Charles Fenckler - Gewitter

While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. Of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies. The potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre's diversity and dynamism.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.

Mö1

SubBerlin (The Story of Tresor)

Game One

Technatural EP

Teflon

Bandcamp : https://psicodelica.bandcamp.com
Beatport : https://www.beatport.com/es/label/psicodelica/24600

PREMIERE: Blooma - A New Day

Deep Ocean

Apaga la luz

Home. House. Hardcore.

Rave (Dirt Mix)

Buy the 12" + download from here: https://lnk.to/erolalkanPH83RMX1

I've asked some of my current favourite producers to remix my recent single. This is the one of two Machine Woman remixes of 'Silver Echoes', the other ('Minimal Machine Woman Remix') and an incredible version of 'Spectrum' by Matrixxman will be released in full on Friday 8th March on 12" vinyl and all digital formats via Phantasy. 

Really excited to get these out there, all of these remixes have been staple in my recent sets.

ON TOUR /// DJ DATES
 
MARCH
Saturday 9th – Club 69, Paisley [Scotland]
Friday 29th – BBC 6Music Festival @ Invisible Wind Factory, Liverpool [UK]
Saturday 30th – To The Rhythm @ EartH, London [UK]
APRIL
Saturday 20th – Inasound Festival @ Palais Brongniart, Paris [France]
Friday 26th – To The Rhythm @ YES, Manchester [UK]
MAY
Saturday 25th – Alfresco Festival, Kent [UK]
JUNE
Saturday 8th – Field Day, London [UK]
JULY
Saturday 20th – Sonar, Barcelona [Spain]
Saturday 27th – Standon Calling, Standon [UK]
AUGUST
Friday 2nd – All Together Now, Dublin [Ireland]
Saturday 3rd – Wilderness, Oxford [UK]
Saturday 11th – Boomtown, Matterley Estate [UK]
SEPTEMBER
Friday 6th – Skye Live @ Isle Of Skye [Scotland]

Buy the 12" + Download

Spectrum (Matrixxman Highway Remix)

Minimal Nation

Unix

Clocks / Low Life / Go

Low Life

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Unix

Robert Hood - Floorplan

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