Horus

Subway Grind

Into Submission

Dilemma

Paris’ dc11 is back on data roaming records with a solo ep this time. Three original tracks and a remix by Jacobworld. Hello Sunshine is a full forward loop that takes no time to bring you up to speed, raspy and punchy. Deep is all rolling bass and has a subaquatic edge to it while still remaining forceful and dancefloor oriented. The EP’s title track is a mostly percussive affair, summoning the mighty power of the drum machine with reverbs breathing in and out for added atmosphere. Finally, Jacobworld’s remix of Deep makes you want to plunge head first into the night, managing to up the pressure from the original track while making it even… deeper.

dc11 - Whitewater EP
Hello Sunshine - 4:11
Deep - 5:15
Whitewater - 5:44
Deep (Jacobworld Remix) - 5:17
credits
released May 27, 2022

Data Roaming Records
DRR007
Mastering by Paul Mac @ Hardgroove Studio
Artwork by Victor Felletin
license

Deep (Jacobworld Remix)

Origami unfolds on La Danse de L’Albatros to reveal an intricate universe - long-form narrative storytelling in direct opposition to disposable tools.

Written and produced by Léo Naïtaïssa
Mastered by João Rodrigues at Tema Mastering
Artwork by João Frederico
Release description by Tyler Golato
Released by Hayes Collective, Portugal
Release Date: 13th of September, 2024
Catalog Reference: HYSEP55
Format: Vinyl & Digital

La Danse De L'Albatros

Quelza - La Danse De L'Albatros EP | Preview

Gareth Wild 
Venja EP

We’re excited to welcome London-based artist Gareth Wild to our catalog. His journey started in 1992, during the early days of Jungle. By '94, he had developed a deep passion for vinyl and London's underground rave culture. As the years passed, his musical taste evolved, leading him to the Techno scene. With over 15 years of experience in the underground music world, Gareth’s diverse influences shine through in his productions.


1: Gritted
2: Boca De Venum
3: Razor Wire 
4: Mirada De Muerte
5: Venja 

▪ Bandcamp:  https://newrhythmic-records.bandcamp.com/album/venja

Written & produced by Gareth Wild 
Mastered by Joton
Cat #: NRDR179
Label: Newrhythmic Recs
Release date: Bandcamp : 18.10.2024
Other shops : 24.10.2024

Promo & Press: thotpr.com

Gareth Wild  - Venja [Newrhythmic Recs]

Paradygm Shift

I Am

Track: Carbon
Artist(s):  Flits & Isaiah
Label: Diffuse Reality
Catalog: TB003
Release Date: End of July
Format: Digital/ Vinyl
Genre: Electronic
Style: Techno

Mastering: Diffuse Reality
Artwork: Attached

Artist links: 
Soundcloud: https://soundcloud.com/flitstechno
https://soundcloud.com/isaiahtechno
Bandcamp: flitshvb.bandcamp.com
Instagram: instagram.com/flitsnl
instagram.com/isajtd


Label links:
Soundcloud: https://soundcloud.com/diffusereality
Bandcamp: https://diffusereality.bandcamp.com/
Instagram: instagram.com/diffusereality

Pre-Order Link: https://diffusereality.bandcamp.com/album/flits-isaiah-roll-the-dice-tobas-003

GTG Premiere | Flits & Isaiah - Carbon [TB003]

B.JNR - THE EDGE

Dive deep into the ritual with ⛧ FRΞQUΞNCY DΞSCΞNT – RITUAL V12 ⛧. This transmission is a seamless journey through hypnotic techno, deep minimalism, and industrial trance. Each track pulses with a rhythmic, hypnotic essence—crafted without edits or samples, every sound an original composition by ApØtheØsis. This set explores the boundaries of dark trance, acid techno, experimental, and ambient drone, perfectly suited for an immersive experience.

🔊 Best experienced in the dark, with headphones, at high volume.

NEURAL LASH

James ruskin-unknown destination

Extract from @counterchange-inland Counterchange - 'Process Is Forever' EP [COUNTER015].
Buy: bit.ly/3hTTIPa

Jerusalem native Biri offers up his debut EP for Counterchange with ‘Process Is Forever’. Over five bold and very different tracks we are guided through expertly balanced floor workouts, elegant hypnotism and melodic reflection. Biri’s remarkable control over the bass-end, rhythmic structures and stereo spaces in his music is proudly on display here - from the rolling energy of ‘Process Is Forever’, to the tripping tones of ‘Ursa Minor’ and beyond.

Recently relocated in Berlin, Biri’s new wave of solo productions have also found a home on Len Faki’s Figure Jams imprint, while he released on Derrick May’s Transmat with his long-term partner Deep’a. Together they run their lovingly curated Black Crow label which continues to promote a defiant strand of Detroit-indebted techno and dubbed-out electronics.

Artwork by Dana Zelig with photography by Dor Kedmi.

Process Is Forever

Biri - Isolator [COUNTER015]

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

I Am

Robert Hood - Floorplan