This phrase was also recorded for a mic shootout project. This clip was recorded with a Blue Kiwi, large diaphragm condenser microphone, through a Chandler TG-2 pre-amp. The vocalist is Sarah Luther.

Mic Shootout - Blue Kiwi - Vocal

The last phrase of the mic shootout saga. A classic -- the Shure SM57 -- a dynamic microphone. Recorded through a Chandler TG-2. The vocalist is Sarah Luther.

Mic Shootout - Shure SM57 - Vocal

These tracks are both from a drum mix I did for recording class. One has a controlled reverb while the other has a more epic and huge reverb.

RIH - DrumMixing - Epic

The main song here is Network by The Chad. I took three DI guitar tracks and re-amp them to sit in the mix as best I could. This first track in the playlist is the full song plus my re-amp guitar tones with nothing but level and panning mixing. The next track is a clip of just the re-amped clean tone followed by a clip of the distorted tones.

Distorted Guitars

TheChad - Network - ReAmp Project

I play drums on this track with Brian Brodie playing guitar and bass and Ryan Coyer on vocals. This was actually the first time I've recorded drums to analog tape. Serious respect for the art of analog recording.
The song is High Road by Mastodon

High Road - Mastodon Cover

These tracks were each recorded through a different compressor to gain insight into how each compressor colors the track differently. 

Api 527

Dbx 160

I learned how to better use the time manipulating tools in Pro Tools, so I went back and fixed this track. Enjoy

RIH - DrumMixing - Revisited + Time Manipulated

This is the second Mastodon tune I've covered with these guys. Ryan Coyer on vocals and Brian Brodie on guitars, bass, and vocals. I played drums (imagine that) and did some harmonies... AND tambourine. Recorded at RecW and mixed by the Brodsauce. 

Api 527

Robertian8