in a private dungeon, and today she has a new client, an aggressive corporate type. Even though he's the one who pays to be spanked and taunted, the Client is bossy. In this aria, he explains how physical humiliation only makes him harder and stronger. 

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
Charlie Darwin got it right:
To thrive in the jungle, 
A man’s got to fight.
A man’s got to kill,
And that takes iron will.
A man needs control.
He needs rules.
He may play a role
But never the fool.
A man needs power.
He needs clout.
The boss will decide
Who’s in and who’s out.
A man needs the law.
He needs jail.
Show contempt for the judge
And buddy, you fail.
A man needs discipline,
Or he’ll never win!
A man must be punished,
Or else he’s finished!
			(Gradually becomes more excited)
A man needs to be whipped,
Or stripped,
Or squeezed,
Or teased,
Or spanked,
Or mocked,
Or clocked,
Or pinched,
Or kicked,
Or pricked,
Or beaten, beaten, beaten 
Till he’s black and blue.
And for two-hundred-seventy bucks an hour,
This man needs you.

Three Way

Three Way - Act II. Safe Word: Client’s Aria: A Man Needs (Bass Aria)

Retro - aKtive

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Three Way - Act II. Safe Word: Client’s Aria: A Man Needs (Bass Aria)

Robert Paterson Composer