Psychedelic Pharaoh

Galactic Kiwi

Galactic kiwi

#EDM #housemusic #summerhits
New track from ORBITAL 365 featuring srDJan - Feel The Sun
Summer is here, getting hot, time to stay on the beach with a speakers on and make it looouuud.

Feel The Sun

Feel The Sun (feat. srDJan)

Libretto by David Cote
Duration: ca. 24'
Instrumentation: soprano, baritone, bass-baritone, flute, piano, 2 violins, viola, cello
Commissioned by Triphammer Arts Inc. with The Arts at Grace and Society for New Music
World Premiere Recording (Live Performance): American Modern Ensemble, featuring Cree Carrico, soprano; Steven Stull, baritone; David Neal, bass-baritone; Universal Preservation Hall (UPH), Saratoga Springs, NY, June 18-19, 2021
Publisher: Bill Holab Music: www.billholabmusic.com
For more information: robertpaterson.com/cocoa-cantata/
Full Video: TBA
View Online Perusal Score: https://issuu.com/robertpaterson/docs/paterson_cocoa_cantata__score-perusal_
Buy Full Score: TBA

ABOUT COCOA CANTATA
Cocoa Cantata is a 21st-century response to J.S. Bach’s Coffee Cantata, one of his secular cantatas, c. 1734. A mini-drama with colorful, comical roles for soprano, baritone, and bass-baritone, this work imitates Bach's instrumentation and explores politics and optics in the multibillion-dollar chocolate industry.

Two chocolate executives, one from a global brand, the other a boutique chocolatier, square off over a corporate takeover, when a food scientist introduces a scientifically engineered "Total Cacao." One bite of it, and each "choco boss" is transformed.

Cocoa Cantata runs approximately 24 minutes, incorporating arias for each character, duets, and a final trio. The tone is lightly satirical, with contemporary allusions to fair-trade practices, the chemistry and symbolism of chocolate, and the marketing of pleasure. Cocoa Cantata will be delicious to anyone who loves chocolate—or tries to control their craving for it!

PROGRAM NOTE
Cocoa Cantata is a 21st-century response to J.S. Bach’s Coffee Cantata. Written for soprano, baritone, and bass-baritone, the work explores politics in the multibillion-dollar chocolate industry. Musically, the piece imitates Bach’s instrumentation, but not his Baroque style. The paternalism of Bach’s secular cantata is replaced by a more evolved (yet humorous) attitude toward issues of patriarchy, fair-trade practices, and the marketing of pleasure.

Cocoa Cantata (for Three Singers and Chamber Ensemble) (World Premiere)

The City

Musique / Music performance : Christian Levitan
Paroles et chant / Lyrics and vocal : Lukowig

La défunte lumière repose sous cette nuit sans fin
où sillonne en silence un imposant navire 
extirpant de l'écume les âmes qui chavirent
plus d'écran pour se protéger plus d'écran aux confins
d'un monde boudé de tous : assez à faire avec les affaires
bien assez que de ne pas cesser d'amasser des richesses éphémères.

Infâme
corruption d'âmes !..

Est-ce
ô
est-ce
le dernier signal ?
La glace fond par tonnes...
Sauvez nos âmes !

Est-ce
ô
est-ce
le signal final ?
Quid de la taxe carbone ?
Sauvez nos âmes !

Est-ce
ô
est-ce
le signal fatal ?
Le glas sonne...
Sauvez nos âmes !

Est-ce
le dernier signal ?

Dernier Signal (Last Sign)

Dernier Signal (Last Sign) [Levitan & Lukowig]

Eqel?n

Listen a new track Sinful London by VERNA https://soundcloud.com/vernamusicc

Sinful London (VERNA)

Mortal

twitter.com/nulyra
www.instagram.com/nulyramusic/
www.facebook.com/NuLyraMusic

Track list EP Carmábila
 
1- Carmábila
2- Musa / Mareas Sal
3- Acércate / La Noción
4- Oscurecer
5 - Claridad

All apps: https://hypeddit.com/link/k0mxxz

Lyrics Carmábila
 
Te buscaré en el rocío
Encontraré tu vacío
 
Y no hay nada más cerca
Que salir a jugar
Y no hay nada más fuerte
Que este lugar
 
Porque es este momento
De salir a crear
En la mar de recuerdos
Y el vacío de mar
Que mecerá
Cual sábila
Aliviará

Carmábila

iTunes

@Nulyra - Carmábila

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

Three Way

Three Way - Act III. Masquerade: Introduction: Hi! I’m Jessie And This Is Marcus

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Three Way - Act III. Masquerade: Introduction: Hi! I’m Jessie And This Is Marcus

Robert Paterson Composer