12" vinyl & digital download
Catalog No. MPM26
Release date 2015-10-09

It’s a rare moment in the life of Robert Hood’s M-Plant label when he hands over to another producer, but no surprise that he should pick Mark Broom for the next release, seeing as he’s previously been entrusted to provide edits of Hood’s tracks for the label’s 20th Anniversary celebrations (MPM19) and is currently tearing up dancefloors with his unreleased dubplate mix of Floorplan’s ‘Never Grow Old’.

The original version of ‘Stunned’ was released on Mark Broom & Dave Hill’s renowned Pure Plastic label back in 1997. The “97 Mix” featured here started as a live mix of the track, which Mark has now tweaked for maximum dancefloor devastation.

It’s accompanied on the flip side by a brand new composition of equally outstanding quality. Broom is in fine form on ‘Decay’ with his tight production skills delivering the kind of tough, raw Techno that sits perfectly on M-Plant.


A2 - Mark Broom - Decay (Snippet)

DJ based in Lyon 
https://soundcloud.com/narvalo-disco-club
🌐 Collectif groovy house music

I produce, mix and host a weekly radio program called BEATSCAPE: where creative minds meet up with dancing feet! Every week, I deliver a 3 hours of the hottest new releases. From deep-house to soulful, tech-house to deep-techno, dubstep to 4x4, ambient to IDM, post-dubstep to grime.
Currently broadcasted in France and Switzerland, my purpose is to educate a "mainstream audience" to what I consider to be "quality music", following my only moto: if I like it, I play it!
If you are a radio station and would like to broadcast BEATSCAPE, feel free to contact me, I can even present the show in English (with American accent).
If you are an artist and have promotional material you would like to be featured in BEATSCAPE, or if you would like to be featured as a "guest DJ" feel free to e-mail me! 
Obviously, I do everything for REE, My ony purpose is to promote artists I love!!!

Experimental music is for everyone.
Inquiries: ramonpang@tabularasarecords.com
"Vulnerable yet powerful IDM-influenced dance music." - Resident Advisor
Co-Head of @tabularasarecords

SHOW ARCHIVE:
04/09 • LA ▸ Daddy Kev pres. Scenario (w Regal86)
03/08 • San Diego ▸ Daisy Chain
11/15 + 11/16 • Oakland ▸ Opening for STS9
04/06 • Brooklyn ▸ G Jones @ Avant Gardner
10/01 • SF ▸ Skrillex b2b Jyoty Portola Afterparty
09/29 • SF ▸ Villager
07/27 • LA ▸ Daddy Kev pres. Scenario (Headline set)
06/09 • Brooklyn ▸ Tabula Rasa NYC (w Gaszia, Kelbin + Kinoteki)
03/24 • LA ▸ Holding Space (w Baseck + Eureka the Butcher)
11/30 • LA ▸ Daddy Kev pres. Scenario (w Ivy Lab + Sage Introspekt)
10/28 • Denver ▸ MAYBEFOREVER (w Salute + Ballads)
10/15 • SF ▸ 1015 Folsom Anniversary (w Troyboi)
04/23 • VRC ▸ Ghostclub (ゴーストクラブ.コム)
04/18 • Online ▸ Bopfest (w Baauer, Good Times Ahead + X&G)

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

A2 - Mark Broom - Decay (Snippet)

Robert Hood - Floorplan